After some time, my reputation preceded me each time I was given a new posting.

My record label is treating me like I'm a new artist, which is exciting after all this time.

I still get a chill when I sing, 'You Don't Own Me.' I find some new feeling in it every time.

From my early days in modelling to every new commitment, is like a first job for me every time.

It was the first time she had visited me here in upstate New York. It was the last time I saw her.

It is nothing new or original to say that golf is played one stroke at a time. But it took me many years to realize it.

I went to New York for the first time when I was in college for a school trip and, uh, it did not appeal to me. It was too much hustle and bustle.

Every time you create something new, there should be questions. And to me, that's a sign that you've actually done something that is transformative.

I see that idea that we need a new form as something critical. I mean, we do need to invent and not be benchmarking all the time. That's important to me.

Playing with decks, for me, has always been about trying new things. I make it a point to keep trying different things, keep pushing it a little bit at a time.

In my concerts, I'm always doing new songs, so someone seeing me for the first time or many times before will be pleasantly surprised and hopefully entertained.

It was memorable the first time 'The New Yorker' bought a cartoon from me. I had been sending them batches for years every week, and they didn't respond to them.

I wanted to leave Dortmund in Dortmund and not think about spending time with Jurgen when I chose a new club. That was partly a reason for me not to go to Liverpool.

I had a hard time at Chelsea mainly because I was injured much of the time. Every time I recovered from one injury I seemed to get a new one and it set me back again.

I will never be able to create a budget from scratch with the amount of time that I have, but my instructions remain the same: Give me a budget that has no new revenue.

I guess my favorite Web site would be theonion.com. I used to read that paper all the time in New York, and it still cracks me up. It's actually my homepage on my computer.

As a kid, I was definitely a DC guy. I started reading big time in the '80s at the height of the Wolfman/Perez 'New Teen Titans.' That was definitely the book that hooked me.

Adolescence is the most Technicolor time in our lives. It's the time when adulthood is new and we care most about it. It contains the highs and lows that excite me as a writer.

When I was in the second unit, it just took me time to find my rhythm just playing with a lot of new guys. But once I got in the starting lineup, it kind of just opened up a little bit.

I'm very new to the industry. I'm not on the Billboard 200 and that is alarming to me. But when I sat down with my management they said it's not a big deal and that it happens all the time.

By the time I finished 'Poison,' the New Queer Cinema was branded, and I was associated with this. In many ways, it formed me as a filmmaker, like as a feature filmmaker I never set out to be.

Getting a new passport took me a stupid amount of time. I had to go back five times with different photographs because they kept saying I was smiling, which is against the rules. I was not smiling.

I think the first time I realised 'Downton Abbey' was a hit was when I was sitting in a tea shop in New York and the couple next to me were talking about 'Downton Abbey,' and then they recognised me.

Companies often visit my office, or invite me to theirs, to brief me on new products, Web sites, or software before they are released - usually a few weeks or days ahead of time. I don't review most of these products.

I don't have to really be in the 60s. Every time I hail a cab in New York, and they pass me by and pick up the white person, then I get a dose of it. Or when they don't want to take you to Harlem. I grew up with that.

That always stuck with me. When I finished school in 2015, I started going to open calls in New York. But I was getting the same response every time: 'Get your measurements down. Take X inches off your thighs and hips.'

I think the audiences in Chicago are really open. They're engaged and eager, and they don't feel cynical to me. Sometimes in New York, there's a sense of, 'Prove it to me; prove this is worth my time.' I never felt that in Chicago.

My kids will come to me and ask me to listen to a 'new sound' they think they've discovered. One time it was the Beatles' 'Yesterday,' and the new sound was four strings. All of a sudden the new generation discovers the string quartet!

When I was elected, I was the youngest member of the Tennessee congressional delegation; now, I'm one of the oldest. In fact, I have members of my staff who weren't even born when I took office. That tells me it's time for a new chapter.

I went to New York for the first time when I was in college for a school trip and, uh, it did not appeal to me. It was too much hustle and bustle. And I have since now found a New York where if I lived there now, I know where I would want to live.

I feel confused about what I'm supposed to be doing as a feminist because I do like fashion, and I do like magazines, too. I buy them on airplanes. I like seeing what hot trends are new this fall. It makes me feel very conflicted a lot of the time.

When I first set up my big band, I only had Gilson Lavis, the drummer from Squeeze, with me. He was the core element. Whenever a group hits the big time, they always get a new drummer because they really need that. You can make do with rubbish elsewhere.

I was a young film student around the time of the new wave in film in the 1970s; old Hollywood was naff and over. For me, as a film student, I was going to see French and Italian cinema; American cinema was 'Easy Rider' and 'Taxi Driver.' Everything was gritty.

The spirit around leaving New York, for me, was that I just felt I needed to do something really outside of my comfort zone. And I really couldn't tell you at the time why I needed to do it. It wasn't like I was running from something dark; it was a desire to shake things up.

The more I act, the harder it gets, since I feel like I still have so much to learn. Whenever I embark on a new project, it always feels like the first time. If it were easy to me and I felt like I knew everything, my acting might have been different. I think the feeling of 'newness' keeps me on my toes and concentrated.

I got my story, my dream, from America. The hero I had is Forrest Gump... I like that guy. I've been watching that movie about 10 times. Every time I get frustrated, I watch the movie. I watched the movie before I came here again to New York. I watched the movie again telling me that no matter whatever changed, you are you.

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