'Simon' was always a word-of-mouth book. When it came out in 2015, I don't know that anybody thought that 'Simon' could be mainstream. Publisher Harper Collins loved it in-house, but it wasn't a lead title. Nobody is more surprised than me that it's a film. It's the little book that could.

Much as I like and admire Richard Dawkins, I do think that to call a book 'The God Delusion' is very worrying because the title implies that if you don't believe in what I believe then you are 'deluded.' That, I think, is a dangerous concept and one that is unlikely to win hearts and minds.

I don't know if you want to call it, like, 'an old school guy' or what, but you've got to go out there; you've got to perform in order to get what you want. I'm willing to put my skills on the line and put my heart on the line just to say I'm the best and prove that I can achieve this title.

I never walk into the studio and say, I'm going to write a song called... 'X' or called 'Slow Me Down.' I write a ton of lyrics, often the title is somewhere in those 10 pages of... I call it brain vomit. It's kind of like whatever comes out of my head and I'm unabashedly just writing it down.

When I was told that I was doing a movie called 'Lola Rennt,' I was like, 'What?' I didn't get it, or the title. I started reading the script, and I still couldn't fathom that it was about a person named Lola running. Before my agent explained it to me, I couldn't even make any sense out of it.

As I started to explore my gender identity, I didn't know how I could claim the title of 'feminist' without subscribing to the gender binary. I thought I had to be a proud woman to be a feminist. Then I came to the realization that I can be proud of women without necessarily identifying as one.

Of course I had written a film about Elizabeth I, and I loved the Tudor period, and I think at the time Working Title and I had debated on whether to do Elizabeth I or Henry VIII. I'd always wanted to do Henry VIII. Like Elizabeth, I'd had this feeling that it had never properly been addressed.

The great thing about a name like 'Cougar Town' is that you hear it once and you remember it forever. It's a very 'loud' title. But there's a connection to the word 'cougar' that means a lot of people are going to be turned off right away by the title alone without even giving the show a chance.

The idea of 'Freedom's Goblin,' to me, leads to a wild conversation. I would hope that father and son, driving home from the record store, could have a conversation about what that title means. Because to me, it's the duality of being free: the evil and the good, and how it's a constant paradox.

Of my old tendency to overdo the dedication and deface the title page with florid compliments and obscure quotes which the recipient cannot read, I will say only that I learnt my lesson when I had to shell out with my own money for a hardback I'd vandalised and now limit myself to 'Good wishes.'

A lot of people, especially performers in wrestling, feel that winning the title is the only statistic that matters, but it's always about the journey. If you don't have the people behind you, believing in you, and the start of a new chapter after winning the title, then you don't have anything.

I can't tell you how many things I've worked on where I sat on it for a few years, and then somebody else did something very similar. Whether it's some weird vocal effect you hear on another record, or a drum beat, or even a song title, a subject matter, or a mixture of different kinds of music.

I think the downloadable scene in general is really, really interesting for developers because it's low-risk. It doesn't require as much money as a triple-A title. And it's a great proving ground for new IPs, new concepts, new ideas - things that I think I, as a developer, find really attractive.

A lot of people ask what it takes to move from being a creative to a leader: Take everyone's career personally. People will work hard for you if you work hard for them. Any idiot can be a boss; all you need is a title. But to be a leader, you need to earn respect and have an opinion you stand by.

We've gone further on this album, where we have a Big Band song, kind of a Sinatra-type song; we have a couple songs that have electronic music on them. We've got a couple rock songs, maybe a little heavier than what we've done. So the title 'Jekyll & Hyde' really covers the breadth of the record.

Everywhere I go, the kids call me 'the book lady.' The older I get, the more appreciative I seem to be of the 'book lady' title. It makes me feel more like a legitimate person, not just a singer or an entertainer. But it makes me feel like I've done something good with my life and with my success.

You can refi your car loan just like you can refi your mortgage. It's even easier and less expensive. There's no appraisal process, and fees are minimal for a new car title. A couple of caveats: Most lenders require that the car be less than five years old and have a minimum loan balance of $7,500.

There was a mission: To match the cover of 'Extraordinary' to the cover of the paperback 'Impossible,' which was commercially successful. Consider the outdoor natural setting, the single girl in motion with her hair blowing, and the cursive font used for the title; both covers have these in common.

Hawkwind are one of those bands that people introduce you to because you don't see them on the covers of magazines. I'd heard 'Silver Machine' but Russell Senior, who was in Pulp, got me into them. They had a song called 'Master Of The Universe' and we nicked the title in 1985 for one of our songs.

While 'The Wire' feels startlingly lifelike, it is not, in fact, a naturalistic depiction of ghetto life. That kind of realism better describes an earlier miniseries of Simon's, 'The Corner,' which was based on the book of the same title that he and Ed Burns wrote, set in the same Baltimore ghetto.

When I saw Daniel Bryan win the world title, that was the most incredible atmosphere, especially after Undertaker just losing his streak, which was such an awkward and weird feeling in the building. To feel the feeling of the fans once Daniel Bryan wins his title - it was... I can't even explain it.

'In My Hands,' the title track, is my very first vocal attempt, and I'm not a singer as such. But I've always wanted to express myself vocally on my albums, and I don't really have much of a capability for singing. The strength is in, I think, the lyrics and just speaking. It just comes from inside.

I'm playing right now a role, and the role is called the 'Heavyweight Champion of the World.' And it takes all of the time. And I love this role, and it takes a lot of attention for me for the sport, and I just don't want to lose the title, so that's why I have to stay focused and not become an actor.

My first match with Bill Goldberg, it was for the World Title in 1998. Bill had only been wrestling a year. Well, we stole the show. Because I was going to make Bill look as good as he was, and he was great. He had that incredible charisma, personality, and that 'it' factor. Rousey has that same thing.

Personally, I think 'Dead Americans' is the best title I have, but you can't win with everyone. Titles have to be short, catchy, not too obscure, not offensive, and still capture the genre, and so on and so forth. Takeshi Kitano has it about right when he says he'd just like to title his films by number.

I'm one of those sad cases who've never wanted to be anything but a writer. I started writing my first novel when I was five years old. I have no idea what it was about, but I do remember spending considerable time trying to get the title right, though this had more to do with crayon colour than scansion.

The business model - where books can be returned, and where a 50% sell-through is considered acceptable - is archaic and wasteful. Writers get small royalties, little say in how their books are marketed and sold, and simple things like cover and title approval are unheard of unless you're a huge bestseller.

I think so much of young adult literature sort of gets ghettoized - the title 'young adult' makes people immediately discount it. And just like with books that get written for adults, there is plenty of young adult literature that is bad. But there is also plenty of young adult literature that is brilliant.

My bedtime was 8 P.M. But on 'Cosby' nights, I got to stay up until 8:30. Real big deal. This is when they could afford to do a completely different title sequence in TV every year. I always looked forward to that. It was like a mini musical at the top of the show. My favorite was the Top Hat fancy version.

The big difference between league football in England and Spain is that more teams compete here. In Spain, it is usually only two teams going for the title, which is not necessarily a bad thing because you get great matches between the two, but I think the English league is better for being more competitive.

People sometimes think of 'queen' as a title that's shrouded with protocol and formality, and for that reason sometimes people are not easily saying what they want to say. They're reluctant to express their opinions, and I kind of find that frustrating because I want to know what people really, really think.

Because the Arnold Classic is such a big show, a guy who hasn't been getting a lot of recognition all of a sudden does that show and arrives in good condition and is able to take out some of the top guys, it then puts him up there in the running for the Olympia title. So he can get more recognition that way.

The big guys choose who they want to fight and they think about history: 'how many times I defended my title.' They try to break a record: 'how long I was there.' But if you look at the pedigree, who they fought, ain't nobody gonna give them credit for it because they fought a lot of people with no experience.

Edge goes out every night, and not just on pay per views; every night, Edge goes out there with the intention of stealing the show. I know that he felt like his title run had not been given the respect from the company that it deserved, and he was really hell-bent on proving that he belonged as a main event guy.

When you manage a big team like River Plate or Madrid, they are used to winning titles. The people are happy, but they are used to it. When you have an achievement like I had in Villarreal, reaching the semi-final of the Champions League, finishing second in the league, it's more than winning a title. It's more.

The well-known inspiration for 'Ulysses' is made clear by the title itself: Joyce's novel is based on Homer's 'Odyssey', under the ever-fascinating premise that all of Odysseus' extraordinary adventures can be experienced by a modern man in a single day, provided that the writing consists of his mental activity.

At school I was very shy and coincidentally inherited the title 'little miss worry guts,' and that was just among the staff. I learned early on that I could make people laugh, and as my small neat body betrayed me by growing to dizzying heights, I used it as a tool that translated into complete slap-stick comedy.

My dad was in a hospital for months. The doctors told my dad he would never be able to walk again. My dad beat all the odds. He came back and was able to walk and start boxing again. He went to No. 1 in the world at welterweight to fight for the world title. But he never had his chance to fight for a world title.

'State' can be a word that is a noun or a verb or an adverb - it's kind of why I chose that title. It's not to confound the audience but to keep me from painting myself into a cul-de-sac in the early stages of making a record by having too high concept or having some really strict set of rules I have to adhere to.

I didn't feel that I was ready to leave NXT. When I was called up to SmackDown, I was very nervous. I hadn't done many of the things at NXT that I thought I was supposed to. I didn't have a TakeOver match. I never held the title. I only had a few matches on NXT TV and to be called up and told, 'Well, here you go!'

Obviously, once you've won a World Cup, your mentality and responsibilities change. I'm not saying we now feel superior every time we play. But we do believe that, with our way of playing, we can achieve great things. We absolutely want to win it, as doing so would mean this generation has won every title possible.

Britain has had some very strong and successful queens throughout history, but, since the Act of Succession in 1701, they have only been eligible to take the throne if they had no brothers. If there was a boy in the family, no matter where he came in the order of birth, he leapfrogged his sisters to take the title.

I shot a pilot for ABC, which I'm a bit confused about what the actual title is - I heard it was called 'Chosen.' It's directed by Roland Emmerich - the master of disaster himself - and it's his idea and concept for the show that's a supernatural thriller about good and evil set in contemporary modern day New York.

Demian Maia, he's a legend. He's a veteran in the game. He knows how to fight. He's been through so many five-round fights. He's headlined a lot of cards, fought Anderson Silva for the title, fought Tyron Woodley for the title. He's a veteran, he knows how to fight, and he's always training. He's a jiu-jitsu wizard.

Because there are now online databases of federally funded research, and these databases are searchable by keyword, sex researchers have to be careful how they title their projects. It's become a simple matter, for those who are so inclined, to find and target researchers whose work they object to on religious grounds.

The title 'Crazy Ex-Girlfriend' is meant to be a deconstruction of a stereotype, and the whole show is about deconstructing the boxes that we're supposed to be put into. We like taking apart the tropes and the stereotypes and explore the nuances, so 'Crazy Ex-Girlfriend' is a label that we go deep underneath to explore.

Among the fables that inspired the British Admiralty's cartographic assignments to Captain James Cook in the 1770s and Captain George Vancouver in the 1790s was a 1640 account under the name of Bartholomew de Fonte that appeared in a journal with the delightful title 'The Monthly Miscellany, or Memoirs for the Curious.'

From 2002-2008, Planned Parenthood received $342 million in federal taxpayer money through Title X funding alone. With these funds, Planned Parenthood has provided women throughout the U.S. with important family planning and contraceptive services as well as screening for breast and cervical cancers for low-income women.

I think of Bret Hart as somebody who held the Intercontinental championship like it was the World Heavyweight championship. Every title match he was in felt important, like it was the most important thing on the show. The way he carried himself and the matches he had, it was just everything I thought a champion should be.

'Liberal Fascism' is less an expose of left-wing hypocrisy than a chance to exact political revenge. Yet, the title of his book aside, what distinguishes Goldberg from the Sean Hannitys and Michael Savages is a witty intelligence that deals in ideas as well as insults - no mean feat in the nasty world of the culture wars.

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