Quotes of All Topics . Occasions . Authors
I notice that young men go to the universities in order to become doctors or philosophers or anything, so long as it is a title, and that many go in for those professions who are utterly unfit for them, while others who would be very competent are prevented by business or their daily cares, which keep them away from letters.
Back in 2005, I introduced a thing which, I don't mind saying this - I mean, we stole it, at least in its basic form, from Toyota - it's called World Class Manufacturing. I mean, it's this pretentious title for something which really involves the revisiting of the manufacturing processes of dedication to the removal of waste.
I have registered few titles like 'Bharat Bandh,' 'Calendar Girl,' 'Money Politics.' The titles just intrigued me, so I registered. I had a title, 'Jai Ho,' which I gave to Sohail Khan for his next film with Salman Khan. These are typical Madhur Bhandarkar kind of films. I may make a film or not on such titles... not sure yet.
'Waveform' puts you in charge of the wavy pathway of a ship in space. Hit the good stuff and avoid the bad things. While it sounds simple, this title will keep you on your toes as you try to navigate the dark inky space. By hitting the items you want or following the correct path, you build up your combo as well as your speed.
We played 63 games in the treble-winning season of 1999, and I cannot remember feeling tired once. We won the league title with the last game of the season, and along the way, we knew that in any game we could miss out on this chance of a lifetime to win all three. We had 22 players who were ready to be called on at any moment.
The title's 'Cowboys & Aliens,' so you can get away with a lot if you chose to. You could make it the union of Cowboys Movies and Alien Movies and done whatever was convenient at any given moment. I think that's what most people would do, especially if you went broader and more comedic. Do whatever's the most fun in the moment.
In my professional career, every time I jumped into an organization, I always reached the top and the title. I know with NWA with Jeff Jarrett, TNA, I was their first heavyweight champion, so I was able to reach that pinnacle. With Pancrase, I was their first champion and was also able to bring it to the U.S. using my character.
I was writing novels at eight. It was a science fiction epic, which went by the unimprovable title of 'Another Kind of Warrior.' I'd write it beginning to end, but when I'd finished it, I was another year older. The quality of writing and thought changed radically, so I'd start it again. I re-wrote that same book until I was 16.
I have to admit that I am really partial to the look and feel of a book. I have been that way my entire life. I like the weight, look, and feel of a book. I enjoy turning the pages, and frequently scan the spines of my many books on the wall, each title a reminder of the stored information and creative thoughts contained therein.
To me, there are certain things you lay claim to proudly and others you hope the people look over them, and for me, the NWA title throwdown is something that I wear like a badge of honor and what we did and what it achieved for ECW at the time, and ultimately we failed, but damn, we came close to grabbing those keys to the kingdom.
You know that if you play football, you have to try to do the maximum, so I'm always doing the maximum for myself because when I retire from football, I want to sit down and think I did something good - I won this title, and I won this title. People will talk about what you have won, and that is the most important thing in football.
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
The thing is, in the WWE, we have the WWE title, the World title, the United States title, the Intercontinental title, the Divas title, the Tag Team titles. And I feel like, in this business, when Mr. Perfect had that Intercontinental title, that was the belt we saw as the stepping stone to becoming 'the man.' The franchise of the WWE.
I don't think we can fully understand just how much pressure is on these fighters' shoulders once they win the UFC title. It's a grind just to get to the title fight. You're not earning a lot of money, and the sport takes a real toll on your body. And then once you get the belt, you've got an army of fighters coming for you right away.
'Habits & Contradictions' is the prequel to 'Setbacks.' I had all these titles already in my head before I even dropped 'em. Like 'Setbacks,' I knew that was gone be the first one; I knew 'Habits & Contradictions.' I knew 'Oxymoron.' I got two more albums that I already have the title to it, and I know how I'ma play the theme off of it.
What I think is sad about the rom-com genre is that it has adopted this pejorative title. I think the reason why there haven't been as many great ones is because we are fighting against the genre itself. If it is a romantic comedy then snuggle up to the fact that it can be a really earnest, refreshing feeling to feel good after a movie.
I captured Tag Team, Intercontinental, Rookie Of The Year, King Of The Ring, everything but the heavyweight title. I would hope that, somewhere down the road all the differences would be put aside and allow me to come back and at least get a shot at the heavyweight title, and I hope Brock Lesnar has it, cause I'd like to come after him.
There's one Baldessari work I genuinely love and would like to own, maybe because of my Midwestern roots and love of driving alone. 'The backs of all the trucks passed while driving from Los Angeles to Santa Barbara, California, Sunday, 20 January 1963' consists of a grid of 32 small color photographs depicting just what the title says.
People nowadays think of gamebooks as rather old hat - and, after all, it was twenty years ago. In their heyday, though, they were a phenomenon, selling upwards of a hundred thousand units per title. And it's not as old hat as you might think: the same design skills I used in those days apply equally when I'm creating modern videogames.
When I'm back at my computer, and/or have more time to deal with the project than when I made the initial notes, I transcribe them into a Scrivener document. I create a new Scrivener file for every project, right at the start, and make a folder for these transcribed notes; when entering them, I title each note document according to date.
When Nina Simone first sings the title of 'Feeling Good,' her voice has been alone for thirty-nine seconds. The solitary singer: there's always something fiat lux about it. Resolute, the individual moves through the void. You know the accompaniment is coming, but the voice, all by itself, makes you care about it: form turns into feeling.
It's so important to be chosen for the national team. For the Copa America, for the World Cup, or just friendly matches, it's such an honour to reach that stage and be chosen for the team. People expect players to wear Brazil's shirt, win the title with pride, and keep winning. You have to have the mental strength to get over this pressure.
Before I wrote my first novel, 'The Expats,' I spent nearly two decades at various arms of publishing houses such as Random House, Workman, and HarperCollins, mostly as an acquisitions editor. But a more accurate title for that job might be rejection editor: while I acquired maybe a dozen projects per year, I'd reject hundreds upon hundreds.
For every album, I look at where I'm at in my career and think of a title that kind of represents that. And for me, 'Night Train' was kind of a metaphor for where things have gone, from being on one bus with 12 other guys, pulling a trailer my first few years on the road, to now. We're out here with six or seven buses and eight or nine semis.
If it was up to me, I would be given ample time to do a full on performance. I would play all of the instruments that I can play, really show off to the world, then maybe have an Intercontinental title match and follow that up, maybe go out against somebody like The Undertaker or John Cena, anybody that can really top off a great performance.
'Love Don't Let Me Down,' which is the original title of 'Country Strong,' was just as difficult emotionally as 'Tron' was physically. I play a country singer that basically gets on tour with Gwyneth Paltrow's character, who is one of the biggest country stars out there, and she's fallen down too many times and it's an intense emotional story.
While creating Moon Shoes, I had no idea that I was doing it. The experience was extremely organic, considering that I was making music spontaneously and working alongside friends. I chose to title the project 'Moon Shoes' to give listeners a sense of unearthly freedom. I believe each song moves listeners closer to the moon and personal truth.
When I work with artists, I give them a general guideline of what my vision is. Then they're going to speak their minds on how they view it, too. The song that defines 'Neon Future' the best is the title track. I wrote that with Luke Steele of Empire of the Sun. It's through his words. We had an amazing songwriting session together, connecting.
It is always difficult, but when you have been a manager for a while with different teams, sometimes you were only playing once a week, trying to avoid relegation. When you have experience, you know all about the different feelings. Clearly, I would prefer to be fighting for the title or for the Champions League, but you must accept the situation.
I like to leave things open to interpretation. But I also like to make a point. There's two meanings behind each EP title. With 'Time,' that was 'time to move on': you know, you've been in a bad situation; this is enough. But it was also time, in my life, for introducing myself, my first project I was putting out with Mustard. A new exciting time.
