I remember Tim telling me that he had an idea for a musical and he said to me that he was hoping that ABBA would be writing the music, which I thought was a pretty wild idea because they were obviously known very much as pop writers.

I think that one of Tim's great qualities and abilities is in what seems like a thumbnail sketch to get something quite telling, very simply, when you're doing it or being in that thumbnail sketch, you don't feel that it's important.

Arthur Russell is very important to me on many levels, and when I read Tim Lawrence's biography on him, 'Hold on to Your Dreams,' one of the things I took away was: first thought, best thought. I live by that when I make my own music.

And I learned a lot from working with this kid, and I think he's gonna be a big star. Remember the name, Tim Dark, because he has something about his voice that's different from all the other rappers, even though his style is similar.

I think you're very lucky to find somebody you can coexist with without straying or going mad or being angry. That's whether you're Liam Gallagher and Nicole Appleton, Robbie Williams and Ayda Field, or Tim and June from down the road.

I wanted to be Steven Spielberg, Tim Burton, Stanley Kubrick, David Cronenberg, Ridley Scott, James Cameron, and Hitchcock. I'd wanted to be a director since 13, and horror and the suspense thriller were the most powerful genres to me.

In terms of directors, great actors make directors - Gary Oldman was great to work with, for me; Tim Roth, too. You work with Scorsese and Spielberg and they were wonderful directors, but for me, working with actor/directors is special.

How do I love Tim McGraw? Let me count the ways: I love that he's a country boy with a city sensibility. I love that he refuses to be pegged, and his duet with Nelly proves it. And I really love that he had the brains to marry Faith Hill.

Most of my relationships were people in the business. Having said that, me and Tim don't really talk that much about work. He comes into my bit of the house every so often to vent but we don't really have very high, cultured conversations.

A naughty part of me thinks, how come Hugh Laurie, Stephen Fry and Tim McInnerny have all done really good parts in a film, whereas I've only ever done bits and bobs? Before I die, wouldn't it be nice to be the scheming old man in a movie?

The same liberals who want to protect the constitutional right of people like Colin Kaepernick to symbolically reject America by taking a knee were the ones quick to criticize Tim Tebow for bending a knee to pray and thank God on the field.

Working with Tim Burton is like a psychic experience -Tim waves his hands and says, 'I don't know,' and you go home and do it. He's the most articulate nonverbal person in the world. He doesn't say a word, and you know exactly what it means.

There's a lot that goes into being Tim McGraw or Kenny Chesney. They have great songs, their show is great, they're very fit. When you look at somebody who takes care of themselves, takes care of their business, that's what every CEO would do.

It's important to ensure that the person who replaces Tim Scott be a reliable conservative, a proven fighter and a leader who will join our mission to cut wasteful Washington spending. I'm convinced the best person for the job is Larry Grooms.

I come from a working-class family in Pittsburgh, whereas 'Mike & Molly' deals with the working class in Chicago. I swear a little, but I pretty much talk the same. It's not like when you see someone like Tim Allen and he's a lot bluer onstage.

From Matthew Brady and the Civil War through, say, Robert Capa in World War II to people like Malcolm Brown and Tim Page in Vietnam. There was, seems to me, a kind of war-is-hell photography where the photographer is actually filming from life.

It's a good community, country music, because we get the chance to sit down and... me and Tim McGraw spend a lot of time. Me and Kenny Chesney had the opportunity to spend a lot of time together. It's been a lot of great advice through the years.

You have to nail the right tone because sometimes when you just see his films cold, you're not quite sure. It's the same in - I'm trying to think of other directors with a similar sense - David Lynch's films, Tim's films, some of Cronenberg's stuff.

I'm just trying to pass Tim Duncan in championships if I can one day. That's my motivation; that's what I strive for. Tim is one of the greatest players who has ever played, so if I could get close or reach that plateau and have my name on that list.

It's an international space station. We have crew members from both the U.S. and Russia and now the United Kingdom with Tim Peake from the U.K... It's great to see that, on this space station, that we can work across cultures in a very cooperative way.

I'm thrilled with the work Tim Palen and his marketing team have done on the film. It's appropriately disturbing and thought-provoking how the campaign promotes 'Catching Fire' while simultaneously promoting the Capitol's punitive forms of entertainment.

One of the best features of my career is that I have gotten to meet and work with some of the most stellar people in the business. From Tim Russert and Jim Lehrer to Bryant Gumbel, Andrea Mitchell and Judy Woodruff, I have learned from the leading lights.

I attribute the black tones in my films to Stephen King, Tim Burton, Joe Hill and Richard Matheson. However, most of my writing is influenced by mental health. I'm incredibly passionate about shedding light on the stigmas associated with mental illnesses.

There's a family tradition of fighting in the Kansas City Golden Gloves. My older brother, Tim, did, and so did my father's two youngest brothers, Trent and Troy. They all won the Golden Gloves. So when my mother asked me to keep the tradition going, I did.

I have had the privilege of working with the best in the business, from photographers to designers to magazines. There's not much more to ask for but I'm still looking forward to one day working with photographers Mert and Marcus, Tim Walker and Nick Knight.

I remember the first time my mind was blown by an actor was Tim Curry, because I loved 'Clue' when I was a kid, and then I was watching the movie 'Legend,' and the Devil suddenly smiles, and I was like, 'It's the same guy!' It was a total Keyser Soeze moment.

Tim is old school. He plays that way. That's why a lot of fans identify more with a Tim Heskett than with someone who is more dynamic. The more dynamic guy might be more pleasing to the eye, but he doesn't contribute any more to his team winning than Tim does.

I remember Tim Meadows gave me a radio. It was a radio he didn't want anymore. I gave it to my grandmother, and she had it 'til the day she died. To me, it was, 'I got a thing from Tim Meadows!' I think my grandmother was like, 'I got a thing from my grandson!'

'Tim Timtya' was different from what I usually do. I had to develop a texture to go with the song. In fact, many told me I sounded like Shreya Goshal, which came as a pleasant surprise. Transitioning from tracks like 'Sunny Sunny' to this one was quite different.

I would say the reason that Tim Bishop electorally was able to get more votes, if you were just going to analyze registration and numbers, is that he had a quarter of the Republican vote, every election. No one is getting a quarter of the Republican vote from me.

I've always liked fairy tale and spectacle. I wouldn't say I was a fantasy fan, but anything beyond reality I've always found exciting - the work of David Lynch, the work of Tim Burton. But for me, I also love those things that are absolutely about human relationships.

Theatre outings are my favourite thing to spend money on. The most influential play I saw was 'Bent,' which starred Ian McKellen. And I loved the original performance of 'The Rocky Horror Show,' with Richard O'Brien and Tim Curry at the Royal Court, when I was about 15.

Tim Tebow is one of my biggest inspirations. I actually want to be able to do some of the things that he does in terms of the amount of charity work and the non-profit work, and the way he impacts people off the field. I think that is what is most inspiring to me about him.

Some artists will tell you that's all they want to do is write their own music, and that's great, but George Strait, Kenny Chesney, Tim McGraw, Garth Brooks, they didn't write everything they recorded, and they've had major, major careers. I think it's all about the best song.

There is a lot of evidence to back up the assertion that war fiction takes time. Many all-time classics of the genre, from Erich Maria Remarque's 'All Quiet on the Western Front' to Joseph Heller's 'Catch-22' to Tim O'Brien's 'The Things They Carried,' took over a decade to pen.

Tim Miller's idea of Colossus was to be bigger and stronger than everyone else, so for the motion capture, they needed an extremely tall man. I'm 6-foot-4, but he wanted Colossus to be over 7 feet, so they used a stunt double to recreate his height, and he did very good job there.

Coaching is something I really would do. A lot of people don't think I'm serious about it. I like working with the kids. When you work with the guys one-on-one and get them to understand it's a little bit better. That's the way I was taught by Tim Grgurich. That's how he taught us.

Apple chief executive Tim Cook is such a respected figure that it's easy to overlook the basic problem with his argument about encryption: Cook is asserting that a private company and the interests of its customers should prevail over the public's interest as expressed by our courts.

I was once doing a gig with Tim Vine; he was backstage, and there was one of those long strings of polystyrene coffee cups. He picked up the whole stack of about 20, walked on stage and then said: 'Bloody hell this coffee's hot!' which I think is the funniest thing anyone has ever said.

For me it's just amazing that I grew up watching Tim Duncan and KG and Kobe and Paul Pierce, Allen Iverson and all those guys and now it's like, 'Man, I can't believe they actually got old.' It's like they actually walked away. It's crazy to think about, but the game has to keep moving.

You talk about Shaq, I would put Tim Duncan in that same category. Mr. Fundamental, just kept things simple. He is a great teammate, a great player, and a great person. When you have those ingredients in a champion, you just want to be a part of that and have an opportunity to play with him.

Tim Pigott-Smith once told me to never get off the carousel, i.e., just keep working. It's much harder to get back on and get a job when you're unemployed. But from my own experience, my advice would be keep the faith, be yourself, and don't be afraid to say 'no.' It's the only power we have!

When I was a teenager, my biggest lessons came from Kenny Chesney, Tim McGraw, George Strait, Rascal Flatts and Brad Paisley. I learned so much from opening up for those artists, and it also taught me how to treat your opening acts and make them feel like they're part of a family, not just a tour.

I dream of working with iconic directors such as Tim Burton, Baz Luhrmann, Terry Gilliam and Wes Anderson - so I'm setting my sights pretty high! My perfect role would be in a fairy-tale period piece, and I'm quite upset all the Harry Potter movies have been made as I'd love to have been in those.

This never happens, but I was writing with my friend Ryan Hurd and Eric Arjes, and we wrote this song called 'Last Turn Home.' The next day, my publisher emailed it to Tim McGraw's label. He listened to it, and I think within the week, he went into the studio and recorded it. And that never happens.

When you're coming up, and you have Matt Hughes, Tim Sylvia, Jens Pulver and Pat Miletich, Jeremy Horn to train with and compete with - guys that have fought in Japan, all over the world - and you see these guys every day, you just embrace the grind and get after it: you have no choice but to succeed.

I absolutely loved working with Tim Burton because he is just a creative, outside of the box thinker. How he does things is fantastic. It is different - weird different - and he does things that are groundbreaking. They are courageous to do and once you do them you are like, 'Wow! That really does work!'

Like many actors, I started off as a monkey. My first job ever was as an extra in Tim Burton's 'Planet of the Apes.' I'm the tiny little monkey in the background. I met Rick Baker doing that - then, because of my size and the fact I was older than 18, he figured I could double Daveigh Chase in 'The Ring.'

It's just a great, legendary comic book hero and it's one that has never been kind of been brought back to life after Lynda Carter. I mean, it's a reinvention. When Tim Burton reinvented Batman after Adam West, and when Donner reinvented Superman after George Reeves, it's time to do that with Wonder Woman.

Tim Berners-Lee, the 44-year-old English physicist who created the World Wide Web, is precisely the kind of hero that a relatively simple invention with profound social and economic consequences should lay claim to. He is not just creative but democratic, diplomatic, polite and generous with credit and praise.

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