Quotes of All Topics . Occasions . Authors
I like when a guy makes me feel like a woman and a little girl at the same time.
Every minute I'm on the set, it's play time for me. I feel like I'm on the beach!
I kind of feel like every time I do a film, it is me and an entire male ensemble cast.
My moods are like a roller coaster. It's hard for me to just feel one way all the time.
I always feel I can play a role - just give me the time to do the preparation and I'll be it.
Most of the lyrics are over a year old, and it doesn't feel like it's about me. Time created a distance.
It's like with me, I feel like I was never one of those rappers that, you know, stayed in one time warp.
My teammates tell me to shoot the ball when I'm open. I feel like I'm open most of the time, so I shoot it.
I like to be productive - it's very hard for me to go on vacation because I just feel like I'm losing time.
Every film is like a baby for me; it's like my own child. I feel protective and aggressive each time my film hit theatres.
I feel very, very upset that, when it came time for me to get an Academy Award, that I didn't especially thank Clint Eastwood.
I didn't know how to throw a punch - why would I? Who knows how to throw a punch? Now I do it all the time, and it makes me feel strong.
I pass on a lot of teen roles that get sent to me because a lot of the time it doesn't feel real. It's sugar-coated. There's no depth to it.
I've become more of a climber now - who still keeps that time trial as strong as ever. It gives me such self-belief. I feel a different athlete.
Training readers to expect a voice or subject matter from me would interfere with the reinvention I crave. At the same time, I feel almost too able to disappear at times.
I feel safe in saying this, and that is that Peter Weir is without a doubt one of the greatest filmmakers of all time. I'd open a door in a movie for him if he asked me to.
I feel like I'm stepping into a place of spiritual contemplation every time I enter a studio; it's always had a certain magic to me that has never worn off with familiarity.
I cry all the time when I watch 'Glee' because I don't know if it's satire or melodrama and that makes me feel like the writing is aware of itself, and that makes it OK to cry.
Preacher is a book that somehow allows me time by its settling on it's characters, that sort of modern gothic western feel. You're not likely to see the boat veering too far from that.
In the beginning, the media was calling me a bad boy all the time because of the way I act and feel onstage. None of them have ever taken the time to get to know me when I climb offstage.
It used to be that I'd do drag, then get out of drag, and try and be as much of a boy as possible. That didn't feel entirely authentic for me, but it felt like what I had to do at the time.
I was 'impressed' by Hugh Jackman for five seconds the first time I met him, but as soon as he opened his mouth and shook my hand, I felt comfortable. He made me feel like I was one of his friends.
The result is an empty thing. The result is I'm happy for the next two days because I get less criticism and more time to improve my team. But what satisfies me the most in my job is to feel emotions, the way we play.
I had to have 25 counts of radiation, and the radiation was an obstacle I had to get over, in and of itself. It took away my appetite completely, it changed my mood swings, it would make me feel nauseous all the time.
I sift through the scripts offered to me and see what is worth attempting, because I think there is no point in wasting your time in doing something which you are not too keen on. I try and do whatever I feel interested in.
I enjoy clothes. My mother tells me how, even as a kid, I used to choose my own clothes. I have a feel for it, and I do the costume coordination for my photo shoots as well. Many a time, even my characters wear the clothes I choose.
I feel I haven't quite settled in Mumbai. One, it is a cultural shock for me and two, I feel no one really has the time for others in Mumbai. For instance, if you need them, they wouldn't be there despite swearing allegiance to you.
I was a child, and my mother was psychotic. She loved me, but I didn't really feel I had a mother. And when you live with somebody who is paranoid and thinks you're trying to kill them all the time, you tend to feel a little betrayed.
Acting has given me a way to channel my angst. I feel like an overweight, pimply faced kid a lot of the time - and finding a way to access that insecurity, and put it toward something creative is incredibly rewarding. I feel very lucky.
An average show is two hours. And that's usually right up to the curfew or the union triple time. I always feel like I could have played a little longer or something, but it's hard for me to pay attention to anything for longer than that.
When I hear that I realize how quickly time passes and how everybody goes on their journeys and they're always unbelievable and they never go where you think they're going to take you and, quite frankly, it also makes me feel a little old.
My coach keeps telling me to say I'm not going to retire. I should just go through the motions and see what I feel every year and see if I really want to do it, but personally, I want to do it, but my coach says just take your time, don't rush.
I feel confused about what I'm supposed to be doing as a feminist because I do like fashion, and I do like magazines, too. I buy them on airplanes. I like seeing what hot trends are new this fall. It makes me feel very conflicted a lot of the time.
'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.
I might feel a little bit empty, and it might get to me for a short time, but I'm hoping to keep my association with football and with broadcasting - I'm not retiring from everything; I'm retiring from the BBC. I'm certainly not going pipe and slippers.
I'm definitely very interested in doing female narrators that aren't typically feminine or emotional or soft - especially teenage girls - because I have such a hard time relating to so many of them that I read. They feel psychologically cuter to me than I ever was.
I don't want my own shoe. That is something I have never wanted. If anybody is pitching that, I would say no. I feel like that is the only thing that limits me, being a signature athlete, because you have to wear your signature shoe all of the time. I don't want no parts of that.
I have my privileges, but I do feel like at every turn there is such resistance. Things seem to take so much longer for me to do. I have to say things 10 times instead of once. I have to knock on 10 different doors instead of two. For everything. All the time. I feel like I'm not taken seriously.
Getting on 'SNL' wasn't just about getting cast. I had written all this stuff in my audition, and I wrote several things that got on the air. But to me, I've never been interested in being picked. So when I do get sent things, most of the time I do pass on them because it doesn't feel like it would be fulfilling.