Quotes of All Topics . Occasions . Authors
Timing is a very important part of being a father. You should never show your kids things before they're ready. Especially with movies. Toys like Lego are okay because the fact that your 3-year-old can't understand the instructions ultimately leads you to constructing it yourself... the secret plan all along.
For as long as I could remember, the person in E23 pasted the same Halloween decoration, a witch with a giant wart on her crone's nose, but whenever kids rang, the tenant wouldn't answer. At first, kids figured they'd just missed the guy: bad timing. But it seemed impossible that all of us missed him every year.
I wasn't scouted in the mall as a kid; it just kinda happened naturally 'cause of Instagram and New York and being visible, which is cool. Things just started rolling in. Timing was in my favour 'cause the Internet acted as a catalyst for the fashion industry to change and be more open 'cause people demanded it.
I think we judge talent wrong. What do we see as talent? I think I have made the same mistake myself. We judge talent by people's ability to strike a cricket ball. The sweetness, the timing. That's the only thing we see as talent. Things like determination, courage, discipline, temperament, these are also talent.
Personally, I've learned about perseverance: when you hear the word 'No,' and when you hear rejection, that it's not always final. And that timing is everything, and you have to stay the course and just keep working hard and know that, when your time comes, that it will be sweet and that it will be the perfect time.
For me, the fall of the Wall came at the exact right time because, I mean, I was 17, basically I hadn't missed anything, unlike the generation of my parents, who were deprived of a lot of things. They couldn't travel, and they couldn't really get ahead in their professional careers. So for me, it was perfect timing.
I'd love to act more. I've had to turn down multiple movies because I was on tour, but it's encouraging to know that someday there might be the right role, the right timing. And I've been writing a lot of music, so hopefully very soon I'll have recorded a project of my own. I also want to get a boat and open a restaurant.
Working in Italy can be quite hard because they don't have schedules - we arrive at TV shows and they're like, 'We're not sure when you're on, could be a minute, could be an hour.' We were on their equivalent of 'The Voice' and the timing was determined by whenever the judge decided the time was right. We waited five hours!
I quickly realized that this medium had a lot to offer someone like me. To do Disney-quality hand-drawn cartoons, you have to be a master of two art forms. Seriously, you have to be able to draw like a Leonardo da Vinci or a Michelangelo. But also you have to know movement and timing and control that through 24 frames a second.
My focus had always been the on-side. My coach wanted me to work on the offside strokes since he was convinced of my ability and timing on the leg side. I worked hard and firmed up my defensive technique. I am happy getting runs all around the wicket now, and getting a lot of boundaries. No one calls me a 'leggie batsman' anymore.
People think that a good passer is a flashy passer. But that's not a good pass. It's just a flashy pass. A good passer is someone who's gonna hit the guy right on the hands, and the timing is correct. You pass late, and it's not a good pass. You pass too early, it's not a good pass, either. If it's off-target, it's not a good pass.
I was bought up as a boy. I don't blame my parents in the slightest since it was just an unfortunate timing in many ways, in other ways it was very fortunate. If I'd been born 20 years earlier, there wouldn't have been the surgical techniques to correct the deformity and by the time I was of an age, they did exist. I was very lucky.
My pressure is second to none and my timing and attitude are second to none, and that's what I want to be recognized for; not for being undefeated, because what does that mean? That just means you won. And I want to known for my style and the way that I fight, the timing that I bring and the fact that I rely on my reactions, stuff like that.
When you've been brought up in variety, I think timing is always important in your life. If I'm ever late for anything, whether it's personal or business, I always apologise. 'I'm sorry I'm late,' and all that. And if somebody is late meeting me, I expect them to say 'I'm sorry I'm late.' It's just, shall we say, showbiz etiquette of my day.
There was no better manager at developing young players than Sir Alex. He knew just when to bring them in and take them out, and he believed in Paul Pogba. For once, in Paul's case, it did not work out. The timing was wrong, and the difference between expectation on the player's side and the manager's idea of his development did not match up.
The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.
Whenever you're fighting with weapons, there's a level of reality because people don't understand that these are still metal or hard rubber with sharp points - that if the timing's wrong, you could definitely get hurt. There's nothing like working with an actor who doesn't know what they're doing, because you're always in fear of losing an eye.
Animation is about timing; movement or lack of movement, often in time with music. These are the tools which make it's visual gags work, or not. Again, comics don't have those tools, so you have to find some sort of parallel to create something that suggests a close approximation of the source material, but without the ability to truly replicate it.
Mo Willems was so helpful. I had met him a number of times, and I knew from his books how funny he was, of course, but it was really neat to be able to have his feedback. He's so great with comic timing. Working with him was like taking a master class in comic timing, because he could pinpoint right away if a section wasn't working. I remember him saying once, "No, you need a beat between this page and this page," and it was like, oh yeah, of course. I hadn't seen it, but being so good at what he does, Mo noticed it right away.
