One of the things about being a law student is that the academic discipline of law is very often removed from the practical reality of law. How to complain, who to complain to, and whether or not you even need to invoke the law is very different in the real world from how it's examined in the lecture theatre.

I'm completely unlike a lot of other performers in the past who have been forgiven or come to terms with the real world because they tell everyone their performance is 'just a show.' And so, people say, 'Oh, it's OK then. We don't care. He's not really a bad person.' It's not just a show for me. It's my life.

My forms are not abstractions of things in the real world. They're also not symbols. I would say that my job is to invent these forms and to put them together in a way that keeps your interest, to give the forms a quirky identity so you can engage with them, so you realize there's an inner intelligence or logic.

It's a hard thing for me to wrap my mind around the C word: celebrity. Rock stars are celebrities because they're larger than life. As an actor, you have to play the everyman and the everygirl. If you start treating people in the real world like assistants, that's not a good look. But my friends keep me grounded.

As one of the first African-Americans to be out on a reality program, MTV's 'The Real World: Philadelphia,' I understand the courage it takes to live your truth on a national platform, the importance it holds to LGBT communities of color, and the power it has to create a greater conversation within American culture.

To me, the newspaper business was a way to learn about life and how things worked in the real world and how people spoke. You learn all the skills - you learn to listen, you learn to take notes - everything you use later as a novelist was valuable training in the newspaper world. But I always wanted to write novels.

Universities used to prepare young adults for the real world. I dare say the graduates today go in without a clue and graduate without a clue. It's time to acknowledge the college degree is not worth what it was in the past. Times are changing, and so is the way we prepare our youth to survive in a competitive world.

Seeing games become more of a young person thing, I feel like a toy I grew up with has been left behind. I don't want to. I want this thing to be respected by adults. I want this thing to be growing with me. It's important to have games that could be more nuanced and reflective of the real world and relevant to adults.

'All Stars' is a weird game. The rules are weird. However, I think 'All Stars' mirrors the real industry much more closely than normal seasons of 'Drag Race' do. In the real world of entertainment, it really is about the impressions you leave on your brothers and sisters in the room, and that's kind of what it is about.

Academic Marxists were never going to be convinced that anything that happened in the real world could invalidate their belief system. Utopians of the Right, libertarians are just as convinced that their ideas have yet to be tried and that they would work beautifully if we could only just have a do-over of human history.

It's possible to spend every waking hour here on the ninth floor and not get out of the office. And this isn't the real world in here. And contrary to public opinion, I'm not incredibly poll-driven. They are an ongoing indicator of how we are going, but I take the feedback I get on the street as being the most important.

There are so many of these young-adult movies with these cold guys who act like jerks to girls but are hiding soft sentiments. But in the real world most guys who act like jerks are jerks. Generally they are. I spent a lot of high school thinking that horrible guys must be very sensitive and interesting and it's not true.

Giving users easy access to many different kinds of digital assets on the blockchain and, particularly, tokens that are linked to assets in the real world, is crucial to seeing blockchain adoption reach the next level, and I applaud Digix Global's initiative in being the first of many such projects to successfully launch.

I think when you look at the diversity of the readership, all the different people who love comics, I want comics to reflect the real world, and I think Marvel does a good job of trying to do that, but I don't think there's ever an end point when it comes to creating diversity and creating stories that people can relate to.

The social and political climate came from discussions about how we could find conflict in the wake of a 100-year-long war ending. But as we know in the real world, just because a war ends it doesn't mean that everything turns happy and peaceful. That provided us with some new kinds of conflict for us to explore in 'Korra.'

Business students are very oriented to playing a role in the real world and accomplishing something, not training themselves to be scholars and contribute to the literature. Teaching in that kind of environment has focused me much more on the real world, how pieces of the theory I know can be applied to real-world situations.

I'd guess blockchains will be the full-blown backbone of virtual worlds - the system for currency, assets, identity, even governance - before doing the same in the 'real world.' Which is where I think we will end up in the real world eventually; it's just a matter of which goes first and how long until it's the case for both.

If you look at that incredible burst of fantastic characters that emerged in the late 19th century/early 20th century, you can see so many of the fears and hopes of those times embedded in those characters. Even in throwaway bits of contemporary culture you can often find some penetrating insights into the real world around us.

The comics I read as a kid were all about guys in tights. But here was a guy who wore a fedora. He fought crime like they did in Marvel and DC, but he did it in the real world. I had just turned 12 when I met the Spirit and it was a strange coincidence. At the same time I discovered girls I fell out of love with guys in tights.

When I first thought of the idea for 'Sweet Valley High,' I loved the idea of high school as microcosm of the real world. And what I really liked was how it moved things on from 'Sleeping Beauty'-esque romance novels where the girl had to wait for the hero. This would be girl-driven, very different, I decided - and indeed it is.

We speak of 'software eating the world,' 'the Internet of Things,' and we massify 'data' by declaring it 'Big.' But these concepts remain for the most part abstract. It's hard for many of us to grasp the impact of digital technology on the 'real world' of things like rocks, homes, cars, and trees. We lack a metaphor that hits home.

I don't think that VR is going to lead to humanity being enslaved in the matrix or letting the world crumble around us. I think it's going to end up being a great technology that brings closer people together, that allows for better communication, that reduces a lot of environmental waste that we're currently doing in the real world.

The idea of the gay experience, it feels like a relic. I felt like in the '90s when we were watching the gay characters on 'The Real World,' there was definitely a gay experience that was distinct from a straight experience. If you talk to high schoolers in 2017, I don't know that is as much a part of how they experience a social dynamic.

'Scandal' has always lived in this dark place with this idea that Washington is filled with this underbelly of monsters, that if the real world understood how dark, twisted and corrupt it really was, they would never agree with our government or want to be part of it. It's been kind of fun to live in that world. It felt like a fictional world.

While we should not hesitate to deploy encryption to protect ourselves from cybercriminals, this should not be done in a way that eviscerates society's ability to defend itself against other types of criminal threats. In other words, making our virtual world more secure should not come at the expense of making us more vulnerable in the real world.

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