I've always felt like an outsider as a woman. I've never really felt wholly comfortable in a women's world or woman's things. I've never been conventionally pretty or thin or girly-girl. Never felt dateable. All I've seen on TV has never felt like mine.

If I were overweight because I ate too much, I would have far more of a complex. I would know if I just stopped eating and showed a little discipline I would be thin. But there's not a hell of a lot I can do about being short. You just gotta run with it.

You go to a show, and there's no food at all, so if you're doing shows back to back, you can forget eating. I remember standing up in the bath one day, and there was a mirror in front of me, and I was so thin! I hated it. I never liked being that skinny.

I almost threw up the first time I set foot inside the University of California, San Francisco's Comprehensive Care Center and joined the stream of thin, slow-moving, low-voiced, gray-skinned people. I didn't want to be one of the pitied, the struck-down.

I like to see the difference between good and evil as kind of like the foul line at a baseball game. It's very thin, it's made of something very flimsy like lime, and if you cross it, it really starts to blur where fair becomes foul and foul becomes fair.

I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art.

My eyes are too big, my nose is too flat, my ears stick out, my mouth is too big and my face is too small... my body is thin as a clarinet and my ankles are so skinny that I wear two pairs of bobby socks because I don't want people to see how thin they are.

I've been through my highs, I've been through my lows; I've been through the gamut of all things in this business. Being too thin. Being bigger. I've been criticized for being on both sides of the scale. It's noise I block out automatically. I love my body.

When I was thin, I had no notion of what being fat is like. When I worked in a department store, I had sold clothes to women of most sizes, so I should have known; but perhaps you have to experience the state from the inside, to understand what fat is like.

Living in a community with very wounded people, I came to see that I had lived most of my life as a tightrope artist trying to walk on a high, thin cable from one tower to the other, always waiting for the applause when I had not fallen off and broken my leg.

There are thin girls with infertility issues, normal sized girls with infertility issues and overweight girls with infertility issues. Unless your doctor tells you your weight is affecting you in some way... once the doctor rules it out, that's really not it.

I think the culture of the red carpet is too much like a modern-day coliseum. If you're being photographed all the time, and you don't like having a bad photograph taken, and if you're super, super thin, chances are you're never going to look fat in a picture.

I think the only universal thing is one individual. If you talk about a country or a nation or a culture, it's so vague. I mean what is a nation? A nation is full of nice and bad and long and tall and short and thin people. It's not like everybody is the same.

Mom gives me advice every single day, about how I'm not eating regularly enough, not sleeping enough, that I need to look after my skin, I shouldn't colour my hair, my eyebrows are too thin, etc. Most of her advice I discard, especially the thin eyebrows part.

For years I've wanted to write about the Australian countryside, but, like most Australians, I've only got a tourist's knowledge of it. I thought that if I disobeyed that basic rule of writing - write about what you know - I'd write a thin and inauthentic book.

I had old bunk beds that my dad got from Seabrook Farms. They were first used by German prisoners during World War II, who were sent to work the farms during the war. The metal beds with their thin mattresses could easily be used as a jungle gym and I loved them.

Vampirism is like celebrity now. Vampires are these eternally young, thin, sexy apparitions of perpetual nightlife and absolutely nothing like their folkloric European boogeyman predecessors. We don't even make our vampires sleep in coffins anymore, or the ground.

You can do one of two things. You can bury you head in the sand and believe what everyone tells you - that you will always be that young, that thin and that fabulous. Or you can use all the things you have - talent, contacts, knowledge - and do something different.

When I was 21 years old, I had a job playing Santa Claus in a shopping centre in Sacramento. I was rail thin, so it's not like I was a traditional Santa Claus even then. I had a square stomach; that was the shape of the sofa cushion that I had stuffed into my pants.

I did some pretty embarrassing modeling, like catalogs and QVC. I know there's probably a stereotype where all pretty girls think they're unattractive, but modeling is the worst thing for your self-esteem, because you're never pretty enough, you're never thin enough.

Surprisingly, Manhattan casts a sort of undersized shadow onto Long Island. Where I grew up, everyone seemed totally disconnected from the city - ours could have been any suburb, anywhere - though when traffic was thin, it took us only half an hour to get into midtown.

Are your kids learning the right lessons about 9/11? Ten years after Osama bin Laden's henchmen murdered thousands of innocents on American soil, too many children have been spoon-fed the thin gruel of progressive political correctness over the stiff antidote of truth.

So there was a constant flow and a thin line there between reality and television and yes, much of what I was experiencing in my real life was also what was going on in the television show to the extent that I had to take writers' advice and from the counselors around.

I'm still a size 10, but it's the toning that's getting me down, and I think it can only get more difficult as I get older. Either one gets very thin and scrawny, or one puts on poundage; I'm definitely not going to pile on the pounds, so I can expect to end up scrawny.

I grew up as a very sarcastic person. I was always the class clown, and to date girls, I had to be really funny. I was really skinny growing up. I was so thin, I had to run around in the shower to get wet. That kind of thin. So I always had to rely on humor and sarcasm.

I'm thin and white and blond, but I'm not an airbrushed, perfect thing. I have stretch marks all over. I have cellulite; I have acne. To me, it feels like you can't really be what you can't see, and so if you don't see those things, then you don't feel like you're valid.

From the first time I read John Krakauer's book 'Into Thin Air' in the early 2000s, I always thought this great adventure story would make a really good film. It has all the ingredients - a great location, disaster, interesting characters, and all forms of human emotion.

I think it's natural for a creative to be sensitive. If I'm in the studio and I write something, I think it's the greatest thing in the world; it's like my baby. I just made something out of thin air that exists now in a tangible form. It's the biggest thrill in my life.

A five-pound boneless rolled-and-tied breast of veal, like any other piece of meat fit for braising, can come in many shapes and sizes. So recipe times aren't uniformly applicable. A long and thin tied roast will cook more quickly than its stouter, football-shaped cousin.

When I went to college, being thin was seen as good, so everyone told me I was normal. Then you get older, and you start putting on weight, and you're like, 'Oh God, I used to be really small.' Then you get into the world of media, and you just feel the pressure massively.

Sometimes when I flick through a magazine and see these thin models I'm left wondering what effect they can have on an insecure person. But I say to girls: forget what you see in the magazines, that is a world which has nothing to do with reality; think of it as a cartoon.

As an actor, whether you look good or you don't, it's still about what you look like: Whether you are heavy enough to play this part or thin enough to play that part. The fact of the matter is, you can add a little weight with some extra padding, but you can't shave it off.

As authors evolve and try to trace the precedents that have shaped their work, it sometimes becomes a matter of identifying the shadowy figure in the back row of the mental photograph, or of grabbing at the tail of a memory that's just slipping out the window into thin air.

Most of the depressions are self-created. A few people are pathologically ill: they cannot help it. It just comes from within because of genetic and other factors. But almost everybody else can be driven to madness, because the line between sanity and insanity is quite thin.

In an area of more than 1,000 war graves and with birdsong as the only sound, I contemplated the thin margin between life and death. If the sniper's bullet had been just two feet to one side, my father's life would have been over, aged just 27, and I would never have been born.

I think I have broken the mould that actresses have to be extremely thin on screen. All those who are making my weight an issue just prove that people are jealous. These are people who have nothing to do in life except to stare at their computer screens and make comments on us.

Gas prices and train fares seem to be the two commodities for modern British life that base their prices on a whim, or numbers plucked out of thin air, without a thought to the real cost to those for whom those price hikes mean unimaginable sacrifices in their day to day lives.

What I want to do is to create a conversation piece and something people remember. I want to make it repetitive enough but not use what I call 'thin thinking' - the kind of thing anyone can do. A hook tells me what you are talking about and it doesn't have to be a lot of words.

Comparing Oceanic art generally with Negro art, it has a livelier, thin flicker, but much of it is more two-dimensional and concerned with pattern making. Yet the carvings of New Ireland have, besides their vicious kind of vitality, a unique spatial sense, a bird-in-a-cage form.

The issues a president faces are not black and white, and cannot be boiled down into 140 characters. Because when you have the nuclear codes at your fingertips and the military at your command, you can't make snap decisions. You can't have a thin skin or the tendency to lash out.

What's a space elevator? Simply described, it's a thin ribbon, about 3 feet wide and 60 thousand miles long, stretching upwards from the surface of the Earth. The lower end is bolted to a heavy anchor (think of an oil drilling platform), and the top is capped with a counterweight.

I don't have a fear factor. Well, not much of one. And I'm willing to risk quite a lot - as a comedian, you're always risking a lot. You're risking failure, especially if you're improvising and going on TV shows trying to make comedy out of thin air. That is quite a risky business.

And knife making is as much art as science, as far as I'm concerned: Forging metals from an old farm tool into a blade thin enough to effortlessly cut a tomato yet strong enough to mince ginger, all while looking beautiful, is comparable to Ginger Rogers dancing backwards in heels.

It's hard with ballet because your aesthetic really is important. It's different from acting and from film. Nobody wants to watch somebody who is sickly thin. And it's interesting because I have danced with people who are ill, have eating disorders, and a light goes off within them.

Historically, Hollywood comedy has arrived in skinny envelopes. From fence post Buster Keaton to herky-jerky Jerry Lewis to wiry nerve-bundle Woody Allen to hung-loose Richard Pryor to whippy contortionist Jim Carrey, its comics and clowns have tended to be sliced thin and bendable.

Society has a hyper emphasis on thin, and that trend comes from the consumers - it does not come from the fashion industry. The fashion industry needs to make money; that's what we do. If people said, 'We want a 300 pound purple person,' the first industry to do it would be fashion.

The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing.

The very first concert I ever went to on my own was actually Rory Gallagher. In a one-month period in 1973 or '74, I saw him, Thin Lizzy and the Rolling Stones. I wasn't really a big Rory Gallagher fan, but I thought his guitar playing was fabulous. But Thin Lizzy, they were fabulous.

We rely on editors of blogs or websites and television stations to supply us these images, and the filter is becoming very thin and very porous. The ratings race for TV and websites is incredibly fierce, and one of the ways of getting people to watch is through graphic violent images.

I feel badly for those girls who have to be so waif thin, doing those catwalks all the time because, luckily, we're going into a different time - that's what they're saying, at least - in we're appreciating a curvier figure. But to be honest, I couldn't be like an hourglass if I tried.

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