Quotes of All Topics . Occasions . Authors
I always wanted to run a major label, and I feel like I got the skills to do that. The one thing about me is that I won't sit behind a desk the whole time - I'll go to the clubs and see what's hot.
I can't switch time zones any more. London is one of my favourite places, but I'm always so zonked that I can't appreciate it. It's like a six-inch sheet of glass between me and Charing Cross Road.
Everyone assumes we're always going to have a cocktail and a cigarette in hand. Fans expect us all to be dressed up all the time. They always say to me, 'You look so young. You don't seem as tall!'
So if you're on tour for eight months, a year... or whatever it is you definitely don't want arguments and I'm happy to say that I've always had a really nice bunch of people around me all the time.
Any time you read a book and get attached to the characters, to me it's always a shock when it goes from page to screen and it's not exactly what was in my head or what I was imagining it should be.
Even after I got my divorce, the ink wasn't even dry on the paper, and I said, 'Ooh, the next time I become a wife, I got this thing down pat!' I always believed that there was someone built for me.
When competing a lot and traveling, I have problems with my lower back because I'm always on the plane or sitting. That's something that does bother me from time to time, but I try to stay on top of it.
Every time a director calls me and says, 'If you practice a lot in two months, can you be an American?' And I always tell them, 'Well, maybe but I'm French. So it's going to be hard to be someone else.'
I have a little pocket Bible that I have with me all the time in my briefcase, and so usually in the mornings, sometimes on the campaign bus or plane, I always try to catch some time to do that regularly.
Was I always going to be here? No I was not. I was going to be homeless at one time, a taxi driver, truck driver, or any kind of job that would get me a crust of bread. You never know what's going to happen.
I've always wanted to be on a show that's well respected and had critical acclaim and that people like to watch, and at the same time find something that, for me, as an actor, is interesting and challenging.
I was the kid who always liked to take the ball down to the school even in my free time, kick it against the wall, juggle it in the front yard and so it was kind of a perpetual state of playing soccer for me.
I've always had bigger legs and butt; it's just the way I'm built. Over time, I realized that they were blessings because that foundation - my legs and butt - is what helps me flip 12 feet above an icy halfpipe.
Being Jewish has always been important to me. I now have 6M tattooed on the inside of my left arm. It's only a half-inch, but every time anyone sees it, they're reminded of the six million who perished, and so am I.
As you may possibly have noticed from time to time, I have tended to make a habit of sticking my head above the parapet and generally getting it shot off for pointing out what has always been blindingly obvious to me.
I always have parmigiano-reggiano, olive oil and pasta at home. When people get sick, they want chicken soup; I want spaghetti with parmesan cheese, olive oil and a bit of lemon zest. It makes me feel better every time.
I'm always fetishizing the French woman and French taste and style. My assistant will make fun of me because every time we're picking the direction of a collection, I say the same thing: 'I want it to be really French.'
I started 'Carol' as I almost always do, by looking at films from the time, and they were less - they actually felt less relevant to me in terms of their bigness, although we do have some big '50s-type moments in 'Carol.'
My parents used books as bribes: if I got straight A's on my report card, they would buy me one book. This was completely unnecessary, as I always got A's, and they bought me books all the time anyway, and we all knew it.
Actually, the camera was never overhead at any time. It was always a side view of me. Subsequently, after the picture was released, I saw some scenes from above and my clothes being pulled-and I think that was added later.
I never felt I was quite the ticket academically. I always felt I had to put in an enormous amount of effort not to be disappointing. So I worked really hard, but at the time it suited me, because I didn't do very much else.
As an audience, if you see 1800s or something, it more often seems that the actors are carrying the weight of the time. It always has a Shakespearean tone to it. To me, that always feels very theatrical and very unrelatable.
I think that's because believable action is based on authenticity, and accuracy is very important to me. I always spend time researching my novels, exploring the customs and attitudes of the county I'm using for their setting.
People are always going to say, 'Who's he beat? He's only beat Cowboy.' So what you're trying to tell me is Cowboy is a nobody? Cowboy will be remembered as one of the greatest fighters of all time. And I beat him in one round.
I always wear some make-up, even on quiet days when I am not doing so much with my time. I like to start using Dolce & Gabbana Perfect Finish Creamy Foundation as a base, as it's lighter than air and doesn't make me feel 'caked.'
It's all magic to me. Country to punk rock, all of it. Chopin to Kurt Cobain. But it always all comes back to punk for me, because that was the last time, punk rock or grunge rock, was the last time that passion ruled the airwaves.
I do chores around the house, but I don't get an allowance for them. I wash the dishes and sweep the floor... I'm sweeping the floor quite a lot, and my mum always expects me to get a broom and swagger it across the floor all the time.
When I used to play against Bayern, Xabi Alonso always used to give me a really hard time. He was so experienced... he made me suffer. The way he'd keep switching play just meant that you could never stop running. He was very intelligent.
An average show is two hours. And that's usually right up to the curfew or the union triple time. I always feel like I could have played a little longer or something, but it's hard for me to pay attention to anything for longer than that.
I have always wanted to tell Miranda's backstory. To me, it's so fascinating that as a YouTuber, everyone knows what we show them. No one knows what goes on when the cameras are off. I always thought, what would Miranda do in her time off?
I knew that I was different. I gravitated more toward playing house, but the teachers were always pushing me toward playing the more competitive games with the boys. I spent so much time wondering, 'What's wrong with me? Why can't I fit in?'
Most people in archeology find their specialties in strange and unique ways. I always wanted to do archaeology, and then the time came for me to actually be in the field, and it was excruciatingly boring. Excavation is really, really boring.
In so many ways, it feels the same now when I play as the very first time I picked up the instrument. There's always this sound out there that's just a little bit beyond my reach and I'm trying to get there and that just sort of keeps me going.
Capturing any member of any terrorist cell or any insurgent cell that we may happen to come across is always very, very valuable, and the thing that interests me is that in most instances after a time, people talk and they tell us what they know.
People who care about records are always giving me a hard time. I mean, I would destroy records in performances, and break them, and whatever I could do to them to create a sound that was something else than just the sound that was in the groove.
My parents would always take me to the theatre, and I was bored a lot of the time. Loads of Shakespeare, and I didn't know what the hell was going on. And then, when I was 13, we went to see 'The Cherry Orchard,' and it changed everything for me.
Relationships, it seems to me, are timeless. What works between two people always works; what doesn't is always troublesome. Over time, people learn - or not - how to negotiate what's difficult, but that doesn't mean the misfit has gone away entirely.
Because in order to beat Jimmy, I had to get around the ball a little bit quicker so I wasn't always on defensive and catching the ball on last stride, that I had little more time. Once I was able to get little bit quicker, then it has helped me a lot.
When I first set up my big band, I only had Gilson Lavis, the drummer from Squeeze, with me. He was the core element. Whenever a group hits the big time, they always get a new drummer because they really need that. You can make do with rubbish elsewhere.
I'm always writing something. There's always some structure sitting around someplace. There's always things on the computer, things scratched on score paper, legal tablets full of lyrics. It's never not buzzing around me all the time. I'm always doing it.
German has always felt the language that I come back to. It's given a very hard time by most people for being ugly and guttural. In fact, it's one of the most melodic, lyrical languages around. And German literature is amazing. It's just a treasury for me.
From the time I was 9 years old, I loved magic. I was an only child, and I think that had a big impact on me. I always had grown-up friends even though I was a little kid. I would take the train from Lido Beach into Manhattan, and I'd hang out in magic shops.
I'm really into the Tom Ford lipsticks. I was always afraid to wear lip color because I thought it made me look too masculine, but my makeup artist Fiona Stiles got me into wearing coral, orange-y colors from his line, and now I wear lipstick all of the time.
We always spend more time on the throwing events and a little bit more on the long jump. They're my weaker events - they don't come as naturally to me as running and jumping. I like the hurdles and the high-jump, I'm a springy, speedy athlete so those suit me.
One of my first favorite books was 'The 12 Days of Christmas,' and I would just go up to people and say, 'I can sing 'The 12 Days of Christmas,' and I would make them sit through me reciting it, and I'd go all the way, each time. I've always hooked into lyrics.
My father taught me, in boxing, that when you - particularly when you get hit in the face for the first time - you're going to panic. That instead of panicking, just accept it. Stay calm. And any time anybody hits you, they always leave themselves open to be hit.
A lot of the time I had a nanny. But I never felt like I didn't come first. Mum always made time to be a mother. On weekends she would sit down next to me, hold my hand or sit me on her lap and make me talk about my week. She would continuously try to get to know me.
I have three younger siblings, so the four of us were outside all the time after school playing games, making up games. My sister made up a game called 'roof ball.' We'd play that constantly. She always beat me in it, and it made me very mad. But we were outside all the time.
I realized there might be monetary or financial reasons to jump in and write a 'Winter's Bone Retriumphs' or something, and nobody would object to me doing that in publishing. But it would be a waste of my time, and they always take a little longer than you thought they would take.
I often joke with my husband and say to him, 'You know I have two theatre degrees, right? That's all I know how to do.' LOL! He went to Pepperdine Law School, has four degrees, and passed the California Bar first time around, so I always make sure he doesn't expect too much from me.