Quotes of All Topics . Occasions . Authors
By the time I discovered Chicano painters in the mid-'80s, I recognized that these guys were really world-class painters, but they weren't getting any attention, which was good in one sense in that I could get their work for cheaper!
I've always liked playing with somebody else and collaborating, just to get out of my own head all the time. Everybody does, but artists especially, we torture ourselves. So it's good for me to immerse myself in somebody else's work.
Movie directors, or should I say people who create things, are very greedy and they can never be satisfied... That's why they can keep on working. I've been able to work for so long because I think next time, I'll make something good.
The Ramones were not about having a good time. The closest thing probably was maybe Joey and Dee Dee might have had some good times, but it was almost like a work ethic. We were out there to basically to get the fans to see the Ramones.
When I entered the industry, I wanted to work with good directors like Mani Ratnam and Gautam Menon; that's why I did Tamil films. I realised later that I was not adding anything to the Tamil scripts and that it was a waste of time for me.
If you think you're good enough, then you find it preposterous when somebody doesn't acknowledge that... That's propelled me in many ways - maybe thinking I deserve things that I don't at some time. But I'm always willing to put in the work.
My taste changes radically all the time, and I listen to whatever feels good. Another thing is that I'm in the studio so much of the time, and I listen to so much loud, aggressive music for work, that for pleasure, I'll listen to something else.
I think it's kind of difficult to write a good Christmas song because you have a narrow framework of references that you have to work within, and at the same time you want to do something that's personally original and hopefully somewhat unique.
I want to be one of the greatest champions of all time. And it's a good pressure - I need this pressure. Because if pressure is making me work, if it's making me work harder - it was hard work to get to the championship, to win the championship.
I really wanted to go to a city and get involved in a theater scene and a theater community. I had some friends who had moved out to Chicago and had said really good things about it and about the work. I didn't care at that time about making money.
When working abroad you work pretty hard, but with time off, this is the greatest job in the world. You drive. You explore Memphis, or wherever you've landed, or go and see Dr John, or the Californian landscape. And, yes, I've had a few good meals.
Creative people don't behave very well generally. If you're looking for examples of good relationships in show business, you're gonna be depressed real fast. I don't have time for anything else right now but work and my daughter. She's my first priority.
I played a lawyer once, and I had about three or four weeks before we shot, so I was able to go to court and watch lawyers at work. Some were good lawyers and some were bad lawyers, but it was essential. The more time you have to prepare, the better. Always.
The good thing about being a writer is that you don't need anything except for a laptop. You can really do your own work, and if you're not manically compelled to write all the time before you do it professionally, it's probably not a business for you, anyway.
Rather than running on the treadmill, which can become quite boring, I prefer to work on my dance routine. Besides being a good form of cardiovascular exercise, it is also a form of escape for me, as I never realise how much time has flown by when I am dancing.
I think it's important for an actor to see the work they've done because every time you revisit a work you come up with a new way of improving it. It's a good way to brush up your craft and your skills, so I think it's a good thing to do, keep seeing your films.
Inevitably, when directors work with me on a set, they say, 'This isn't what I was expecting. I thought you were going to be very serious.' But I like to stay loose and have a good time and not take myself too seriously. I think, otherwise, you get in your own way.
It's easy to get a good amp that might not be the right amp for you. When you go to a music store, really turn the amps on and turn 'em up - hopefully they'll let you - and work through the sounds. This is an important decision, so take your time and be methodical.
The Men at Work thing is always there, it's always going to be there. It's not something I consciously think that much about anymore. The thing that stays with you is the songs, which is a good thing for me, because the songs are the things that stand the test of time.
I try to limit my time with Michael Davies to as little as possible per week, and he is pretty good with that, since he has a bazillion things to do. When I do see him, I try not to talk about dental work or anything like that because I know the Brits get very sensitive.
Competitive feeling means you want do do good work. You can't lie about wanting to be on top. There is no reason for me to be insecure at this time. I would be insecure if I was sitting at home doing nothing, but I am in films now, and that's where I always wanted to be.
So people ask, 'But how can you work for a friend?' I say it's because I know that the magazine is called 'O.' The bottom line is somebody has to have the final word. Oprah's not right all the time, but her record is pretty damn good. That's not to say you can't disagree.
The more work you put in, and the more you constantly and consistently give good performances against good opponents and constantly exceed people's expectations, the more you really endear yourself to the crowd. That's how your career takes off - it's just consistency and time.
The number one thing I look for is personality. For me, the personality of someone makes them more and more attractive over time ... and for those with bad personalities, less and less attractive. I look for honesty, intelligence, kindness, and a good work ethic, to name a few.
The attack on the transgender troops - disgusting, disgraceful, outrageous. It's just endless. And then you try to do your day job of finding good bipartisan work across the aisle... You're doing both all the time. I guess I would describe it as intense. Everything is very intense.
I don't want to do anything and everything. I want to be a brand that, every time I leverage my name, I want people to feel sure that it's going to be something good - so whether it be my movies, my perfume, my restaurant, my musical, it'll be good work, good food and good everything.
I really need to work. People think that I'm no longer interested in acting and only interested in working with the animals. Obviously I have given that impression, but it is not how I feel. I think I'm a good actor. I think I look OK. I don't understand why I'm not working all the time.
I do want to carry on my dad's legacy, but I also want to carve out my own path. I have to work harder, I think, just because I do have that last name. I don't want people to think that's why I am where I am in this industry. I put in the time, and I want to be just as good as my dad was.
Films used to be an event that required work and effort to get to a theater to see. Now, really good content is available immediately to us on many devices. At the same time, the audience's appetite for storytelling is evolving, and people want to spend time with characters for many years.
I spend a lot of time in my bed. It's a good comfy one with a tartan bedspread. It's the only place I can read without straining my neck, and I take an afternoon nap, which is my reward for making enough money from my writing now not to have to work. I never get up in the morning before 11.30.
When I started, I had a really hard time getting work. It was the mid- to late-nineties. There was the WB. My age was perfect for it, but I just never came across as a youngster. I had to grow into my age in order to start working, and by the time I did, it was when things started to get good.
I think film and television - particularly film - you are very isolated as a writer. If you're lucky, you have a good relationship with the director. Then you do make that development and come on set and be part of something. But ultimately, your work is kind of done by the time you come on set.
I thought it would be good for the engineers and workmen who were building my spacecraft to see the pilot who would have to fly it hanging around. It might make them just a little more careful than they already were and a little more eager to get the work done on time if they saw how much I cared.
As a fan, when I hear that a film is going to be turned into a television show, I do go to that place immediately of, 'Is it going to be any good? Is it going to be a waste of time? Why are they doing it?' It's '12 Monkeys,' and '12 Monkeys' is awesome, so I wanted to be a part of it and work on it.
'The Good Wife' was definitely the biggest surprise and gift that I've had in a long time, and that did come out of some other work that I had done. That whole adage of 'work begets work' actually worked in that case - it was at the very end of their first season that my character was first introduced.
My agent says that I'm a 'repeat business guy.' If you hire me to come do a movie, I'll be on time, know all my material, be ready to go, have a good attitude. I'm here to work, so I get hired over and over again by the same producers. If you just be a team player on set you can work so much more often.
That Evan Dunham fight, I went back to not being serious. I was going to the lake and literally brought some wrestling mats down with me. We have a shop at the lake where we park the boat. I'd throw the mats in there, wakeboard all day, and train all night. I was having a good time, getting back to work.
Just put football first, or your job first. Give everything you've got all week, work hard, work super-hard to take it to the next level every week. And when you feel like you got to the point where you want to be, you definitely need the time to go out, relax, have a good time, take all the stress off it.
'Black Mirror,' I read that, and I had another offer for a movie at the same time that was a bigger movie, an actual film as opposed to TV, but I said, 'No, it has to be Black Mirror.' And it hadn't been sold to Netflix, hadn't gone abroad at that point - but it's just good work - that's all there is to it.
For a quarter of a century, I've been playing baseball for pay. It has been pretty good pay, most of the time. The work has been hard, but what of it? It's been risky. I've broken both my legs. I've sprained everything I've got between my ankles and my disposition. I've dislocated my joints and fractured my pride.
Sometimes comparing can be a good thing: it can inspire us to work harder and reach farther. But for the most part, excessive measuring yourself up against others - especially when it becomes a way to put yourself down - is a colossal waste of time. It's a dead end. It won't make you do anything except feel horrible.
My dad told me, 'If you're going to go out there and play baseball, or you're going to play basketball or football, work hard at it no matter what. I want you to have fun with your buddies, but you have to put in the time because this is your craft.' He didn't just want me to be good. He pushed me to that next level.
Exxon have done a very good job for us. Their difficulty and frustration has also been that as a customer we get very limited dyno time. But they were able to come up with a fuel that made the C-spec work, and we've managed to get that in the car and run that successfully, when the works team haven't been able to do that.
Filming costs so much money, so it's such a nerve-racking process, whereas being in a studio is quite cheap compared to that, so you have more time to work on things until you feel good about them. That makes it easier to explain a certain feeling and be in a vulnerable place while making sure it does what you want it to do.
To read a character I'm not sympathizing with is generally quite a good, attractive proposition because I've got somewhere to go, I've got work to do, to try to understand why they behave like they behave, to relate entirely and understand them and to be completely emotionally connected. That is much more fun 99 percent of the time.
I got into one of the schools I applied to because of the essay I wrote about Holly Hunter's character in 'Broadcast News.' She's the only female producer on this news network, and she's really good at her job, but she allots time in her day to just sit at her desk and cry. And then she's just back to work. I find that really effective.
I really have been enjoying performing more lately than I have in a long time and you know, it's all about that sort of centered feeling that I have now. You know, thanks to, not just my kid, but her father before her. You know, I have a kind of a grounding through them that I really relish, and I think is also good for my work, you know.
Our films tremendously influence people. But at the same time, no one goes to the cinema to listen to lectures, so if you have an interesting story, and if you can showcase it as a film, and its messages are good, then it's like an icing on the cake: it shall be a superhit. And if I get those kind of films, I'll definitely want to work on it.