Quotes of All Topics . Occasions . Authors
I worked with Tyler before on 'Daddy's Little Girls'. He couldn't be smarter or more laid back and cool. He's always throwing out lines and is funny as hell. And he was shining his light on 'Peeples', too, lending his name to showcase Tina as a first-time director, and me as a first-time lead.
I think my performance in 'What's Love Got to Do With It' was powerful. I was so unafraid and confident. You know, it was the first mother of black Hollywood. I was Tina Turner's mama. That's what started it all. I had fallen in love right before that movie, and I had absolutely no fear in me.
Tina Fey's autobiography is very, very funny and very well written. It's her life story: it's about how she grows up in New York. There's no obvious reason why I should enjoy this - I mean, this is the autobiography of a woman in her early 40s in New York. I'm a guy from a small town in Denmark.
The Huffingtonpost.com does not pay its writers. Tina Brown's thedailybeast.com does pay its writers. You have to be paid because this is not a hobby. You have to keep that standard. You can't ask grandpa to loan you money because you have to go to Afghanistan. I walked the picket line for that to continue.
I think that there are all these amazing figures in our history - the Bowies, the Tina Turners, the Chers, the people who are, in many ways, genderless or represent 'the other' - and I want pop music, and other queer artists - Kehlani, Perfume Genius - these people are bringing queer narratives into people's minds.
I think women have always been funny. But when Tina Fey became head writer at 'Saturday Night Live,' the culture shifted, and women gained a bigger voice in comedy. It's not as if Hollywood producers are feminists. It's more that Hollywood said, ''Bridesmaids' made us so much money, all we want now is funny women.'
I love a smart, well-written show, and '30 Rock,' well, you can't get any better than that. Tina Fey poos funny. There's nothing that she does that isn't funny. That show is an example of how brilliant she is. It's so smart. They've done some brilliant commentary about the 'Housewives' with 'Queen of Jordan,' their show-within-the-show.
Usually, like, on 'Mean Girls,' the task that Tina Fey and I set for ourselves was we wanted to maintain a comic intensity throughout the movie, where people just don't really get a break from laughing. And if they do, it's for a brief emotional scene, and then we're going to once again try to knock them on their heels again with comedy.
I think Amy Poehler and Tina Fey have done so much for women in comedy in the sense that they've normalized it. You don't think, 'I'm going to watch that comedy starring a woman,' you think, 'I'm going to watch that funny show.' They refuse to play the foils for men, or be reduced to the butt of every joke, and I love that about both of them.
Roseanne was a huge groundbreaking comedian. Margaret Cho. Ellen DeGeneres, and then on 'Saturday Night Live,' the era of Tina Fey and Amy Poehler sort of helped to bring in an awareness of a new generation of women comedians, often women who were feminist in their comedy, who were unafraid - and this came from the genre of show that was emerging.
