Quotes of All Topics . Occasions . Authors
A lot of folks I mentor ask me, 'How did you get there?' I tell them, you never plan on it. Do a good job and treat customers well, do the right things for the right reasons. Prepare yourself, but don't spend all your time worrying about it. Just do your job, and you'll be recognized for it.
Even though I'd been invited to the combine, I didn't test particularly well. That didn't really surprise me, I had I no expectation that I'd shock people with an insane 40 time. But I knew things weren't looking good when I started getting asked a lot of questions about the size of my hands.
For a few years after I stopped playing people would ask me how I was coping with retirement and there would often be a slightly worried tone to their voice. But I always answered the question the same way: that if I knew retirement was going to be this good I would have quit a long time ago.
'Humsafar' is addictive; it's a good nasha to have. I remember, when the show was on here in Pakistan, my friends would keep asking me what's going to happen next. And those who didn't see it when it was aired the first time watched all episodes back-to-back because they found it very gripping.
When I was in high school, I wasn't really popular. I was picked on a lot. And then I did a talent show, and kids started to tell me that I did a good job. It was the first time that my peers told me that they liked what I was doing. Something clicked, and I knew that this is what I wanted to do.
I get messages from people telling me all the time through Twitter or Instagram about how my path has inspired their path. It's good for them, for people who have a certain amount of mental problems, suffering from depression or anxiety, being able to have someone who recognises them and helps them.
I was in middle school right around the time the Bloods and the Crips started taking root in Compton and a lot of the other neighborhoods around me. I saw way too many of my peers - smart, kind, good kids - who got drawn into gangs and violence, and their futures were going to be forever scarred by that.
Shakespeare is renewed each time you see it or read it. I've seen 'Midsummer Night's Dream' so many times, and each time it's a little different, or a different line leaps out at me. It's like re-reading a good book over and over, always noticing something you hadn't seen the time before - and that's rare.
I have to feel that I'm going somewhere all the time. By definition, if you have this urge to go places, then you can't be 100 percent happy where you are. It's not like I enjoy being miserable for weeks on end. But I think it's good to be miserable for about one day every third week - that's ideal for me.
I'm not a good writer, and I don't care. Unfortunately, after I left college, I didn't have time much for literature. I wish I did. Most of the time I read documents, and that's not going to help your writing. But I'm a very logical writer, and you can't get out of me. Once I've nailed you, you're finished.
Ryerson helped me because I was around acting all the time. It was pretty much all I thought about, even if I didn't really get to practice every day; I definitely thought about it. Actually a lot of it was just sitting and watching, especially in my last year, but I think a good actor learns from everything.
I was an enormous fan of Dan Slott's run, and John Byrne's run was a big deal for me. I found Slott's version of 'She-Hulk' first, and then I went back and looked up some of the older stuff because I liked it so much. And it was so good. It was perfect. It was my perfect comic book at the time that I found it.
Jeff Eastin is good in that he'll tell me a plot twist that's coming up if he thinks it would be something Peter would know ahead of time, and if it's something that would be a surprise to Peter, I'll tell Jeff, 'Oh, don't tell me. I don't want to know.' And then it's exciting to read it and exciting to play it.
I do sing in the car. I actually sing Britney Spears songs in the car - me and a close friend of mine. She lives in West Palm and I live in Miami, and when we're going back and forth to see each other, we sing: 'Oh, Baby Baby.' We sing all these 1990s songs. We're like two 14-year-old kids just having a good time.
Everybody has their iPhone cameras, BlackBerry cameras, and I see those cameras pointed up at me all the time now, which is actually really good because of what it does for me and my band. There is no time for us not to be on our toes because they're on all the time whenever you're playing. I think it's very healthy.
I think the kids in school that laughed at the clothes that we wore and the house that we lived in, and then my mother had to cut hair... I think that was a good motivator. Every time they laughed at me, they just built a fire, and there was only one way to put it out - to try and show 'em I was as good as they were.
I do have a tendency to talk a lot at the poker table, which throws people off because they spend a lot of time trying to read me. But I talk a lot when I have a good hand and when I have a bad hand, too. Sometimes it annoys people so much they can't wait to get out of the tournament. And that can only be good for me.
For a good workout, I go to At One Fitness in North Hollywood, where my trainer, Jon Allsop, puts me through it all. I like it because it's a small gym and I've known the people for a long time. Jon will have me do cross-training where I'll lift weights, jump rope, throw around a medicine ball and I never get to stop.
The first time my father woke me up in the middle of the night to tell me he was going to die, I think I was eight. He brought out all his papers and explained to me what to do with his body and who to call and how to take care of things. You either learn how to survive, or you fall to pieces. I'm pretty good at surviving.
When I was 17, my mum thought it would be a good idea to compete in a modeling television show. It was hard for me to book jobs in Australia at this time, being that my look was so different. Even though I didn't win, I was given a modeling contract with New York Models, so I flew to New York as soon as the show was finished.
It's never been difficult for me to say no. I have never given excuses like I don't have dates. I have never over-quoted to avoid a project. I simply say that while the script might be good, I can't connect with it. My strategy is that while I wouldn't want anyone to waste my time, I shouldn't be doing that, either, with others.
After I read the story of 'Dangal' and before the film released, I called director Nitish Tiwari asking him if he had any good script. He told me to wait for some time. So we had three-four sittings, and this film, 'Chhichhore,' came to him. The film did not have superstars, but I felt that this is the script that needs to be told.
I learned everything from that show, so it's just a wonderful memory to me. A lot of people would be embarrassed to admit that they were on 'Barney', but I embrace the fact. I just had such a wonderful time doing that show... I learned what a camera and prop is, and all that. I learned my manners too, so I guess that's a good thing!
It's hard for me to think about this, but I first went to Southeast Asia as a Marine more than 40 years ago, as a young Marine. I was on Okinawa and then in Vietnam. I've returned in many different hats, which I think has helped me to form my own views about policy out there. I've spent a good bit of time in this region as a journalist.