Quotes of All Topics . Occasions . Authors
If you look before the '90s, you might not find many - if any - albums with multiple producers. It just didn't exist in the history of music. That would have been like Michael Jackson telling Quincy Jones, 'Look man, I know we did well on 'Off The Wall,' but I'm hot now, and I need to see some other producers for 'Thriller.''
There are 316 million people in the United States of America. About six million of them watch 'Homeland,' Showtime's thriller about world terror, paranoia, and bipolar disorder. That's about 2 percent of the population; roughly what the guy with the beard running on the Libertarian Party ticket gets when he runs for Congress.
Back when the concept of organ transplants qualified as science fiction, novelist Maurice Renard wrote a thriller called 'Les Mains d'Orlac.' Call it a bastard offspring of 'Frankenstein;' its plot revolved around the old theme of Science Giving Us Stuff We Shouldn't Have - in this particular case, restoring severed body parts.
I've been a fan since I was a kid of that sort of bump-in-the-night stuff. I don't tend to go in too much for the slash-and-burn-'em or the walker kills on 'The Walking Dead.' That stuff's not necessarily the stuff that frightens me or gets me going. It's more the terror of waiting, the thriller aspects, that I find compelling.
'Hereditary' is unabashedly a horror film, whereas 'It Comes at Night' was a lot of things: it was a thriller; it was a postapocalyptic drama. It was a slow-building, very dark movie about relationships. 'Hereditary' is also about relationships, and I hope it functions as a vivid family drama, but it is also very much a horror film.
With 'The Humans,' I've found that because it's related to very familiar forms - the family play and the thriller, almost a genre-collison play - some people want it to be one or the other. Either less dark and more of a family comedy or a full-fledged thriller with blood and ghosts jumping out of closets. Everyone's taste is different.
I find the horror genre quite challenging. That's not to say everything I've done has been straight horror - a lot of them have been more on the thriller side. But regardless, I find it the most challenging as an actor to create sheer anxiety and terror out of nowhere because there's nothing scary going on and you have to act like it is.
I'm not 100% sure 'Rebecca' qualifies as a thriller, given it's three parts screwed-up love story and two parts ghost-story-without-a-ghost, but the mystery at the heart of the novel is what happened to Maxim's first wife, the eponymous Rebecca, and it's unravelled with the pacing and finesse of the finest psychological thrillers out there.
Walter Mosley was not the first black crime writer, nor was he the first to fuse genre conventions with larger social concerns. But when 'Devil in a Blue Dress' introduced the Los Angeles-based private detective Easy Rawlins nearly 20 years ago, it was clear the author set out to stretch the boundaries of the mystery and thriller framework.
'Ice Cold' is the eighth in my 'Rizzoli and Isles' thriller series. It was inspired by a true occurrence in the 1960s, now known as the 'Dugway Incident,' in which 6,000 sheep mysteriously died overnight in a remote area of Utah. I thought, 'What if it happened instead to people? What if the inhabitants of an entire village vanished overnight?'
