Quotes of All Topics . Occasions . Authors
Marylata [ Elton] introduced me to Hans Zimmer. Hans tapped me [to] work on songs for DreamWorks' animated features. I arranged Elton John's opening main title for The Road to El Dorado, I played guitars on Shrek for Harry Gregson-Williams and John Powell, I co-produced "I Can See Clearly Now" for Antz.
I prefer to win titles with the team ahead of individual awards or scoring more goals than anyone else. I'm more worried about being a good person than being the best football player in the world. When all this is over, what are you left with? When I retire, I hope I am remembered for being a decent guy.
She told me later that she had made a kind of note of me in her mind, as, scanning the shelf for a particular book, one will sometimes have one's attention caught by another, take it down, glance at the title page and saying "I must read that, too, when I've the time," replace it and continue the search.
All of the great social justice advances that we ever had in this country have come not from people with big titles and not from people at the top, but just from everyday people getting together saying 'Enough is enough. I'm going to change this, and I'm going to get involved, and I am going to be engaged.'
At United, my United, we had been honed into a ruthless team who played great football but, ultimately, were there to win football matches and league titles. At Newcastle, they could certainly play on their day, and the crowd was formidable, but there was a weakness - a vulnerability that you could seek out.
People sometimes think of 'queen' as a title that's shrouded with protocol and formality, and for that reason sometimes people are not easily saying what they want to say. They're reluctant to express their opinions, and I kind of find that frustrating because I want to know what people really, really think.
The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and "the poet," my multigenre impulses incline me to a broader transformation: to be a writer.
Cotton Mather's publications in his own lifetime amounted to more than 400 titles, and his magnum opus, on which he labored most of his life, remains unpublished: a commentary on every verse of every book of the Bible. Anyone who leaves that kind of record behind issues an irresistible invitation to historians.
The marketplace for books when I entered the business shortly after World War II consisted of a thousand or so well stocked independent booksellers in major towns and cities supplemented by thousands of smaller shops that carried limited stocks of mostly current titles along with greeting cards, toys and so on.
I checked on the Internet this morning, and I realized that with five individual world titles, I was level with my elders Florian Rousseau and Arnaud Tournant, who were the sprint leaders in France when I started at the French Institute of Sports and taught me everything. I had the chance to overtake them, and I did it.
Average Americans order nonfat decaf iced vanilla lattes at Starbucks and choose from 1,500 drawer pulls at The Great Indoors. Amazon gives every town a bookstore with 2 million titles, while Netflix promises 35,000 different movies on DVD. Choice is everywhere - liberating to some, but to others, a new source of stress.
While social media skills were once a 'nice-to-have,' accreditation in the space is becoming a requirement for many of these job titles. Hiring managers and job seekers are realizing that printing stacks of resumes is turning passe, and social media is rising as the new way of generating real-time networking opportunities.
In the founders of great families, titles or attributes of honor are generally correspondent with the virtues of the person to whom they are applied; but in their descendants they are too often the marks rather of grandeur than of merit. The stamp and denomination still continue, but the intrinsic value is frequently lost.
I teach a lot of graduate creative writing classes, and on the first day, I like to go around the room and ask everybody what's the last book you've read that you really loved. And all of the women tend to give me chick lit titles. And to me, that's sort of disappointing because it's their only exposure to fiction somehow.
I'm a visual thinker, so I think of everything visually, first. A lot of what an issue will become for me starts with me thinking, "What's a great cover?," or "What's the splash image?," or "What is the title of the issue? How do I see the text?" I think about all of that stuff, and then the story comes out of that imagery.
It is necessary a writing critic should understand how to write. And though every writer is not bound to show himself in the capacity of critic, every writing critic is bound to show himself capable of being a writer; for if he be apparently impotent in this latter kind, he is to be denied all title or character in the other.
I hope for so much from every book I read. And time and again, I find myself disappointed. I look across my bookshelves and see hundreds of titles which in my memory seem merely mediocre or second-rate. Only occasionally does a novel appear for which I feel a lasting passion, a book that I think could in time become a classic.
The origin of all civil government, justly established, must be a voluntary compact, between the rulers and the ruled; and must be liable to such limitations, as are necessary for the security of the absolute rights of the latter; for what original title can any man or set of men have, to govern others, except their own consent?
I don't hate the music, but I hate the process. When I look at it, I don't see song titles and artwork, I see the fight - I see the emotions, the blood, sweat and tears. There are a couple of songs on there that I love; but 'Lasers' is a little bit of what you love, a little bit of what you like, and a lot of what you had to do.
I think in everything we did, there's a sense of tension and a sense of things pulling in a different way. It's interesting calling it "beat music". That's quite true, the rhythm is up to the fore, it's got a slap bass, and it's got "funk" in the title. But I think there's always a level of irony when we did those kind of things.
Most people are defined by their titles, their cars, their house, where they came from, their color, their race, their religion. And so it's up to you to take control of your own life and define you. As long as you understand who you are and you have a solid foundation of understanding what your talents are, what your skills are.
We always look back at our back catalogue for inspiration for new titles, but when it comes to very old things like the 'King's Field' series, I'm concerned about just mimicking the style of what Naotoshi Zin, the founder of FromSoftware, created for the PlayStation original. I would rather not go back to it simply out of respect.
My lectures, based on Islamic teachings, were on various subjects. Some of the titles were, 'The Intoxication of Life,' 'The Purpose of Life,' 'The Real Cause of Man's Distress,' 'The Journey to the Goal in Life,' and, one of my favorites, 'The Heart of Man.' They contained important insights that spoke to something deep inside me.
Judging by the volume of titles published each year, mystery readers are restless in their pursuit of literary escape. They might travel to far-flung places or stick close to home with their favorite hobbies. They can solve the world's greatest conspiracies or root for a lone wolf grappling with personal problems mundane and bleak.
Back in 1982, when there were still only a manageable number of 'X-Men' titles on the racks (by which I mean just one), Marvel quite reasonably figured the world could stand another team of beleaguered mutant superheroes. And so were born 'The New Mutants,' junior X-Men whose powers had just begun to manifest at the onset of puberty.
I know who Queen Elizabeth represents. I know she's the head of the British state. I know she has all sorts of titles in relation to different regiments in the British army. She knows my history. She knows I was a member of the IRA. She knows I was in conflict with her soldiers, yet both of us were prepared to rise above all of that.
For me, titles are either a natural two-second experience or stressful enough to give you an ulcer. If they don't pop out perfect on the first try, they can be really hard to repair. Or, worse, if the author thinks they pop out perfect, but the publishing house does not agree, it's difficult to shift gears. And then? Then you go insane.
I love soccer, love tennis... Roger Federer has been a favourite for a long, long time. The kind of consistency he has shown, 16 Grand Slam titles... The way he handles himself in pressure situations is admirable... He is so calm... In soccer, I'm a huge fan of Barcelona... I like watching Cristiano Ronaldo, Lionel Messi and David Villa.
Bobby made references to me a few times on Show Me The Money. He seemed to enjoy using words like 'sangnamja (T/N: true man, also the title for 'Boy in Luv') and 'leading a fast life' (T/N: pronounced as Bangtang). Saying "Like a true man, I lead a fast life" isn't a common mix of words, right? I thought that it wasn't just a coincidence.
One of the successes of Kickstarter is that it takes the guesswork out of greenlighting games. Publishers of larger games have to carefully choose which titles they publish, lest they lose a bunch of money on a quirky game that doesn't sell. Kickstarter is all reward, no risk, since nobody has to pay if the project isn't completely funded.
The Marianne Vos Route goes through the seven villages of Aalburg, where I grew up, and celebrates my World and Olympic titles with a number of benches along the route, where you can stop and rest your legs. You'll see the white windmill in Meeuwen and, in Babylonienbroek, a statue of the silver bike I rode to celebrate my Olympic track win.
One of the things I try to do is try to make repetitions, rhymes, and mirrorings across the subject matter of my own books so that the chapter titles and the epigraphs and pictures all kind of form a tapestry. In this book, I retell fifteen of the stories. You have the critical frame, and then you have these rosettes like the motif in a carpet.
What was happening with me, with the album [A Period of Transition], with the people who took the pictures, the record company, everything, getting a new manager [Harvey Goldsmith]-it was all saying a period of transition to me so that was the title choice. It says what it is and obviously nobody is going to analyze that. It's exactly what it is.
It'd been about four months since shooting 'Power Rangers,' and 'Stranger Things' was the first thing I saw that made me think, 'I need this.' I had one day to get my act together, so I made a short film rather than a self-tape. It had an opening score, opening titles, and I may or may not have put on a g-string and danced to 'Hungry Like a Wolf.'
Of course they may have corrected it by now, but the original titles at the end of Annie Hall say "Christophe Vlaken." It was just inconceivable. These things are checked...I don't know what that was about. I'd never seen or heard of it. How they came up with the name Christophe Vlaken, it must've been a conspiracy. I did ask about it but nobody knew.
I'd say that [Louis] Brandeis practiced a kind of a "living originalism," to use the title of Jack Balkin's great book. He said you start with the paradigm case, which in the case of the Fourth Amendment was these general warrants or writs of assistance, but you define it at a level of abstraction that you can take it into our age and make it our own.
I've come to embrace the notion that I haven't done enough in my life. I've come to confirm that one's title, even a title like president of the United States, says very little about how well one's life has been led. No matter how much you've done or how successful you've been, there's always more to do, always more to learn, and always more to achieve.
Because I love narrative but am more lyrically inclined, I've learned that if I freight titles with narrative information (the who, what, when, where, why of the poem), I can get to my main interest, which is the language, and where it wants to take me. If I can establish the poem's occasion in the title, then so much the better for my freedom to associate.
Taste is not stationary. It grows every day, and is improved by cultivation, as a good temper is refined by religion. In its most advanced state it takes the title of judgment. Hume quotes Fontenelle's ingenious distinction between the common watch that tells the hours, and the delicately constructed one that marks the seconds and smallest differences of time.
Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
This time I read the title of the painting: Girl Interrupted at Her Music. Interrupted at her music: as my life had been, interrupted in the music of being seventeen, as her life had been, snatched and fixed on canvas: one moment made to stand still and to stand for all the other moments, whatever they would be or might have been. What life can recover from that?
There are a lot of things that got me into working with photos. The main thing is that I saw both what was being said and not being said with photos in the newspapers... I found out how you can fool people with photos, really fool them... You can lie and tell the truth by putting the wrong title or wrong captions under them, and that's roughly what was being done.
It was the saying of a great man, that if we could trace our descents, we should find all slaves to come from princes, and all princes from slaves; and fortune has turned all things topsy-turvy in a long series of revolutions; beside, for a man to spend his life in pursuit of a title, that serves only when he dies to furnish out an epitaph, is below a wise man's business.
With a title like this-There's a Box in the Garage You Can Beat with a Stick-is there really a whole lot left to say? With cunning and quintessential stealth, with artful restraint, with whats fathering and foxy and filled with intelligence and wit, Michael Teig goes about making what seems to be invisible and unspeakable, the most palpable and important matter in the world.
Painting, like poetry, selects in the universe whatever she deems most appropriate to her ends. She assembles in a single fantastic personage, circumstances and features which nature distributes among many individuals. From this combination, ingeniously composed, results that happy imitation by virtue of which the artist earns the title of inventor and not of servile copyist.
I hope that the relationship of the title to the novel [ What Belongs To You] gets more complex with each section of the book: that maybe it begins by resonating with the question of prostitution - to what extent can a body be commodified, what exactly are you renting or purchasing when you pay for sex - and deepens over the course of the book to address larger questions of ownership and belonging.
The members of a body-politic call it "the state" when it is passive, "the sovereign" when it is active, and a "power" when they compare it with others of its kind. Collectively they use the title "people," and they refer to one another individually as "citizens" when speaking of their participation in the authority of the sovereign, and as "subjects" when speaking of their subordination to the laws of the state.
I am a Libertarian. I want to be known as a Libertarian and a Constitutionalist in the tradition of the early James Madison - father of the Constitution. Labels change and perhaps in the old tradition I would be considered one of the original Whigs. The new title I would wear today is that of Conservative, though in its original connotation the term Liberal fits me better than the original meaning of the word Conservative.
Whereas certain people start with a recollection or an experience and paint that experience, to some of us the act of doing is the experience; so that we are not quite clear why we are engaged on a particular work. And because we are more interested in plastic matters than we are in matters of words, once can begin a painting and carry it through and stop it and do nothing about the title at all. All pictures are full of association.