As I told you, from the time I was fifteen, I thought the theater was too much involved with actors trying to make the audience love them, being over emotional.

There weren't any funny people in sports or the Spanish club. All the really creative, witty, funny people that made your belly hurt were in the theater program.

Art cannot be looked at as an elite, sacred event anymore. It has to be embraced as an accessible, popular form, which is what I believe theater is at its roots.

I personally don't like to rehearse so much. I really trust my instincts. I like to talk and talk and talk until we have to do it. I feel the same about theater.

I knew what it was to be uncomfortable in a movie theater watching unfolding on the screen images of myself - not me, but black people - that were uncomfortable.

It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.

You have to transmit to them what it's like being in the theater. And it has to come from somewhere inside you and not by being like what somebody did last year.

I was really short in high school. I was stuck on the bench in the baseball team, so I just thought I'd try out theater, and that was the last time I did sports.

Because I trained in theater, I always leave a film shoot feeling like I haven't done anything, like I just sat in front of the camera and whispered, essentially.

I used to stand outside the theater knowing the truant officer was looking for me. I would stand there 'til someone came along and then ask them to buy my ticket.

'Stop playing the victim.' - unless you've been cast in a community theater production of 'Law & Order: SVU,' I'm not sure why anyone would choose to play victim.

They would have been very let down if they had to leave the theater and he had missed. He would feel badly. Everyone would feel badly. But he never let them down.

I tried bull-riding... I wasn't good at all: I don't think I ever got eight seconds anywhere. But then, after that, I discovered acting through community theater.

Nobody has yet proven that taking a chance and doing something unique that an audience isn't used to is a bad idea. What the theater lacks is that kind of courage.

Everybody has his own theatre, in which he is manager, actor, prompter, playwright, sceneshifter, boxkeeper, doorkeeper, all in one, and audience into the bargain.

I went to a really small school, and it had a really small theater department. They didn't talk about Broadway. I learned about it through watching the Tony Awards.

In the long period of time when I did talk shows and game shows, a whole new generation of people came along who thought of me as that, and not as a theater person.

Every time I go to the theater, there's something about the atmosphere, seeing something unfold live in front of an audience, that you can't get out of your system.

I seemed to belong to three countries: I had an apartment in Paris, a house in Hollywood, and when I married British theater director Peter Hall, I moved to London.

Tim Robbins had real confidence in college. He literally stole actors from the theater department at UCLA to be in his plays. The department heads got so mad at him.

The first time someone stood up in front of the fire and told the story while illustrating it with shadows on the walls of the quarry, that was the birth of theater.

I worked a lot in Chicago's theater scene as a fight choreographer. And so I do have a lot of experience in stage combat and also in Kabuki dance and Kabuki theater.

When my father passed away, my mom didn't really know what to do and how to deal with it for me, so she put me in extracurricular classes, one of them being theater.

I'm from Denver, and there is really nothing acting-wise to do there except for theater. I did everything I could get my hands on until I was able to make it to L.A.

I moved to New York to do theater, and I got cast in a play that was funny, and then I was the funny guy. I did a movie that was funny, and then I was the funny guy.

I try to get on stage whenever I can. I'm always trying to be involved in the theater, doing something on stage, whenever I have downtime. I'm always looking for it.

A theater is being given over to market forces, which means that a whole generation that should be able to do theater as well as see it is being completely deprived.

The oldest form of theater is the dinner table. It's got five or six people, new show every night, same players. Good ensemble; the people have worked together a lot.

One reason you are stricken when your parents die is that the audience you've been aiming at all your life - shocking it, pleasing it - has suddenly left the theater.

I want to do theater and I am looking forward to doing more Television and Movies. I also want to direct some plays in theater workshops for people with disabilities.

I had met a young lady who wanted to be in the theater. It was Judy Holliday. She had somehow fallen down the steps of the Village Vanguard, which still exists today.

Celebrities in general are pretty democratic, just being in the theater. Plus, I'm from Chicago. But Obama's sensible... he's just a reasonable, sensible human being.

I went to Bard College for a year. And then, even though I didn't think I should give my blood to the theater, I did go to N.Y.U., which is where I met Michael McKean.

I believe there's no reason why we couldn't be entering a new age of musical theater if we continue to nurture young talent, take risks, and give them a playing field.

The frivolity with which all theatrical activity is conducted has one consoling feature-there are no rules of behavior that apply regularly to any part of the theatre.

It is ridiculous to think we can erase racism in South Africa, but through theater there can be a genuine attempt to move on with our lives and build a better country.

The Olympic gold was like going to a theater and seeing a movie that had the ending you expected. But you left the theater thinking, 'You know, that was a good movie.'

What's a bigger mystery box than a movie theater? You go to the theater, you're just so excited to see anything - the moment the lights go down is often the best part.

There are times to be casual and times to be correct. It's all right to wear a sweater and slacks on a picnic, but they don't belong in the theater or the drawing room.

After that, I started going downtown and doing a lot of theater shows in Chicago. When you go downtown there, it's like you're in New York, it's like going to Broadway.

I mean, the whole idea of movies was it was special to go to see - you went to a movie theater to see something that was magical and amazing, in a very special location.

What 'War and Peace' is to the novel and 'Hamlet' is to the theater, Swan Lake' is to ballet - that is, the name which to many people stands for and sums up an art form.

I think I'm the same dancer everywhere. But I've learned a lot with Bolshoi - the history of the theater, the technique of the theater, different nuances in my technique.

I do come from a theater background, where the playwright is optimal and king and you have to serve the playwright. So I am, of course, a huge fan of scripted everything.

The thing that I had saved up for myself and wanted most to bring off was a fully fledged professional production of Hamlet at the Royal Shakespeare Theater in Stratford.

I had all the normal interests - I played basketball and I headed the school paper. But I also developed very early a great love for music and literature and the theater.

The only way to ensure a film is going to sell is put Will Smith in it and you open it in 3,000 theaters and make sure we have all the top promotional spots in each venue.

I don't feel comfortable doing movies. It's not what I trained to do. I trained to be a theater actress. You put me on a stage in front of 2,000 people, I know what to do.

I think movies are a director's medium in the end. Theater is the actor's medium. Theater is fast, and enjoyable, and truly rewarding. I believe in great live performance.

I was never interested in anything, particularly. I didn't get through school. I was a layabout. So, I started working at a theater to earn some money, as a part-time job.

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