Quotes of All Topics . Occasions . Authors
When I think back to the early years of my career, I wish I would have been less tolerant of the norms of that time. Compared to today's generation, my generation didn't call attention to unfair practices like equal pay and promotion tracks as often.
I've made so many changes to my records because of the way the audience has reacted at the various festivals I've played - I've taken tracks back into the studio, stripped them bare, and built them back up again to create something entirely different.
Then I have a head mounted display which actually was designed for the military to do synchronized building entries and that's looking down at my hands, so projected on the big screen behind me, you can see my hands as I'm putting the tracks together.
When I started trying to produce records for other people, one of the first tracks I wrote and produced was sort of a 'Kelly Clarkson circa 2008,' kind of big-brassy, guitar-pop, rock song. I was like, 'I can do this. I can make pop songs.' It was bad.
I grew up in poverty on the edge of a golf course. I saw how people lived on the other side of the tracks, the upper crust and the WASPs at the country club. We had chickens and pigs in our yards. We butchered every year. I'll never forget those things.
I have known Chithra long before I became a composer. Her growth has amazed me; she had not seemed extraordinary when I saw her singing at shows or recording tracks, for singers like S. Janaki and P. Susheela, at Tharangini Studio in Thiruvananthapuram.
I'll always work with Stones Throw, but I'm trying to start my own label to release my old material and sign new artists. I want to do everything from rock, to jazz, to electronic, to noise records and movie sound tracks. Both sampled and original music.
I looked long and hard at third films in series to see if there were any good ones that I could learn from. And there weren't any that hadn't just gone off the train tracks by their third film. Until, that is, I got to the third 'Lord of the Rings' film.
As a young kid, I spent a lot of time exploring the world around me. I lived a few miles outside of a tiny town in central Oklahoma. I would often run amok though the fields of wheat, the patches of trees, along the railroad tracks, and on red dirt roads.
I've programmed myself musically to come up with love-feeling tracks that are romantic, sexy, but classy, all in one. And that's the challenge. Once I create that music, then the lyrical content starts to come - you know, the stories and things like that.
Before I hit any country I always do my research. I look at what's on the chart there, what's worked in the last few years. As a deejay, as a producer, that's when I get editing. I bring my own edits of tracks that are really cool and happening out there.
I was known as an activist, described by CBC's 'The Fifth Estate' as 'the 23-year-old waitress who stopped the pulp company dead in its tracks.' Without knowing it was even possible, my activism helped me gain admission to Dalhousie University law school.
'Shine On You Crazy Diamond' and 'Wish You Were Here' are standout tracks. 'Comfortably Numb' is another one. 'High Hopes' from 'The Division Bell' is one of my favorite all-time Pink Floyd tracks. 'The Great Gig in the Sky,' 'Echoes,' there's lot of them.
Claire Danes in 'Homeland' just blew me away. She is so intuitive, and her choices are so unique. When you see somebody like that work, you just have to stop in your tracks. It is a lesson in what good acting really is, and it is so inspiring to be around.
Measurements of the specific ionization of both the positive and negative particles, by counting the number of droplets per unit length along the tracks, showed the great majority of both the positive and negative particles to possess unit electric charge.
I do listen to music. Movie scores, exclusively, because it's all about mood and nonspecificity. I love the way modern movie scoring is all about nonspecificity. You know, if I shuffled the tracks from 'Inception,' I challenge you to tell me which is which.
I was always fascinated by speed... My father was always an enthusiast and once I found a passion in racing, I had something in common with him, so from my childhood onwards we spent a lot of time going to karting tracks and racing in the various categories.
I'm involved with Kid One Transport and Studio by the Tracks in Alabama. Kid One literally transports kids to better health by giving them transportation they may need to get medical care. Studio by the Tracks is an art outlet for mentally challenged children.
'Tim Timtya' was different from what I usually do. I had to develop a texture to go with the song. In fact, many told me I sounded like Shreya Goshal, which came as a pleasant surprise. Transitioning from tracks like 'Sunny Sunny' to this one was quite different.
I am stupidly passionate about music; it has become a bit of drug. I buy tons of CDs and spend days listening to each and every one, putting notes on every song to know which tracks are good so that when I do my little MP3 collection, I know which songs to include.
I sing both in my shower and in my car, mostly in my car, because I have this weird thing - whenever I'm singing to the radio - my friends kind of hate it - but I pick out the harmonies in my head, and I'm singing the harmonies to the tracks and I'm jamming it out.
Go back to the very beginning, when we first started playing in local pubs. We used to play Chuck Berry covers. Every now and then, we'd slip in one of our own songs, and we found that we were getting away with it - nobody seemed to know these were original tracks.
I really believe in albums, even though some people believe the year of the album has passed. I love singular pop songs or tracks, but what really affects me most deeply is if there's an hour of music or 45 minutes of music that flows really well and tells a story.
It's been neat to find out different writing strategies. I've been in the room with so many different writers. Sometimes, you write with tracks, and other times, with acoustic guitars. That's been really a cool thing, because it brings out different lyrics with you.
Lauryn Hill quietly released 'Lose Myself' as part of the 'Surf's Up' motion picture soundtrack - shocking, I know. It's not only one of the best summer tracks you'll add to your catalogue: it's also one of the most honest and heartfelt songs she's has ever written.
There are no movie references that I can think of in 'Robopocalypse.' However, there are tons of personal references. For example, the IP address that Lurker tracks actually goes back to the Robotics Institute at Carnegie Mellon University, where I studied robotics.
I'm trying to use people like Meredith Monk and Philip Glass and Terry Riley as the backing tracks for new pop songs. It's really hard trying to use the format and write a pop song on top of avant-garde music, so we'll see. It could be cool, or it could totally flop.
In the U.S., we are free to speak our minds and to spend money without being forced to reveal our identities - except when using the Web. Browsing the Web leaves digital tracks everywhere in the form of log files, and anyone who hosts a Web site can be easily traced.
When citizens believe that the elite care more about those across the ocean than those across the train tracks, insurance has broken down, we divide into factions, and those who are left behind become angry and disillusioned with a politics that no longer serves them.
What is beauty, anyway? It's more than something pleasant looking. If it doesn't stop us in our tracks and make us unable to move for a moment, unable to put into words what's closing off the breath in our throats, then maybe it's pretty, but it probably isn't beauty.
I'm a huge fan of The Chemical Brothers and the Ninja Tune label and a lot of the stuff that they put out like DJ Shadow but I think, out of all of them, Leftism really just excited my musical brain in terms of the way that they mixed real instruments with dance tracks.
What happened in 2008 stopped people in their tracks. People stopped looking at their homes simply as commodities to exploit and starting thinking about how they might personalise that space and make them less bland and more autobiographical, and that's healthy, I think.
The lyrics are always the last thing I do. I always have a recording of basic tracks and maybe some of the lead work. I'll sit back and listen to it, and I'll just concentrate on what kind of feeling it gives me. My goal writing the lyrics is to not disrupt that feeling.
Most remember the groundbreaking first in sports; few remember the third or fourth to follow in those tracks. That's not downplaying anyone's achievements but rather recognizing that there comes a time when simply being there is no longer good enough for the record books.
'Blood Host' is super heavy. Especially on the verses, it has an industrial stomp. It's one of my favourite tracks just because the plot of it is so heavy. It's a total crushing tune; it doesn't get any heavier than that main riff, just a straight quarter-note powerhouse.
When you look at hip-hop, I want to do that: to spit fire and take our best from the ashes to build our kingdom; to recognize all the regional styles, conscious lyrics, the tracks, underground, mainstream, the way we treat each other. Lose the garbage and rebuild our scene.
I always practice, even on the cat tracks or in those interstitial periods. My dad says, 'Even when you're just stopping, be sure to do it right, maintaining a good position, with counter-rotational force.' These are the kinds of things my dad says, and I'm like, 'Shut up.'
I'd been sending out demos and CDs for years. I knew my stuff was good enough, but I was getting nowhere. Then, three people - my future manager and two publishers - happened to send one of my tracks to EMI publishing in the same week. All of a sudden, they were interested!
I feel like too many people on the West Coast, they're too needy. They feel they need Snoop or Game. I never did any tracks with any West Coast artists. Not because I didn't want to, but because I didn't feel like that's what I had to do in order to get on. I just did music.
In Spanish, I record a lot of single-voice tracks, and in English, I 'stack' a lot of voices, so it's very different, and I think I got so used to recording in Spanish for six years that it was really refreshing and challenging to get in and record 'Double Vision' in English.
In the back of my mind was the constant hankering, almost yearning, to write but something always stopped me in my tracks. Or if I did find my way to put a pen to paper or finger on a keyboard I'd give up after a few minutes. I'd find other things to do: Anything but writing.
I have worked with a lot of people, all very different creatives, helping me hone my craft and discover myself as an artist and the record I want to make. It's such an amazing process seeing and hearing the tracks that people could eventually be listening to on my debut album!
'Tracks' is based on the book by Robyn Davidson who, in the mid-Seventies, decided to leave the city, go to the outback, learn to train camels and walk across the Australian desert to the ocean: a journey that is about two thousand miles and will take about six or seven months.
I grew up in Haughton, Louisiana. I go to my white grandparents' house, and then I cross the railroad tracks and hang out with my black grandma. We have English teachers on my white side. My grandpa is a principal. And then you go to the other side, and people have been in jail.
Even if you have a big tune, live crowds can get sick of it. It's not just about the song but also the staying power and if people have connected with it in a certain way. I know that the tracks I put more emotion and depth into are the ones that have the staying power in clubs.
I got my first laptop, what I learned to do everything on, when I was 17 or 18, and I had no idea what I was doing. I'd only ever produced on an 8-track before. When I was about 13 and writing songs, I would write on that. It would literally be eight tracks, and that's all I had.
'Banshee' is the story of a man who gets out of prison, tracks down his long-lost love, and tries to reclaim what was stolen from him years earlier by assuming the identity of a sheriff. I guess you could say it's an explosive action drama - sit down, strap in, and enjoy the ride!
Driving a stock car does not require much handling ability, at least not as compared to Grand Prix racing, because the tracks are simple banked ovals and there is almost no shifting of gears. So, qualifying becomes a test of raw nerve - of how fast a man is willing to take a curve.
There are so many forms of soul: David Bowie was soulful as hell; Johnny Cash was soulful as hell; you also have a Prince, a Stevie Wonder. I want to bring my perception of that and not live inside the box of, 'This is the type of tracks you get,' 'This is the type of drums you get.'
Day baseball is now dead for all practical purposes. Sooner or later, the game will be played in its entirety at night, and as I've said before, then baseball will be squarely in the amusement, the entertainment business along with wrestling, midget auto racing and the trotting tracks.