The first time I was in the ring, I wasn't good at it, and I honestly thought, 'Maybe this isn't for me.' Then I went back the next day and the next day and the next day... because I loved it more than anything.

I think it is serious to have good sales. As I learned belatedly, the more you sell, the more publishers pay attention to you, and it took me a very long time to figure that out because I never thought that way.

I don't really pursue acting. I jokingly say that I retired right at the same time people stopped hiring me, but I really don't think I'm very good at it, and I'm not really interested in it anymore as an adult.

I did this play, 'Expedition 6,' that I worked on for three years in between other things. It was a good, interesting time for me because I trained as a theater director, and I went back, and we toured it around.

I wear my emotions on my sleeve. If I keep that bottled up, it's not going to be good. It's all going to come out at some point in time. I would rather it come out in little bits and pieces than me try to hold it in.

I've had Motley fans come up to me and talk to me about Motley. I've had other fans talk to me about all the backing vocals and the tapes. I just ask them, 'At the end of the day, did you have a good time?' That's it.

Till the 10th standard, I was quite good - I got 66% that year. After my 10th, I got really involved with cricket, so I didn't have any time to study. And my parents didn't push me, either, which was very good for me.

Behind the scenes, I'm not a politicker. I have a very hard time telling somebody they're right when I feel they're wrong, and I have a very hard time telling somebody they're good when I feel they're not. That's just me.

I think I wrote 'The Trysting Place' in about three weeks. But it was inexperience that made me have to do that. I didn't feel good about the book all the time I was writing it. It felt a bit like wading through molasses.

People have asked me why are Australians and Brits so good at American accents, and it's quite simple. We grew up listening to the American sound on our TV. That's why American actors have a hard time with foreign accents.

I wandered along to the chemistry labs, more or less on the rebound, and asked about becoming a research student. It was the '60s, a time of university expansion: the doors were open, and a 2:1 was good enough to get me in.

I definitely need to learn how to take compliments, because it was very weird to go from sitting in my house all of the time to having hundreds of people coming up to me and congratulating me and telling me I did a good job.

Touring is very routine. You get to the city, you go to the hotel, you got to be at the hotel by a certain time - it's very routine. I'm not a very structured person, so when I get some structure, it's cool; it's good for me.

Growing up in Dumfries, I got no sun - I spent all my time in my room making records. When I came to America, it made me recognise the benefits of sunlight. Oh, and I also got a good haircut. I used to have a terrible haircut.

The first time I ever tried edamame, I thought it was gross. I didn't understand the hairy skin. It didn't taste good to me. Now I scarf down a bowl of edamame when I sit down at a restaurant, and I don't think twice about it.

Stage acting is for me the basic form of acting. If you make films all the time, you have so few possibilities to rehearse. And it's important to rehearse, because it gives you the possibility to try things which are not good!

I would have to say probably some of my favorite highlights in the ring would have to be with The Rock. Because at that time, me and him were number one guys, both of us on the rise, and just the matches we had were good times.

Friends give me a hard time about the pants I'm wearing, which are made in China. Well, how do you find the right clothes? Or the right movie studio? The right people giving you checks? Good luck doing the right thing all the time.

I remember I had an actor friend - a close friend from college - Anthony Zerbe. He sent me a telegram before I started my first movie, 'Cisco Pike.' It said, 'Have a good time. Ignore the camera.' That was the extent of my training.

If 'Black Balloon' had come out before 'The Mummy,' casting agents wouldn't have been able to see me for the first time in 'The Mummy.' But now that 'The Mummy' has come out before 'The Black Balloon,' that's a very good combination.

I think the greatest hip-hop artist of all time is Jay-Z, without a doubt. He just keeps amazing me with his performance, and since '96, that guy has been producing at least one hit every summer and every winter. That's a pretty good resume.

I go through cycles with my writing. I have cycles where I'm up all night and lose track of time, and then I go for months without a thing to write about. My song 'So Good, So Right' came to me while I was washing dishes after a dinner party.

I was away from the game for a few years, and it feels good to be back. I'm bowling quite well and also getting the ball to reverse swing. During the time off, I worked a lot on getting the ball to reverse swing; now it's working well for me.

When I did 'Rocky Horror,' I didn't want to meet the audience afterward, because they'd been having a good time yelling names at me all night, and I didn't really want to tell them that I didn't have such a good time being yelled at all night.

My sadness compels me to hide it so that people won't judge me. Seeking help would have blown my cover. Meanwhile, my mania convinces me that it's making me fun so I'll want to dive further into it. Seeking help would've ruined that good time.

I hear all the time that boys don't like stories about girls. Which never made much sense to me. Wasn't 'Terminator' about a girl? And 'Alien'? Hell, I grew up on 'The Wizard of Oz.' People enjoy stories about anything if they're good stories.

I never starved. And you know, whatever talent I have, I've relied on that, versus image or star. I have just said, 'Hire me if you want somebody good.' I tried to be as good as I could be every time out, and that's kind of bridged the decades.

I can play a bunch of instruments but drums? My brother's a drummer and I've always been jealous that he's such a good drummer. I always try to play but it's always kinda just bashing. I can keep time but no one really wants to hear me play drums.

I'm a stickler when it comes to every aspect of my line. My development team probably hates working with me sometimes... but in a good way. I think that I push them to a certain degree to create something that's going to withstand the test of time.

I know quickly whether a guy is boyfriend material. If I can have a good time doing absolutely nothing with him, then that's boyfriend material for me. Like if we're able to have fun at a gas station. I've had some really good times at gas stations.

Georgia Tech definitely helped me a lot. I don't know about coming out of high school. But Georgia Tech was good for me. I got a lot stronger, a lot more used to not having the ball in my hands all the time, moving without the ball, setting screens.

Some shots, for me, are a good shot even if it's forced. The way it might look to a person watching, they might look at it like, 'That's a tough shot.' But for me, it's not a tough decision. I'm committed to those shots, and I spend time working on them.

What I actually do put much more weight on, in all honesty, is not being critically acclaimed - it's being respected by my OGs. When I talk to E-40 on the phone, every time I talk to him, I'm like, you know, if he tells me I'm doing good, I'm doing good.

I was shooting a German movie, 'Whatever Happens,' at the time, and I got the call from my agent asking me to self-tape for 'Blade Runner.' That was a no-brainer. I loved the original, and Rutger Hauer was a national hero, and he did such a good job in it.

Whether we like it or not, we are high-profile athletes. We're role models. Kids come up to me all the time to talk and it makes me remember when I was a kid and I got to meet Jerry Rice and how much that meant to me. And how we've got to set a good example.

From the time I was 16 to really up until turning 21, the roles were really, really few and far between. I had people say that I just wasn't a good singer. They didn't know what to do with me; I would never fit in any markets. I almost quit acting altogether.

I put on fifteen pounds of muscle, so that was a lot of eating chicken and a high protein, low-carb diet. Also a lot of heavy lifting and a very different kind of training with an ex-navy SEAL guy who wanted to kill me every time I got with him. In a good way.

I was really confident when I left WWE. I was confident that I would have a good time, and I was confident that I could wrestle differently than perhaps people saw me in the last few years with WWE, but I definitely wasn't prepared for this level of everything.

I got to meet Hulk Hogan. He took a liking to me because of my size. He saw that I was a good athlete and could move. He told me at the time, he says, 'You got a big dollar sign in your forehead, kid,' and I said, 'Well, please show it to me, because I'm broke.'

I have two paintings that used to belong to my grandmother, who lived in Chicago. When I was young, I used to sleep over at her house. They came to me when she passed away. I remember looking at them when I was a girl, and now, every time I see them, I feel good.

When an executive walked on our floor, it was at their own risk. As far as what others thought of working for me, I know I was very tough at times, and would storm down the hall after watching some bad animation from Korea. But overall, I feel we had a good time.

Even though she may not be a physical presence, for me RuPaul is an aspirational presence. Ru is out there doing her job - being RuPaul. That takes a lot of time and a lot of commitment. Besides, I don't need RuPaul standing over my shoulder telling me 'Good Job.'

It's not about, 'Let me play as long as I can so I don't have to grow up.' It's about, 'Let me play as long as I enjoy it,' and when it's time to step away, I can step away gracefully even if I'm still good enough to keep playing, because I'm ready for that next phase.

I think the good thing about 'Take Me Out', which is kind of a compliment to us really, is that when it started doing well round about the second series and people started getting into it, all of a sudden every time you turned over a channel there's a new dating show on.

They say shock therapy is good for some things, but it didn't do me any good. It was a pretty primitive treatment at the time - once they gave it to you, you couldn't remember how long you'd been there. It knocked me back for a long time. I thought I'd never write again.

I'm not the fastest, the strongest, the most athletic, the tallest. But in order for me to be good at what I do, I have to focus on my craft so much that it alleviates those other things. I can't have personal relationships like other people do. I can't spend time on that.

I like to tell stories and relate to people and get everybody having a good time. I don't ever want to be in a situation people feel the need to tell me their opinion. So I stay away from any kind of material that would cause somebody in the audience to shout me their opinion.

I was just writing songs in my spare time, and recording because it's fun to do, and Sub Pop called me and said they wanted to put some stuff out. I had to weigh whether I wanted to put the time into it because it's a commitment. But, in the end, it seemed too good to pass up.

I am not allowed to be afraid. My mother made me like that. As a child, if I was afraid of the dark, she would lock me in the closet. Things like this. And she would talk about the time she spent in the concentration camp, but not about being afraid, only about the good side of it.

I don't think I'll be remembered in a big Michael Jackson, Led Zeppelin way. I think I'll be remembered in this way: by the people who were there, who can't capture or explain it. I'm not trying to brag or anything. It's not about me. It's about facilitating a good time for everyone.

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