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'Silver Street' was a very happy time for me.
New Yorkers stop me on the street all the time to say, 'You're terrific! You're the nuts!'
Any time someone stops me in the street and asks me for an autograph, pro wrestling gave me that.
People still recognize me all the time on the street. The first thing they say when they stop me is, 'Where have you been?' The second comment they make is always, 'Oh, you've grown up.'
I used to walk down a street and nobody would notice me. Now, I get stopped all the time; people saying, 'well done'. It makes me really, really proud to have done my bit to help make cycling a little bit more popular.
I signed a baby's head one time, which I thought was an odd situation. I had a guy show me a tattoo one time, and he wanted me to sign the tattoo. So I signed the tattoo, and he went across the street and had the signature tattooed.
Once upon a time, I was morbidly sensitive about the impertinence born of sociology. Taxi drivers would not stop for me after dark; white girls jogged to keep ahead of my shadow thrown at their heels by the amber street lamps. Part of me didn't blame them, but most of me was hurt.
Two records put me over the top with hip-hop. One of them was 'Planet Rock,' and the other had no lyrics - it was called 'Numbers,' from a group called Kraftwerk. Every kid in the 'hood in New York and New Jersey was popping, locking, and breaking to that record. It was the hottest track on the street at the time.
I would sit on the street corners in my hometown of Indianola, Mississippi, and I would play. And, generally, I would start playing gospel songs. People would come by on the street - you live in Time Square, you know how they do it - they would bunch up. And they would always compliment me on gospel tunes, but they would tip me when I played blues.