Somebody once asked me if I ever went up to the plate trying to hit a home run. I said, 'Sure, every time.'

It took a lot of time and practice for me to realise that there's no point trying to be something you're not.

My ma is from County Clare, so she's a Munster fan, so she keeps sending me Munster jerseys all the time, trying to convert me to Munster.

I want to know what coverage it is every single time. I want to line up and be able to read what the defense is trying to do to me so I can get open.

The reason why everything I do is so different is not because I'm trying to be provocative; it's simply a reflection of whatever was happening to me at the time I wrote that particular record.

For me, my taste isn't limited to magical films. Whatever I read and I like, I go up for, and a lot of the time it's an American accent which can be quite trying, but I'm working on it as much as I can.

For years, I felt like I was just whacking at the ball, trying to see how far I could hit it, especially with the driver. Whatever the coach I was working with at the time told me to do, I would just go along with it.

I think, television and comics, what's appealing to me as a writer about both of those mediums is that they allow you to sort of let the story unfold in its own time as opposed to trying to compress it into a two-hour discreet unit of narrative.

I actually started trying to be a professional writer with novels, and I wrote two that exist and are around... kind of. But they never really went anyplace in particular. I still like them both. What it showed me was that you can spend years on a novel, and then it could just be, like, OK, you spent that time and that's that.

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