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I had a head injury when I was living in England; I was in the hospital for three days, and they didn't even ask for my name. I spent three days in there. And then, when I was done, I just got up and left. I wasn't a British citizen; I was there on a work permit.
Politics is something that is bigger than many people would think and you just need to learn how to deal with them and how to accept it and how to treat them. I think that from when you are 10 years old and you look at F1 and don't realise it's there and then it is.
I wanted to be looked at for the skateboarder that I was. I didn't want to be the 36-year-old skateboarder who's still holding on while owning a company at the same time. I wanted to make my mark and travel and accomplish a few things here and there and then get out.
Before YouTube, I was playing in restaurants and doing open mics - every once in a while, I'd throw an original in there. And then YouTube kind of just opened doors for me, so once I felt like I had an audience to share music with, I began to share my original music.
I was born in St. Augustine, Florida. I lived there till I was about 13, and then my family moved to Connecticut. I finished school there, and then I went to college in Philadelphia and came to New York in '87. I wasn't finished with school - I left school to go on the road.
I usually hang around the room listening to a bit of last night's show. If there's one available, I go to the steam room every day for my voice. I spend half an hour there and then I eat, because I can't eat later than four o'clock. Then I go for a soundcheck. That's my day.
Yeah, I consider myself an unpredictable player. A player that's flashy here and there and then is maybe conservative here and there and I think when it comes to dressing, it's me figuring out that balance of when to be flashy or when to be super simple with maybe flashy shoes.
There's a green room at the Oscars. It's really small, very warm, and it's really fun because you get to see everyone just lounging on couches. It's right before you go out to present, so it's everyone in there. And then they have this crudite section, and cheeses and crackers.
I think you always want to have a project where it's not about you: where you're serving it. Where it has needs, and you're trying to meet those needs, so you're trying to lift it out of you and put it out there and then say to people, 'Hey, I think that's it; let's head that way.'
For a child, it's not so much scary, it's surreal; there was a lot of fighting in my great-grandmother's house; you'd go there and then someone would meet up and there'd be a fight; I've seen my uncles fight in the street, I've seen my grandmother fight in the street, it becomes normal.
There are people who travel because they want to push themselves to physical limits, people who walk across deserts or cycle across the Antarctic - like Ranulph Fiennes, who just does it because it's there. And then there are people like me, who are just genuinely curious about the world.
I think my whole life had centered on Democratic politics. I was very much in that bubble. I worked in the Clinton administration so I had all these friends from there, and then in Democratic politics in New York, so that's what we sort of bonded over - that was our religion, to a certain extent.
For many years I enjoyed the pleasure of cruising on my yacht all summer long and these were my best holidays. In mid-May, we'd start in St Tropez. I'd collect my bikinis from my home there and then we'd go up to Cannes for the Film Festival, on to Monte Carlo for the Grand Prix and then to Italy.
I moved to L.A. right after I finished high school, for three years, because everybody was telling me it was important to get down there, and then I kind of just decided for myself that I didn't need to be there to be doing this. I wanted out of some of the chaos that comes with living here and being an actor.
We've got people that are paying premiums of $1,000 a month out there, and then they've got a deductible of $1,000. If you're making $40,000, $50,000, $60,000 out there and you've got an Obamacare plan, by and large you've got an insurance card, but you don't have any care because you can't afford the deductible.
I've never really broken this down before, but, in movies, you almost have no connection to fans. And if you do TV, you're kind of connected, but they know you as the TV name not your real name. If you do radio, there's more of a bond there. And then if you do a podcast it's like you're literally inside of your fans.
Like most of Italy, Neapolitans like their food, and there are restaurants everywhere. But to make like a true Neapolitan, grab a pizza from a street vendor and eat it there and then. We tried a pizza that's folded over four times to make it nice and portable, then you eat it straight out of paper, like fish and chips.
What it is now is basically, I'll sit on my computer; I basically kind of play the computer as an instrument, I guess you could say. I guess I play the Mac. And how it works is, say - I have a program called 'Ableton Live.' And, you know, you'll open it up, and it's just blank. There's nothing there. And then you start.
My father came from Germany. My mom came from Venezuela. My father's culturally German, but his father was Japanese. I was raised in New York and spent two years in Rio. My parents met at the University of Southern Mississippi, and they had me there, and then we moved to New York. I'm not very familiar with Mississippi.
You hit one level of the sport, and then you want to get to the next level. Until, eventually, the Olympics becomes part of that dream, part of that goal set and the mindset of wanting to get there. And then you realize there's so much incredible hard work and determination and effort that you need to put in along the way.
Well, I kind of did the math in my head when I was like, 9. I was like, 'Well, if I want to make films' - because I want to be a director - 'I could just go on a film set and learn there.' And then I ended up falling in love with acting and the set and making friends all the time. And so I've just been doing that ever since.
One night, I lay awake for hours, just terrified. When the dawn finally came up - the comfortable blue sky, the familiar world returning - I could think of no other way to express my relief than through poetry. I made a decision there and then that it was what I wanted to do. Every time I pulled a wishbone, it was what I asked for.
Yes. I get scared sometimes if I don't know when a physical sensation is going to go away. For example, if I get a chest pain it's grandpa trying to say 'heart attack' and I verbalize 'grandpa had a heart attack' and the pain goes away. But there's sometimes that I'll verbalize and the pain is till there, and then it doesn't go away.
Professionally, I was at Bristol Old Vic Theatre School and did lots of things there, and then I won the BBC Carlton Hobbs Award, so I did some BBC Radio drama work, which is a lovely way to start out because you work with lots of great people, and you're working all the time, so you're learning rather than sitting around and waitressing.
I have no personal experience in the military. All I know about it is what I've seen in movies and read in books and watched on television. My knowledge is probably no more or no less than the average person's. 'A Brief Encounter with the Enemy' was created by taking bits and pieces from here and there, and then putting my own spin on them.
It's, like, your classic journey from a drama school. I went straight to the three-year acting degree, and I waitressed throughout that to support myself and for the first six months after I graduated. Then I started to get commercials here and there, and then I got a couple of roles in Australia and then a more regular role on a TV series.
You want to get to the top of the cliff. But that's not what you focus on immediately. You focus on the next ledge just beyond your reach, because you need to do one clever thing to get up there. And then, once you get there, you do it again. A lot of this is rather boring and not very glamorous. But you can't jump cliffs in a single bound.