Quotes of All Topics . Occasions . Authors
Anyone who has watched 'Premam' in theaters would understand the camaraderie between the members on and off the screen and that's what translated to that brilliance.
As long as my pictures go into theaters and we ask people to pay to see what I do on the screen, I should not object if customers want to know what kind of man I am.
I am a big popcorn fanatic. I love popcorn. In fact one year for my birthday, my husband bought me one of those big popcorn machines like they have in movie theaters.
NC-17 means that you get it in like 3 theaters. They won't run the spots on MTV, won't run the advertising. It's the kiss of death so there was really no other choice.
The diversity of content is now offered from streaming and downloading, so young people are really not going to theaters because they don't see any particular benefit.
Things were tough. Segregation was all around - in the schools, the buses, the restaurants, the theaters. But Dr. King worked hard for black people to have a fair share.
Make it compulsory that at least four weeks in a year the theaters have to screen local films and let them choose the time. That's how you have to encourage the industry.
My favorite venues are the 2,000 seat theaters, like the Warfield. If there was a Warfield in every city, I would play it. That's all I would do. I love venues like that.
The only way to ensure a film is going to sell is put Will Smith in it and you open it in 3,000 theaters and make sure we have all the top promotional spots in each venue.
Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.
With In the Company of Men, the misogynist label stuck early and firmly. In the end, it probably did hurt the film a bit, because getting women into the theaters was difficult.
I think it's a fair criticism to say that we've gotten our fill of superhero films, and audiences should just have different things to choose from when they go to the theaters.
In some European theaters, it's still not uncommon to have a late start and three LONG intermissions, because people actually eat and drink and converse during the intermissions.
I've been doing stand-up since I was 19. There have been times I've had to step away because of my schedule, but now I'm able to go out and do theaters and not smoky little bars.
I've asked to go back into theaters and smaller venues because to me, in smaller venues I can really demonstrate my commitment to quality. Theaters are great containers for music.
Now a movie goes out to two, three thousand theaters and by Friday night at 10 o'clock they know if you are in or out. That desperate competition is, I think, horrendous. It's awful.
If based on popularity, people will come to theaters because of my name, then I would be very happy, but it isn't about Daisy, it is about the director and the film and the co-actors.
After years in white theaters I dreaded working in colored houses. The noise, the stomping, whistling, and cheering that hadn't annoyed me when I was young was now something I dreaded.
These days, you can do a TV series for five years and all of a sudden be on top of the business. Features don't even run in theaters very long anymore before going right to television.
As much as we love playing the small clubs, we'd really like to get ourselves in front of a larger audience. I'm not talking about arenas or anything, but nice theaters and larger clubs.
I came to Berlin not to visit its museums and galleries, its operas, its theaters... but for the sake of seeing and speaking with the world's greatest living man - Alexander von Humboldt.
I want what's mine. I see other actors who are doing very interesting roles, and I just want to continue to do things that are interesting, and things that people will go see in theaters.
I need to go someplace faraway that doesn't have telephones and doesn't have a record player and doesn't have movie theaters and people walking down the street in order to not do anything.
'The Fever' is a one-person play. I decided I would perform it myself, and I decided I would not perform it in theaters, because the character in the play says certain things that I meant.
There's an indie movie I did called 'Fat Kid Rules the World,' which was based on a teen book, and it's a fabulous story, and hopefully it'll go to theaters because it is an amazing story.
'The One I Love' came out in theaters for the enthusiasts and did a chunk of business on VOD. But when it started streaming on Netflix, it exploded. Same thing with 'Safety Not Guaranteed.'
A lot of my work involves criss-crossing London to visit the many hundreds of projects, theaters, galleries, museums and groups that comprise the capital's astonishingly rich cultural life.
I remember when I saw 'The Matrix' when I was 13, I saw it in the theaters, and I was so blown away by it. It was one of the most memorable experiences I definitely ever had in the theater.
Multicolored stones and paintings, walkways, and theaters are useless in a city unless it also contains wisdom and law. Such things are the subject of wisdom and law, not equivalent to them.
I believe that Amazon is going to destroy the box stores... and when box stores go under, restaurants go under, the movie theaters go under, the gas stations go under. You become ghost towns.
I'm hoping that word-of-mouth on the film - people seeing it and liking it - that that will drive more people to the theaters, because I haven't seen the billboards or the posters or anything.
My brother and I spent our childhood in movie theaters screaming. I decided early on that that was the epitome of entertainment. I'm always trying for that same level of adrenaline in my books.
If I were to just focus on stand-up, I could actually, paradoxically enough, be home way more, because I would leave on a Friday, go do a couple theaters Friday, Saturday, maybe Sunday, come home.
When I was a kid I used to go to the movies, double features in outdoor theaters, and my parents used to take us to see like, 'Cat On a Hot Tin Roof' or something like that, with Elizabeth Taylor.
In 1969 I was 16, and for me anything was possible. '2001: A Space Odyssey' was in theaters. Man's future in space seemed limitless, and here on TV to punctuate it all were men walking on the moon.
I thought I would spent my career doing Chekhov and Ibsen in regional theaters, so the fact that I started doing new plays was a whole new world I didn't expect, and that I would like to keep doing.
I have gone to many theaters where it is so unpleasant with the commercials before the movie, the volume, and the disrespect of the filmgoers. So I understand people not wanting to go to the theater.
There's something about the impact of a big screen that means something to me, even though I realize almost every film is fated to be seen for a year in theaters, and then forever after on television.
I get to work a lot of times in nightclubs and large theaters, so I wanted to make music that is fun to perform in those settings. But I also wanted to contrast it with really serious, sincere ballads.
I'm building shopping centers and movie theaters in the inner cities. So that means supplying jobs and letting blacks understand that we have to build our communities back, not looking to anybody else.
I had a blast on tour with Little Big Town. We got to play some beautiful rooms around the country - some really amazing old theaters. And it was just cool to see a band that's been together for so long.
I grew up near New York, and there were a lot of summer stock theaters in the area. I started an apprenticing with some of the theaters. Not really acting in them - I did everything else: everything but act.
It's weird because movie-making, and especially movie theaters, have always been so old-school, and it wasn't until 3-D that a lot of them were forced to have digital projectors and even digital distribution.
In Pakistan, our medium is the small screen. We don't make many films, and hardly have theaters. A majority of people seek entertainment while sitting at home and TV gives it to them, so we excel on that part.
If I listen to 120 stories, I'd love 10 of them, seven would go on floors, four would get completed, three films will have the first copy ready, and one will release in theaters. This is how it has been for me.
All these actors who died before I was born, all the theaters and the artistic movements - all that stuff fills you up and makes you feel like you're the inheritor of all this information and of all its passion.
The Washington black community was able to succeed beyond his wildest dreams. I mean, we had our own newspapers, our own restaurants, our own theaters, our own small shops, our own clubs, our own Masonic lodges.
Dramas for me are where it's at, but a great drama, a great character-driven drama, there's very few of them that get made; there's very few of them that actually make it to theaters. There's just very few of them.
I would like to do theaters. That's always been a dream. I think that would be a good way to tour. But for the most part, in terms of, do I want to get recognized on the street? No. There's not much I want about fame.
The Beverly Cinema in L.A. screens old, artsy movies for half the price of regular theaters. It has an old-school vibe to it. It's cheap, and the selection of movies is always interesting and different. Very romantic!