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For a long time, I was very naive and very trusting. I Just didn't think anyone would want to do anything to harm me, but I learned through trial and error that that's not the case.
When I write that I've known about something for a long time, that's not a boast. That's a confession. It's me acknowledging that I have withheld something important from the public.
A long time ago when I was very little, I dreamed about being on stage. Some people told me I would never be able to do it, so I only paid attention to those who told me that I could.
I'm really looking forward to playing in Copenhagen again. Last time I stayed as long as I could, took pictures, signed autographs, and hung out until they through me out of the place!
There was a lot of me trying to be a 'fixer.' I was that kind of guy. I'd meet someone who had 'so much potential' that needed 'help.' I think that was kind of my curse for a long time.
I was told that I had very likely been clinically depressed for a long, long time, probably since I was 15, or even 14. It explained, to me at least, a lot of my behaviour over the years.
My grandfather was a ship's cook, and he came back from the Far East very often with strange little toys. One of the things he brought back was a puzzle box, which obsessed me for a long time.
Long story short, right after my twelfth grade, the six months between school and university, and that is the time when I came to Delhi and I said that let me try and build a company of my own.
I'm fortunate: I can play as long as I want to play. There's no coach or trainer who is going to say to me that I'm dropped or sacked, it's time to move on. I can play as long as I want to play.
Abhishek Chaubey has been in my bucket list for a long time. When he approached me, I thought it's for a film he is producing, but I never expected my fourth film to be an Abhishek Chaubey film.
People have asked me a lot of times, because I didn't hit a lot, how long a dozen bats would last me. Depending on the weight and model I was using at that time - I would say eight to 10 cookouts.
It takes me a long time to get with a landscape. It took me 20 years before I wrote anything about Ibiza, and I haven't written about Oregon yet, although I've been there 20 years - possibly I'm almost due.
Me personally, I'm a guy who it took a long time to figure out what I'm supposed to be doing. I relate to a lot of that finding oneself a little later in the game, or being thrown a curve later in the game.
My reading with RuPaul was actually, for me, on a personal level, one of my favorites and the most shocking. This is someone I've wanted to read for a long time and so when he was standing there I nearly fainted.
I had it in my head when I was in college that I wanted to be a writer, but it took me a long time to commit to being a writer. Up until then, I had worked one dead-end job after another while writing on the side.
When I finished 'Cocktail,' it took me a very long time to get out of Veronica's mindspace, behaviour, and zone. I had to reconnect with who I am. It is a similar story with 'Bajirao Mastani.' Some films demand that.
I've been around a long time, and I've been interested in memory for a long time. And one of my earlier interests in molecular biology of memory led me to define the switch that converts short term to long term memory.
So, for me, I make no difference whether I'm training with my shuttle crew or the Expedition crew. Of course, I think I want to take more care of the Expedition crew, because they're going to stay there for a long time.
It took me a long time, not necessarily to come out, but to understand how I was feeling. It wasn't planned for me to come out with 'First Girl' or anything. I just so happened to have met my current girlfriend on the set.
I don't think about the gender of my readers or about reader expectations. I'm frankly scared to. I figured out a long time ago that if I tried to guess the audience, it would be like me trying to guess which stocks to buy.
Lyrics are really, really hard, I think, or at least they're really hard for me. Some people can channel lyrics faster. I find them very hard to find, so because of it, they take me a long time, and I really think about them.
My father wasn't too crazy about me. I loved him anyway. One of the things I regretted for a long time was that he died before he could see that he would be proud of me. I was actually more what he wished for than he thought.
Some people see ESPN. They see the long shots. They see me scoring the basketball, but they don't show often too many assists - and I've been doing that my whole career, being able to get the ball to the guy at the right time.
For a long time, I couldn't tell somebody how I felt or I couldn't talk about my problems because I felt like I was complaining. Writing would help me or it would be like, I can't tell you how I feel, but I can play you a song.
I'm an athlete and I'm black, and a lot of black athletes go broke. I do not want to become a statistic, so maybe I overcompensate. But I'm paranoid. Oprah told me a long time ago, 'You sign every check. Never let anyone sign any checks.'
It took me a long time to adapt to the West Coast. I lived eight years in New York before California and might have gone back. Then I discovered surfing. It's the California equivalent of ice hockey, I guess. It gave me a real sense of place.
I make very proper clothes. But I was never that person. For a long time, I thought that was the image I needed to have for my brand. And I thought that's the person that I needed to be. Because it gave me a distinct image that no one can deny.
I was playing Russell Long, the senator from Louisiana. I had 12 speech teachers watching me. All the other passengers on the airplane were speech teachers, and every time I got it wrong, one of the speech teachers would jump up and correct it.
I look at the careers of people I'm standing on the shoulders of. People like Lena Horne, Ella Fitzgerald, Sammy Davis Jr., and Sarah Vaughan. These are icons I wanted to emulate, and I feel like they've been holding me up for quite a long time.
The things that motivated me at 21 don't suffice. Which is scary but really liberating in a way. It's taken me a long time to feel like, instead of being invited to the party with a bunch of people I don't know, that I actually deserve to be here.
Younger songwriters will ask me, 'What did you do?' And it's like, 'Well, I worked a day job, and I didn't stake anything. I didn't quit my day job. I didn't have any hopes at all. I just did the thing that I believed in, and I waited a long time.'
For a long time, there was this rumor that I turned down doing 'Austin Powers,' which is not true. While they did send me the script, I don't think I was ever a serious consideration to direct it. I'm sure they probably sent it to 20 others as well.
I've been a musician and a songwriter for years, since I was a teenager, and made my living doing that on and off for a long time, so when it came to writing comedy material, it was the thing that came easiest to me, the most natural way of writing.
My grandmother taught me how to read, very early, but she taught me to read just the way she taught herself how to read - she read words rather than syllables. And as a result of that, when I entered school, it took me a long time to learn how to write.
I'm aware that most people who meet me for the first time think of me in a certain way because of who my father is. That just comes with the territory. But that's been that way ever since I was a little kid as long as I can remember. I grew up that way.
I sang all the time, and finally, my mother looked at me and said: 'I have a friend in New York who gives singing lessons. If she says you can sing, you can take lessons. If you can't sing, I never want you to open your mouth again as long as you live.'
For a long time, I didn't know what I wanted to be when I grew up. I was desperate to find something that fit me and I just decided that if I could organically make a professional living out of the things that interested me, then I would be a happy person.
I'm drawn as well to the lower echelons of things because it struck me a long time ago that it didn't really matter on what level people were working on anything; it was just as important to them as the people working on what's perceived as a higher level.
It used to take me a really long time, and I used to not be able to write in the studio because I felt there was a lot of pressure to be perfect. The more I'm collaborating with other artists, the more I realize being in the studio is about catching a vibe.
Some friends of mine bothered me for a long time about getting on the social networking pages. They were close friends that I liked to mess with, and I think that I kind of enjoyed for a while that it bothered them so much. Now they've just kind of given up.
I wish I could adjust my voice, but it's just what's happened to me. It's because I've lived abroad for a long time, and my wife is English and my kids all have English accents, and every voice I hear is English. I've never intentionally changed my accent at all.
I don't have them down here asking me what my urban agenda is. I don't find them really doing in-depth stories on community-based organizations that have been struggling for a long time and who are out trying to get funds. They aren't interested in those stories.
One thing that's happened to me is I've been around a long time and I've played a lot of villains and so forth. I think it had to do with, well one thing is that I looked younger than I was for a long time. Now I think I'm suddenly starting to play people's father.
The bad boy image is something given to me by the media. I have been in relationships earlier, even for as long as three years. I am not saying I am a saint. I am like any other guy, I guess. Unfortunately, every time I even meet a person, it is reported as a link-up.
Don't get me wrong: politicians have been lying for a long time, long before Donald Trump was born, but the degree of just nonstop rage, grievance, prevarication, I haven't seen, probably because we haven't had a direct line from a politician's id to the public before.
My husband passed away a long time ago, and of course a lot of people have courted me. I've been taken to dinner and also to things like Larry Hagman, in particular years ago. And more recently, of course, little Hugh Jackman - and he's too young for me though, frankly.
I've been through a lot and played for a long time, so I can understand what others will go through. That's why I want to help them out. There are a lot of players who go to Belgium, for example, and have had terrible experiences. I know players, and they have come to me.
I wish there were two of me and 48-hour days so I could get everything done. But for me, I have to not try and think that everything has to be 100% perfect all the time and leave room for error. As long as my kids feel loved and a priority, everything really is secondary.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
We have struggled with terrorism for a long time. In the Reagan administration, I was a hawk on the subject. I said terrorism is a big problem, a different problem, and we have to take forceful action against it. Fortunately, Ronald Reagan agreed with me, but not many others did.