Quotes of All Topics . Occasions . Authors
I've met men who've stood in long lines on my book tours, and they've said things like, 'I've read your books and they've changed the direction in my life, and I want to thank you.' I think they're standing in line for their wife or their mother or their sweetheart or somebody, but no.
There are certain artists that get into the little circle in hip-hop, and everybody is talking about them, and they are buzzing. But they can't go out and sell out tours, perform in front of 3,000 people a night, and things like that. We did things backwards; with Visionary, we got all the fans first.
Before I got into grad school, I used to work as a deck hand on these ferry boats in San Francisco, and they did day tours. It wasn't a bad job. I made decent money. But you were sitting down all day, tying up the boat, wiping it down. For some guys, that's a dream job, but for me it was kind of torture.
I started many years ago using the Boss DS-1 and then graduated to the Satchurator and putting that right into that clean channel, and that sounds great. I've done many tours with that setup. Then we took the next two channels that were part of the JVM sound in channel 1 and made them a little more subtle.
Book tours are really kind of fun. You get to stay in nice hotels, you are driven everywhere in big silver cars, you are treated as if you are much more important than you are, you can eat steak three times a day at someone else's expense, and you get to talk endlessly about yourself for weeks at a stretch.
I experienced the heat when I was playing for Madrid. If we went to places like Sevilla early on in the season it was unbearable. Usually you can feel it on pre-season tours in places like Kuala Lumpur, Singapore, Jakarta. The humidity levels are unreal, but this is different, the first game of the World Cup.
Most novels put out by small or corporate presses don't really sell that well - usually a thousand copies or so. Working with a small press, you have to be willing to book reading tours, plan events, make contacts with other small press authors, and find new ways of getting word about your new work out there.
It's important to learn to say no. With tours and all of that stuff, there are so many aspects that go into it, it's easy to have so many people around you saying, 'Oh yes, yes, you can afford this, you can afford this,' and then all of the sudden you've spent $20 million on your stage, and you're like, 'Where's my money?'
No one really knows the value of book tours. Whether or not they're good ideas, or if they improve book sales. I happen to think the author is the last person you'd want to talk to about a book. They hate it by that point; they've already moved on to a new lover. Besides, the author never knows what the book is about anyway.
I had a general burnout: I got extremely tired; I couldn't do anything anymore. I canceled tours; I cancelled everything in my life. For a year and a half, I was completely sick; I couldn't do anything. So yeah, I wanted to write about it in my lyrics. 'Anatomy Of A Nervous Breakdown' is really about that, the inspiration behind it.
At this point in my life - age 24 - I have chosen a fairly strange path that not many are walking. I am a professional spoken word poet who tours the world performing and teaching. I run an organization called Project VOICE dedicated to using this art form as an education and empowerment tool in schools and communities of all kinds.
I go out on publicity tours for my books, and, you know, Latinos, they bring everybody in the family to everything, even little kids. So I always ask the kids, 'Who wants to be the first Latino President?' It used to be no hands went up, or maybe one or two. Now, with Obama, many of the little hands go up. It will happen in my lifetime.
I love my lecture tours. I get up onstage. I have my stack of books and a glass of water and a microphone. No podium, no distance between me and the audience, and I just talk to people and get all excited and tell a lot of jokes, and sing some songs, and read from my work and remind people how powerful they are and how beautiful they are.
I assisted Bobby Houghton at Halmstads, and we were both just under 30. We'd say, 'Wouldn't it be great to do this for maybe 10 years, save a little money, then perhaps start a little business together.' Some sort of travel agency. We had no football thoughts beyond that, other than maybe combining it with a bit of sport, getting a few tours going.
