First I wanted to be an ice skater, and then I saw 'Bye, Bye Birdie,' and everything changed. I'm glad I learned through the process of theater.

I was the music director at a dinner theater called the 'Pheasant Run Theater' in the suburbs of Chicago, and that was my side gig while I acted.

I loathe bad theater and most theatre is very bad because its repetitious, unexciting and, dangerously, it is sometimes praised for those things.

At the School of Visual Arts in New York, you can get your degree in Net art, which is really a fantastic way of thinking of theater in new ways.

Music is rhythm, and all theater is rhythm. It's about tempo and change and pulse, whether you're doing a verse play by Shakespeare or a musical.

Musical theater is great; you get painted up, you get to play princesses and witches, and you sing. The joy alone of that can really carry a lot.

If I could act in theater, my whole life, and never act in film or television again, and just direct the rest of my life, I would gladly do that.

When I was a teenager, I began to settle into school because I'd discovered the extracurricular activities that interested me: music and theater.

Having grown up in a racist culture where 2 and 2 are not 5, I have found life to be incredibly theatrical and theater to be profoundly lifeless.

Surely no other American institution is so bound around and tightened up by rules, strictures, adages, and superstitions as the Broadway theatre.

Theater people are always pining and agonizing because they're afraid that they'll be forgotten. And in America they're quite right. They will be.

I was obsessed with romance. When I was in high school, I saw 'Doctor Zhivago' every day from the day it opened until the day it left the theater.

In my view, the only way to see a film remains the way the filmmaker intended: inside a large movie theater with great sound and pristine picture.

I've always really liked theater. It fascinated me. You can create a reality and get people involved in that reality. It takes place in real time.

With the exception of lingerie and theater I'm interested in everything to do with clothes and perfumes: everything which is an extension of woman.

In the theater, you go from point A to point Z, building your performance as the evening progresses. You have to relinquish that control on a film.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery

Theater doesn't bring money in general. That's not why you do it. If you go into theater for money then you've really gone into the wrong business.

There is something transformative if you're a black person cheering in a theater and turn to see a white person cheering for the same thing you are.

I believe in things that move people, if the audience isn't deeply caught up and moved to either laughter or tears then I don't think it is theater.

In a theater, the part is mine and I can control it as I want to. In the movies, I don't have direct contact, and I am fighting technical machinery.

There is a very vibrant cultural scene in Stockholm. There are lots of places where there are concerts, and there are loads of museums and theaters.

My first time on camera was 'One Life to Live.' I mourn for actors coming up that the daytime soap opera is becoming extinct. It's theater onscreen.

As an actress who has performed in theater for over 17 years, my experience performing in 'The Color Purple' has been a truly life-changing journey.

I like to do theater and hopefully be effective. Most actors, at least contemporary actors of my generation, can't do it. They don't have the chops.

The theater I got to do informs every move I make as an actor and will for the rest of my life. I can't shake it if I wanted to, but I don't want to.

I've been in theaters. Like Brian Regan, who I love - loved him so much more when he did the Improvs. And then in a big theater - nobody's that good.

I've had so many people just come up to me and say, 'When you came up on the screen, everybody in the theater applauded.' It's just so sweet, really.

Whoever becomes the head of the National Theater finds himself in a position like that of Nelson's Column - pigeons dump on you because you're there.

It doesn't matter whether it's television or films or the theater. I just have to believe in what I'm doing. If I don't believe in it, I won't do it.

I think any actor would agree that you can't replace theater. It's immediate. You have the energy of the crowd and every single night it's different.

Whoever becomes the head of the National Theater finds himself in a position like that of Nelson's Column - pigeons dump on you because you're there.

I always wanted to do musical theater. That was where I saw my life going since I was a musical theater major in college before I went to Pentatonix.

Coming from the theater, I love the adrenalin rush from working on 'NCIS.' You get home and you're exhausted, but you feel like you've really worked.

My love for the theater has always been a priority. That hasn't changed. I got into acting that way. The film work that came up was really a surprise.

Theater publicly reveals the human condition through appealing to both intellect and emotion. Architecture, whether lowly or exalted, can do the same.

One of the most incredible and important things about the theater is that we're creating a safe space for all feelings, but especially, ugly feelings.

If you're playing around with a film, you're just playing around with it. But if it has to go into theaters, you get yourself into gear and finish it.

I'll eventually go back to theater because the feeling of being on stage where you have the audience right there, you can't replace that with anything

I love doing theater. It's what I grew up in and is my roots. I get a huge fulfillment from it. But if my path is to go someplace else, hey, I'm there.

Don't forget the prices are so high in theater; it isn't really where a young person can go on a date and buy two tickets and take someone out anymore.

Silence in the turmoil of the theater world made me survive 50 years without speaking on a stage, only to say 'No' in Mel Brooks' film, 'Silent Movie.'

I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like.

I'll eventually go back to theater because the feeling of being on stage where you have the audience right there, you can't replace that with anything.

To say whatever nonsense comes into your head without any repercussions has got to be a bigger high than heckling a movie screen in a darkened theater.

I was very driven in high school. I worked a bunch of odd jobs. I never partied. I never drank. I was just a theater geek who was obsessed with movies.

Performing in a live theater is absolutely unbeatable. It is something I have done my entire life and have a gift, it seems, for sharing thoughts live.

I was probably singing before I could talk. Musical theater is my passion. If I could afford it, I would just do dinner theater and live a simple life.

As soon as I read that, it clicked: that's my theater of war. It was exciting to think that I could write about World War Two from a totally new place.

I always thought moving to New York would mean starting over in theater, because I had great work in Chicago and didn't want to become a waitress here.

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