Quotes of All Topics . Occasions . Authors
I've always striven to ensure that I work on one film at a time.
I was always active - I went from baseball to football. I didn't have time to work out.
My work has always been about authentic feeling, and I think we live in a time where we need that.
Careers, like rockets, don't always take off on time. The trick is to always keep the engine running.
My work schedule doesn't always accommodate my workout schedule, but I make do with what time I've got.
Democrats always assure us that deterrence will work, but when the time comes to deter, they're against it.
I've always put the work in to not only get be an All-Star, but be an All-Star for a long time. That's my goal.
I've always been that way where, if something doesn't work out the first time, I won't try to beat a dead horse.
It's always thrilling to encounter the sweep of time in a work of fiction in a way that feels authentic and real.
There is never time in the future in which we will work out our salvation. The challenge is in the moment; the time is always now.
It's always in a cycle. One set of plays will work really well for a time, and then defenses figure it out, and you go to something else.
Every time I work, it's an educational process because I learn by watching other actors. My career is always going to be an ongoing study.
I don't know if it'd be any time soon but I'd really like to work on a collaboration with somebody - I always have ideas for stuff like that.
I like to have my breakfast in bed, and I use that time to watch the recorded shows on my TiVo. I seldom watch shows in real time - I'm always at work.
As a breed, I think artists are never 100% satisfied with their work, and we will always want that little bit of extra time to put the final gloss on it.
Personally, one of the down sides of founding a company is that there is always too much work to do, and sadly I find I don't have much time to code any more.
The real composer thinks about his work the whole time; he is not always conscious of this, but he is aware of it later when he suddenly knows what he will do.
I have to work hard. I have to get fitness back. If I get game time - which is always different to training - I have to work hard on my game and get confidence again.
We run Android in a very open way and work closely with all partners. We work with Samsung, and I spend a lot of time with them. But we've always supported other partners.
It's happened time and time again, but the committee has always decided against it-the work was too conservative or didn't fit within the budget; there are millions of different reasons.
It always amazed me - it still does - that people offer me work. And when the theater was my basic bread and butter, every time a show finished, I was convinced I would never work again.
I always work out of uncertainty but when a painting's finished it becomes a fixed idea, apparently a final statement. In time though, uncertainty returns... your thought process goes on.
For coaches, we always look for those examples of guys who put in a lot of time and effort during the summer and really work and it carries over for them to take their game to the next level.
From the time I entered the industry, I have always been clear about certain things - no short clothes, no kissing, no bikinis. Nobody comes to me with such roles. And I have no dearth of work.
There's a big time influence Hrishikesh Mukherjee has always had on my work. I can watch 'Anand,' 'Golmaal' or 'Chupke Chupke' as many times as possible. I just really admire his kind of cinema.
The same basic tools we've used for thousands of years to connect with people, to draw them in and to hold their attention will always work, even if we're telling our stories 140 characters at a time.
We always work at least a month to six weeks before we go on the road, usually for something like eight to 12 hours a night. It took six weeks to do it this time. We just play virtually everything we know.
Innovation almost always is not successful the first time out. You try something, and it doesn't work, and it takes confidence to say we haven't failed yet... Ultimately, you become commercially successful.
You can't be different for different's sake, and this doesn't always work, but you have to separate yourself from the normal read. Of course, it has to be truthful. If it's not truthful, don't waste your time.
Working with the Kinks, there always seemed to be some kind of automatic process at work. Ray and I had this telepathy happening for a long time, where one of us always knew what the other could do with something.
Every single second of extra time to work with other actors has definitely always, for me, paid off for the film. For the project. Every single extra heartbeat you could get, mutually considering the scene, was of benefit.
I used to always employ South Africans and Aussies and Kiwis - I can't admit this, well I can now, but I couldn't admit it at the time - but I didn't want wet English lads who didn't want to work in the catering trade anyway.
If you go out once a week, they can blast on you that you're always out all the time, but I always put work first, and people sometimes don't see the side of going into the weight room, behind-the-scenes-type stuff with football.
It's kind of a lonely work, because you just have to keep your pole in the water. I always had a little routine of going into whatever room I was using at the time to write in and just staying in there till I felt like I got a bite.
I've always needed to bulk up, so until the modeling took off I was ramming Big Macs down my throat and doing plenty of bodyweight work. I'm over the Big Macs now, but I'll still drop down and do my press ups whenever I find the time.
Because my writing time has always been very limited, I try to be very choosy about which stories I work on. There are many ideas that would make interesting stories - too many - so it's important to be ruthless and say no to most of them.
You can't just tell your team, 'Think long term.' It doesn't work that way. When you are starting out, you have to always think about trying to build something of value for the customer: something they can use all the time, something of use.
I was always very detail-oriented, and in the time I spent in different roles - the elected official, the campaign manager - I had a tendency to want to push the creation of the product and really work on the critical path that would get to product.
Part of the way the work world works is not so much creating a separation between your work and your free time, but creating the illusion of a separation between your work and your free time. Every day is the weekend for me, which means I'm always busy.
While historians may go on attempting grand, sweeping and defining narratives, they work in a time when readers know that another narrative always lies in wait, and that the more intelligent an historian is, the more tentative and self-scrutinizing the tone.
The writers that I aspire to, like Joni Mitchell and Randy Newman, they'll tell you that the work gets harder, not easier. And they set that bar for us where we're always striving to do something better than the last time, whether it's the next song or just the next line.
When you play in a band, you're in phase with people. When you're a DJ, you're totally off-phase. Your work time is 3 A.M. - 5 A.M. and I don't think you can connect. You're miserable the whole time. Whenever I see a DJ in the airport, they are always on the verge of crying.
From journalism I learned to write under pressure, to work with deadlines, to have limited space and time, to conduct and interview, to find information, to research, and above all, to use language as efficiently as possible and to remember always that there is a reader out there.
With the kids around, this is a different world to me. I spend a lot of time with them till they go to their playschool. I wake up early, have breakfast with them. I come back from work and am with them again till they go to bed by 10 P.M. Touch wood, this is what I wanted always.
I have always been fascinated by the way things work and how they came to take the form that they did. Writing about these things satisfies my curiosity about the made world while at the same time giving me an opportunity to design a new explanation for the processes that shape it.
In any relationship, even when it came to my relationship with Usher, when it was time to make a move, I had to do that. I don't care how much my heart was hurting, sometimes you're just supposed to be with people for a reason, and it's not always a lifetime. Even if you want it to be, it just doesn't work out that way.
I always want to work on things that really scare me and interest me at the same time, and you know, I definitely had some projects in the past that did that, but the stars never aligned in getting them up. So 'Lion' was another project that really interested me, and the stars did align on this one. It just happened to be my first film!
I grew up in Hollywood. My father always told me that this is a job. These events are filled with people you work with; it's not like glam-schmooze time. That's why I only like events that celebrate people I have a connection to; otherwise, it's someone else's night, and I don't need to show up in a dress to try and steal their attention.
Younis is someone I greatly admired and it was a real pleasure to have played alongside him for a long time. His work ethics are something we always cherished. There is no better example of professionalism than him. His determination and dedication are known to all of us and it is no surprise that he is Pakistan's most prolific Test run-getter.