Quotes of All Topics . Occasions . Authors
My ability maps my own writing. I haven't spent a whole lot of time biting licks from the really quick masters. That's why I'm not very good at that sort of super-fast, shreddy sweeping. So I've never considered myself a traditionally good, fast-playing guitarist.
I don't mean to criticize anyone in any way that I wouldn't criticize myself. I think people should have fun, and have a good time, and enjoy the luck that we have to be lazy and dwell in consumerism. But I think that it's a balance. And our job as actors is empathy.
I worry about the kids who have too much. As a parent living in a so-called good neighborhood with children who went to private high school, I found myself spending much time in parent groups worrying about alcohol, unsupervised parties, and parents not being parents.
Before I do episodes of 'The Good Wife,' I talk to the director and say, 'I'm trusting you to let me know if it's too much! I won't be offended.' So I put myself in their hands, and most of the time they let me do my thing, but sometimes they'll say, 'Let's try this.'
I was stealing the ball from all the guys. Every time they dribbled the ball, I used to take it, and I'd go down the court, and I'd either lay it up myself, or I'd pass it to one of my teammates. I was getting a lot of excitement from that; I felt good about doing that.
I literally cannot remember a time when I was not asking myself what events in 'Star Wars' were like for Princess Leia. The good side of all this is that what looked like 'goofing off' or 'daydreaming' these many years has all turned out to be valuable career preparation.
I got a lot of problems, but I'm really good at intuiting what I need to do to be happy with whatever I create. I know when to stop myself, I know when to start, I know when to leave something alone. I guess I just kind of indulge that completely, and so I just take my time.
I seek out things that terrify me, like an improv class. I'm terrified of sharks, but I scuba dive. I'm not good at auditioning, but I force myself to do it all the time. I've never met anybody who is fearless, but the more you push against your own boundaries, the easier it becomes to push.
I used to be very scared of silence because I felt it was my responsibility to keep people occupied. That definitely spawns from an insecurity in myself. When people aren't enjoying themselves, when I'm involved, it somehow comes back to it being my fault. But I do want people to have a good time.
No manager in the world gets good results all the time and you know there's people always ready to have a snipe. In fact I'm my own biggest critic, I really am. Because my own standards are so high, I criticise myself behind the scenes more than perhaps I should, according to people who know me well.
I like to believe that I don't think of myself as a writer. I am an amateur. Back when I was teaching, I wrote when I could. Weekends were good typewriter time. Now, it's whenever I feel there's something to be put on paper. I don't care what time it is, though I always write in the notebooks at night.
I felt like the luckiest kid in the world. And I was. I was growing up middle-class in a time when growing up middle-class in America meant there would be jobs for my parents, good schools for me to prepare myself for a career, and, if I worked hard and played by the rules, a chance for me to do anything I wanted.
I'd set up the Khan Academy as a not-for-profit in 2008, but I was doing well in my job and initially thought I could fund the Academy myself. But by 2009, I was getting so much good feedback that I told my wife that I wanted to do this full time. We had some funds to fall back on, and I knew doing this made me happy.
I didn't have a good time with Lancashire in 2000. Probably I'd played too much cricket and should have taken a rest, but I went there when the offer came because I had always had an ambition to play the county game in England. And I was a bit jaded. And I didn't do myself justice. I want to put that right before I finish my career.
I know Ritchie Valens in 1959 had 'La Bamba' but to be totally Spanish - because, you know, Ritchie didn't speak Spanish - but to be a total Latin artist like myself, to be out in a field where there weren't any categories for Latinos... I felt good that I was maybe - I didn't know it at the time - but I felt good that I opened the door.
For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.