Track Quotes - Page 38

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Everything that enters our field of perception means something, large or small. Everything speaks to us, if we will take off our headphones and hear a different sound track. Everything corresponds. We travel better in the forest of symbols when we are open and available to all the forms of meaning that are watching†and waiting for us.

I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.

I didn't get a ton of interest from colleges in baseball and football, but I was outstanding in track and had the sense that this would be my meal ticket... Track was a sport where I saw immediate improvement, and I had a lot of good support behind me... and the coaches had a lot of experience and pushed me in that direction for sure.

I can remember the first time I ever recorded my vocals on to a beat. Cat Coore from Third World - a legendary Jamaican band - had a little demo set up at his house. I'm very good friends with his eldest son, Shiah, who plays with me now. So we were rhyming over a track by the dancehall artist Peter Metro. I've still got it somewhere.

I'm good at separating my personal life from racing. When I'm at track, it's race time; when I'm away from it, other than the fact I'm training to be fit for it, there is nothing at home that makes me even want to think about racing. I just want to enjoy my life, and by the time the next race comes around, I'm ready and excited for it.

A funny thing happened on the way to utopia: We've turned into this surveillance society and become a race of spies, where we track our kids and we track our spouses and we track our friends. I think very soon there will be an obsolescence of trust, because it's much easier to access a person's location than it is to ask - or to trust.

I knew Shin [Biyajima] a little bit early on, but it's funny because where I really met Shin, and where he made a strong impression on me, was in Jackson Hole. I sledded back to a secret zone way deep in the Jackson backcountry to some freeriding. I got out there and followed some snowmobile tracks figuring it's just some snowmobilers.

Our achievements speak for themselves. What we have to keep track of are our failures, discouragements and doubts. We tend to forget the past difficulties, the many false starts, and the painful groping. We see our past achievements as the end results of a clean forward thrust, and our present difficulties as signs of decline and decay.

I've watched and learnt from DJs and remixers and paid way more attention to how I want my voice to sound. Before, as long as it was loud and in tune it was fine. I've discovered the difference made by various microphones and effects, so each track has a different vocal sound, my voice is woven into everything and it's above everything.

Elton John can be a master of the sleight of hand. The arrangements make it seem like there are substantial melodies underneath the tracks - but almost nothing demands repeated listenings. Similarly, he always sounds like he's singing up a storm, but his voice glosses over the material, reducing most things to an uninteresting sameness.

Of all the pitfalls in our paths and the tremendous delays and wanderings off the track, I want to say that they are not what they seem to be. I want to say that all that seems like fantastic mistakes are not mistakes, all that seems like error is not error; and it all has to be done. That which seems like a false step is the next step.

The first time I heard the word 'transgender' had been in a sitcom episode that mocked the potential for cisgender people to find people like me attractive. Every time someone expressed any interest in the gorgeous trans guest character - her identity still a secret to most of the main characters in the show - the laugh track would cue.

All music done, as I said, through low res mp3 and $5 earbuds and so I think as a producer or a band you want your music to sound good in that medium. Sometimes when I'm doing a mix I'll listen to it on my laptop, on the crappy speakers on my laptop. It lets me know what the tracks gonna sound like if someone else listens to it that way.

To serve as prime minister while being too mindful of the approval rating is like serving as a prime minister on a roller coaster. What is important, I believe, is that I really act on promises that I make and leave results. Leave a track record and show that to the Japanese public, who will, at the end of the day, I hope, appreciate it.

I like the marathon because it's one race where you can find out who's really the toughest. On the track, sometimes a guy can just pull away, and you want to stay with him but you don't have the leg speed. The marathon is slow enough that anyone can stay with you if he wants, if he has the will. The marathon is ultimately a test of will.

If you track something like a political campaign and parcel out what's being communicated in a literal and narrative sense, and what's being communicated by means of emotional and symbolic language, you might find that it's the latter elements that absolutely dominate and move people. It makes me want to take that language and expose it.

All my life, I have been surrounded by the track. The week I was born, Dad took me to training. I do recall at some stage being pushed around in a pram on a track. I have a lot of inspiration from him. To see him carrying the Sydney Olympic torch really ignited my dream. As a coach, he knows the in and outs of race walking and technique.

We are focused on features, not products. We eliminated future products that would have made the complexity problem worse. We don't want to have 20 different products that work in 20 different ways. I was getting lost at our site keeping track of everything. I would rather have a smaller set of products that have a shared set of features.

'Long Black Train' was inspired by a vision that I had of a long, black train running down this track way out in the middle of nowhere. I could see people standing out to the sides of this track watching this train go by. As I was walking, experiencing this vision, I kept asking myself, 'What does this vision mean and what is this train?'

The poet's discourse can be compared to the track of a charged particle through a cloud-chamber. An energised field of association and connotation, of overtones and undertones, of rebus and homophone, surround its motion, and break from it in the context of collision .. in Western poetry so much of the charged substance is previous poetry.

A good breeder or experienced rescue agency wants you to prove that you'll be a capable caretaker. The interrogation and screening can be annoying, but it's also a sign that you're on the right track. A breeder ought to know if you work long hours away from home, have a fenced yard, have kids or other animals, or if you have access to parks.

The Marianne Vos Route goes through the seven villages of Aalburg, where I grew up, and celebrates my World and Olympic titles with a number of benches along the route, where you can stop and rest your legs. You'll see the white windmill in Meeuwen and, in Babylonienbroek, a statue of the silver bike I rode to celebrate my Olympic track win.

When an audience is affected in a way that I've seen with some people, it's so inspiring to me an actor. You know that you're on the right track and you're doing work that can affect people. When that goes hand-in-hand with important issues that we're still living with, and we will be for a long time, sadly, it's so confirming of everything.

I quit my last real job, as a writer at a magazine, when I was twenty-one. That was the moment when I lost my place of prestige on the fast track, and slowly, millimeter by millimeter, I started to get found, to discover who I had been born to be, instead of the impossibly small package, all tied up tightly in myself, that I had agreed to be.

Following your bliss is not self-indulgent, but vital; your whole physical system knows that this is the way to be alive in this world and the way to give to the world the very best that you have to offer. There IS a track just waiting for each of us and once on it, doors will open that were not open before and would not open for anyone else.

When you drive a car, either you manage it and feel it with the grip of the car, or, like me, you fix it on visual speed. If you do it through the grip, you lose it very quickly - because when the track changes, you can have scares. I do it visually, so if I am going too fast I fight to get the car back, but I do not do it by feeling the grip.

But for me it's very difficult to finish music on my own. It's the fear of losing the fun. It's very easy to get a sketch of something or an idea together in a very short time, to try out something new, but to get a five minute track to play out is much harder, at least for me. When I start to construct something, it often ends in frustration.

It's very important that people know that I really enjoy everything that has happened to me. And I tell my kids... you're not going to be the tallest, fastest, prettiest, the best track runner, but you can be the nicest human being that someone has ever met in their life. And I just want to leave that legacy that being nice is a true treasure.

When I was about 15 I had already been recording on my four track in my room, but I couldn't find anyone in my town to be in a band with me. I was in a band very briefly with a bunch of guys and they kicked me out because they wanted to play grindcore. I think they didn't think I could tread hard enough or something. So I started playing solo.

I think Michelle Obama is on the right track with her Let's Move campaign to bring down childhood obesity. She and I come from the same state, Illinois, which is number four in the nation for obese children. One out of five Illinois children are considered obese. Not overweight, obese. And two-thirds of Americans are either overweight or obese.

We've demonstrated a strong track record of being very disciplined with the use of our cash. We don't let it burn a hole in our pocket, we don't allow it to motivate us to do stupid acquisitions. And so I think that we'd like to continue to keep our powder dry, because we do feel that there are one or more strategic opportunities in the future.

When I work with artists, I give them a general guideline of what my vision is. Then they're going to speak their minds on how they view it, too. The song that defines 'Neon Future' the best is the title track. I wrote that with Luke Steele of Empire of the Sun. It's through his words. We had an amazing songwriting session together, connecting.

I set myself 600 words a day as a minimum output, regardless of the weather, my state of mind or if I'm sick or well. There must be 600 finished words — not almost right words. Before you ask, I'll tell you that yes, I do write 600 at the top of my pad every day, and I keep track of the word count to insure I reach my quota daily — without fail.

Every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to. Even as a Beatle, they'd say, 'Oh, double-track that.' I don't know how you do that, because when I'm in a fill I'm sort of this blackout, just this pure me coming out and I can't pure me the same, twice. So, that's that.

I knew when the ball was going out (over the Green Monster). It was something I worked into the decoy, but it used to tick the pitchers off. Bill Monbouquette used to say, 'Can't you at least make it look like you can catch it?' Meanwhile, the ball would be on its way over the fence to a spot three-quarters of the way out to the railroad tracks.

I listen to a lot of different kinds of music and rather than just doing one thing when I make an album, the challenge to myself is to write all these diverse tracks, but to make them work. It's like a jigsaw because if you've got a lyrical track going into a hard rock track... it's got to work. You've got to write things that will work together.

The Trans Pacific Partnership (and fast-track authority to whisk it through Congress without debate) is fast approaching. If you haven't seen our video about it, please watch. If you have, please share. And mobilize and organize friends and colleagues to call their senators and representatives to tell them to vote against this reprehensible deal.

I remember going onstage on Broadway in this Leigh Bowery thing for a track like "Ich Bin Kunst." I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie [O'Donnell] was trying to sell the show as sort of Pippin and Annie. She was saying it's a family show.

I used to be a huge fan of Heavy Metal magazine growing up, and I was exposed to Cobalt there and fell in love with the character and the world. I've tried to track it down and pursue it myself to make a movie out of it. Also I felt like the thing that's cool about Cobalt is it does have a culty kind of underground quality to it that I really like.

Pitbull is, like, one of the most incredible humans. He's an amazing guy, and when we first connected on 'Fireball,' he said, 'I love it!' He recorded the verse in a day, we mixed it the next day, and it was on the radio in like two weeks after we made the initial track. That's just how he works. He's so hard working, kind, and really appreciative.

I proceeded to prove everybody right as to how bad an economics student I was by failing as an assistant manager in every theatre I went to that hired me, both as an assistant manager and as an actor. I lost money and tickets, and I couldn't keep track of anything. So eventually they fired me from assistant-manager jobs, but kept me on as an actor.

In England I played everything - swimming, athletics, football, rugby, badminton, cricket - all of that stuff. I was in the first teams for all the sports at Brighton, played on the wing in rugby, and ran 100m, 200m, 400m, and did long jump and even the javelin at one point. In the States I did a bit of track, but mainly I was there for the boxing.

Hurdlers are sprinters with a problem. They're not satisfied just to sprint. Anybody can sprint, some not as well as others of course, but anybody can sprint. Not everybody can run hurdles. There's an extra dimension involved. Hurdlers would make a good subject for a thesis in psychology - they are of apersuasion that just needs an extra dimension.

The men who founded and governed Massachusetts and Connecticut took themselves so seriously that they kept track of everything they did for the benefit of posterity and hoarded their papers so carefully that the whole history of the United States, recounted mainly by their descendants, has often appeared to be the history of New England writ large.

Let us confess a truth, humiliating to human pride; - a very small part only of the opinions of the coolest philosopher are the result of fair reasoning; the rest are formed by his education, his temperament, by the age in which he lives, by trains of thought directed to a particular track through some accidental association - in short, by prejudice.

Spiritual lust--'I must have it at once'--causes me to demand an answer from God, instead of seeking God himself who gives the answer. Is today 'the third day' and He has still not done what I expected? Whenever we insist that God should give us an answer to prayer we are off track. The purpose of prayer is that we get a hold of God, not of the answer.

Every time you show something to somebody they're going in one direction, when they see that thing you did they're going to go off track - maybe towards a direction that you think is more important. They'll be more discerning, they'll probably see things a little bit more profoundly, they'll spend more time trying to understand what's in front of them.

I love hip-hop. I'm big into Jay-Z, Kanye, Little Wayne. Those are everyone's favorites, I know. I just like the fact that when they get on track and talk about whatever they're talking about, they have supreme confidence. That's pretty much what you need to have on the field. I like the way they approach their music, they feel like no one can touch them.

Hip-hop music in general kind of revolves around singles, and I appreciate that mindset, but at the same time, I wanted to go beyond that. It's not like I was intending to make a classic record - I mean, I'm always trying to make timeless music, but I really just tried to reference the music that on a road trip you can put in and not have to skip a track.

Thus those reformers, who look for a remedy by creating artificial carrying-costs for the money through the device of requiring legal-tender currency to be periodically stamped at a prescribed cost in order to retain its quality as money, or in analogous ways, have been on the right track; and the practical value of their proposals deserves consideration.

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