Track Quotes - Page 39

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Their element is to attack, to track, to hunt, and to destroy the enemy. Only in this way can the eager and skillful fighter pilot display his ability. Tie him to a narrow and confined task, rob him of his initiative, and you take away from him the best and most valuable qualities he posses: aggressive spirit, joy of action, and the passion of the hunter.

A technique can only work if it is in harmony with universal principles. Such principles need to be grasped through Mind, pure consciousness. Selfish desires thwart your progress, but Mind, not captivated by notions of victory or defeat, will liberate you. Mind fixes your senses and keeps you centered. Mind is the key to wondrous power and supreme clarity.

I have no use whatsoever for projections or forecasts. They create an illusion of apparent precision. The more meticulous they are, the more concerned you should be. We never look at projections, but we care very much about, and look very deeply at, track records. If a company has a lousy track record, but a very bright future, we will miss the opportunity.

Finishing a song is definitely the hardest part. It's, you know, you can polish it forever and then whittle it down into something it wasn't and be like, "I need to build it back up," which is why some tracks have 400 versions. But I guess you know when it's done when...I have a maximalist approach to sound when I can't find any more space to put new sounds.

We're actually taking people that are criminals, very, very, hardened criminals in some cases ... with a tremendous track record of abuse and problems, and we're getting them out and that's what I said I would do. ... And I said at the beginning, we are going to get the bad ones, the really bad ones, we're getting them out and that's exactly what we're doing.

I don't want to be lofty when I say this, but I don't know what a success is any more. I know how we define it, but that was a moment where I went, "Wait, who am I?" You could feel the business, in particular, kind of go "He's all right, let's go over here." I started to go, "Wait, I know why I love to do this." I think I got off track in why I love to do it.

I remember watching that show [Golden Girls] with my parents and not totally understanding it. Like, a lot of comedy flew over my head, a lot of the sexual stuff I didn't know. But because there was a laugh track, I'd laugh really hard, and I'm now remembering the look on my parents' faces - I had no idea why it was funny. I was sort of, like, laughing along.

it's about a love song to myself, and a love song to the universe, kind of like the way that Song of Solomon consists of love songs to God or like the way Sufi poems are erotic love songs to God, I kind of wanted something like that. Because I was getting to know myself more deeply at this point. I've always been on this track where I wanted to be enlightened.

I like reading for things. I've shown up for jobs before where I haven't read for them, and there's something kind of intimidating about that - where the first words they'll hear from me are when they call "action." There's something about actually going in and earning a part and going, like, "Okay, they really liked what I did, and so I'm on the right track."

In these days of high-tech video games, it's remarkable that kids once got incredibly thrilled while pushing little metal racing cars around a cardboard track: The toy car was yours, and you invested it with importance and enhanced it with fantasy and pitied it because it was small, like you were. Such games were weapons against the ennui of endless Saturdays.

She had lost herself somewhere along the frontier between her inventions, her stories, her fantasies and her true self. The boundaries had become effaced, the tracks lost, she had walked into pure chaos, and not a chaos which carried her like the galloping of romantic riders in operas and legends, but which suddenly revealed the stage props: a papier-mâché horse.

There was an analyst who came out the other day who's had a long track record of projecting presidential campaigns based on the economy and other kind of factors. And he said if [Donald] Trump stays about where he is right now, he'll win at about 51 or 52 percent. If Trump actually gets his act together in a disciplined way, he could win by as much as 66 percent.

It was really hard to do that at first. You have been holding onto this thing - even though you know what someone has done before and you have faith in what they can achieve - it's just a matter of whether that's gonna be right for you. At first you do need to be quite protective; to make sure it's going down the right track, so I was pretty nervous to begin with.

I thought Everything Ecstatic was the happiest of them all - hence the "ecstatic" name. The whole concept behind that was total out-and-out euphoric mania. I think tracks like "Smile Around The Face" are the jolliest things I've ever done, really. But one of the things I like about my music is the fact that it's instrumental, so there are no lyrics to guide people.

I like to envision the creation of a short story collection as being like putting together a jazz album. Yes, there's logic and literary structures imposed by me, but at the same time, all the tracks are shaped and ordered in a much more improvisational manner. The guiding principle for me is whether or not a story adds a layer or texture to the overall collection.

I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.

When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape. I always record everything, even a run through where you're trying to get in tune. That's a principle because sometimes when the situation isn't clear interesting things happen, and they are worth listening to again.

My comfort zone musically, I wouldn't necessarily say I have one now. But, when I did have one, I can definitely identify that it was sampling. I had to identify it honestly as sampling because I started to become dependent on using samples in order to make a track rather than being dependent on myself to make the track because I maybe didn't trust myself enough then.

But coming home that day, walking downhill with a panorama of valley and hills before me, I turned my gaze inward, and what I saw, stopped me in my tracks. Instead of the usual unlocalized centre of myself, there was nothing there, it was empty, and at the moment of seeing this there was a flood of quiet joy and I knew, finally I knew what was missing-it was my "self".

You need a combination of many things to get good results. Experience is one of these, and it can be very useful at the right moment. I don't know if it helps to go faster, but for sure it's an important element that has helped me a lot. Being experienced helps you to make fewer mistakes when you are on track. This is the positive side for being around for so many years!

To seek approval is to have no resting place, no sanctuary. Like all judgement, approval encourages a constant striving. It makes us uncertain of who we are and of our true value. Approval cannot be trusted. It can be withdrawn at any time no matter what our track record has been. It is as nourishing of real growth as cotton candy. Yet many of us spend our lives pursuing it.

We'd be recording and I'd go down to Greenpoint where Rostam was living and track stuff... It was a busy time. I felt like in general, I was just super psyched with the prospect of getting to be a musician, that it became a thing that I would think about more than I would think about my studies and stuff like that. I still did fine, but it was an interesting time in my life.

Both creatively and organizationally, being medicated has helped me immensely. My career did not start until I was medicated. And then I can track - the years I was off medication, things dipped. And the years I went back on medication is when things started to get good for me again career wise. It is 100 percent in my case undeniable that being medicated helped my creativity.

Your relationship is not supposed to be perfect all the time, your business is not supposed to do well all the time, your soufflés are not supposed to raise perfectly all the time. Everything is designed to go wrong so that you can gain the skills of rediscovering your tracks, even in difficult or frightening circumstances. Especially in difficult and frightening circumstances.

There are some moments in life that are like pivots around which your existence turns—small intuitive flashes, when you know you have done something correct for a change, when you think you are on the right track. I watched a pale dawn streak the cliffs with Day-glo and realized this was one of them. It was a moment of pure, uncomplicated confidence—and lasted about ten seconds.

I'm going to continue to push for a no-fly zone and safe havens within Syria not only to help protect the Syrians and prevent the constant outflow of refugees, but to, frankly, gain some leverage on both the Syrian government and the Russians so that perhaps we can have the kind of serious negotiation necessary to bring the conflict to an end and go forward on a political track.

I'm not a nostalgic person for the glory days of 8-track sales at the local K-Mart. But there's a little bit of flattery and a little bit of horror. It's a mixture. It's like sublime shock and awe, but also terror. That's always the way I feel about how music flows through those types of networks. I'm mostly cool with it, but I definitely appreciate when people support the work.

The greatest act of love was to make a tape for someone. It was the only way we could share music and it was also a way of advertising yourself. Selection, order, the lettering you used for the track list, how much technical detail you went into, whether or not you added artwork or offered only artwork and no track list at all, these choices were as codified as a Victorian bouquet.

I just went into the studio and did it all in one take. All I was thinking about was the next record; I had already sourced the tracks I wanted to use. I'd been thinking a lot about it and I wanted to represent myself, Leeds and fabric. I'm not very nationalistic, but I wanted to represent what was coming out of Britain as well as at the moment there's a lot of really good new music.

I find it is a challenge being a student athlete, but I am the kind of individual that loves challenges. I see this as my job rather than a chore so it makes it easier to get through the day. Regular students don’t spend 4 hours at the track, 2 in the training room and they especially don't have to watch everything they eat. I enjoy what I do immensely and take the good with the bad.

Craft takes time, and therefore it is luxury. You cannot do an amazingly well-made garment without taking time—not just the time it takes to make something but also the time it took the maker to come up with the idea. That is all luxury, and that has been lost because were trying to make things faster and faster, cheaper and cheaper. The consumer tends to lose track of what luxury is.

For me, the music that resonates the most is one with a vision. I think that's what separates artists from entertainers. There are a lot of DJs and producers that make entertaining tracks that are effective in the club. They may make you feel nostalgic, or they may make you feel happy, or anxious or whatever - that can be entertaining, useful, and functional but there could be no vision.

It's a very different experience shooting in 3-D because the camera rigs are so large. Everything we've become accustomed to in the last ten years as filmmakers, which is cameras getting smaller and smaller and you can just throw them on your shoulder and stick them in a car and do whatever you want, you can't do any of that now. You're forced to put things on dollies and track and cranes.

Earl Scruggs had this thing that it wasn't just the technique or even the instrument. It was him. There was this soulful quality that came through that made you - if you're somebody like me who was, I guess, supposed to play the banjo, it made you stop in your tracks, and you couldn't do anything until you got done hearing him play, and then immediately you'd have to go try and find a banjo.

The stories circulating that Kanye West's laptop has been stolen are completely false. His laptop has never been out of his possession. Hence, the laptop has not been hacked, and there has been no leak of personal data such as unreleased music, photographs, designs, videos or any other personal files. The leak today of the unreleased track 'Awesome' was unrelated and completely coincidental.

Fallen man is not simply an imperfect creature who needs improvement: he is a rebel who must lay down his arms. Laying down your arms, surrendering, saying you are sorry, realizing that you have been on the wrong track and getting ready to start life over again from the ground floor-that is the only way out of a "hole." This process of surrender-this movement full speed astern-is repentance.

Go with your love to the fields. Lie down in the shade. Rest your head in her lap. Swear allegiance to what is nighest your thoughts. As soon as the generals and the politicos can predict the motions of your mind, lose it. Leave it as a sign to mark the false trail, the way you didn't go. Be like the fox who makes more tracks than necessary, some in the wrong direction. Practice resurrection.

Artists and creative workers - people who have accomplished work worthwhile have had a very high sense of the way to do things. They haven't been contented with mediocrity. They haven't confined themselves to the beaten tracks; they have never been satisfied to do things just as others do them, but always a little better. Few are those who see with their own eyesand feel with their own hearts.

If you speak [ about violence against Israelis], you are in an unspeakable place, have become a Nazi or its moral equivalent (if there is a moral equivalent). It certainly terrifies, but perhaps also it is a linguistic permutation of state terrorism, an assault that stops one in one's tracks, and secures the continuing operation of the regime and its monopoly on politically intelligible speech.

Wishing is good for us. Daydreams, fantasies, castles in the air, and aspirations All drive us forward, Impel us to make things happen. They also tell us a lot about ourselves. Our wishes come straight from our core, And they are loaded with vital information About who we are and who we can become. Keeping track of our wishes Helps us tap into the energy That propels us to go after our happiness.

The reason the middle section switches to third person is, well, this is middle age. This is the part in her life where she loses track of something that was driving her and has to figure out what's going to drive the next part of her mission, this mission to be an author. I had to push back away from her for a while before we could come up to that really lyrical close third in the final section.

There was a culture that came out of the self-esteem movement which was don't anybody keep track of the goals. The kids keep track, but nobody keep track of the goals because we don't want the kids to have the experience of losing. And in depriving them losing, thinking it scarred them to lose, we made losing so taboo, so unspeakable, that we instead made losing more scary to kids, not less scary.

Of course you lose track of where you are sometimes, as you finish a show and ride in a tour bus from anywhere from 3 -12 hours and wake up in another city, and check into a hotel. So, I woke up after a few hours, packed all my stuff up and headed for the bus to depart for that day's show. I get to the lobby and our production person looked at me and said, "where are you headed?" - It was a day off!

I remember researching a really complicated article and having trouble keeping track of all the different perspectives. I ended up drawing a diagram to help myself follow how the ideas were interrelated. I looked at the diagram when I had finished and thought, "Oh, maybe I don't need to write the article now - maybe I've done my job as a journalist. I can convey my understanding through the diagram."

I think one of the tragedies of the civil rights movement was because the civil rights movement became so court-focused, I think that there was a tendency to lose track of the political and community organizing, and activities on the ground, that are able to put together the actual coalitions of power throughout which you bring about redistributive change. And in some ways, we still suffer from that.

Beauty consists of its own passing, just as we reach for it. It’s the ephemeral configuration of things in the moment, when you see both their beauty and their death. ...Does this mean that this is how we must live our lives? Constantly poised between beauty and death, between movement and its disappearance? Maybe that’s what being alive is all about: so we can track down those moments that are dying.

I thought that my voyage had come to its end at the last limit of my power, that the path before me was closed, that provisions were exhausted, and the time come to take shelter in a silent obscurity, but I find that thy will knows no end in me, and when old words die out on the tongue, new melodies break forth from the heart, and where the old tracks are lost, new country is revealed with its wonders.

At the same time, you had Barack Obama as a president. You had Hillary Clinton on track, all the Democrats looking good. And, you know, Donald Trump was just an entertaining buffoon to watch. And, over time, you came to realize that Donald Trump was appealing to a lot of people with his populist message. And, slowly, I think, even as a show, we started shifting in tone as the election started shifting.

Any kind of sequence when you have to express physical space and time can be difficult to story-tell because, if you're sitting there watching it like it's a play or something, your mind can track what's going on, or if you're watching an actual fight you can kind of track what's going on, but as soon as you have to start telling the story and tracking for the audience, it becomes much more complicated.

The success factor is a combination of intuition and honestly, it's mostly only intuition. A design business is inherently dependent upon the intuition of its chief designer. Luckily I have a track record that if you show me five pairs of shoes I will almost always pick the one pair that will sell the best. It's just a gift I have for mass taste - a link with what people want in a certain moment in time.

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