Quotes of All Topics . Occasions . Authors
Each time I'm starting to work on a film, even if I love to settle the plot in the real world, I start to think about the plot as a fairy tale, or a dream, or a nightmare... As if it was the best way to tell the truth about characters or narration, instead of realism.
I think it's vital to have something outside your acting to keep you rooted in the real world, and help you fill the vacuum. If you have nothing else, it can be unhealthy. For me being a Christian has been invaluable: it simply means acting isn't the centre of my life.
Basically with everything, I choose my criteria based on what can be easy. If I made the real world the setting, I'd have to draw looking at reference materials for stuff like buildings and vehicles. When you do that, people complain even if it's just a little bit off.
Everything that exists is information, and everything that is informative also exists. The infosphere is not a virtual space that is distinct from the real world. Rather, the world itself is increasingly being considered an information space and part of the infosphere.
For me, a good thriller must teach me something about the real world. Thrillers like 'Coma,' 'The Hunt for Red October' and 'The Firm' all captivated me by providing glimpses into realms about which I knew very little - medical science, submarine technology and the law.
I write about spirituality not so we get strong from within and achieve some state of nirvana and then distance ourselves from the real world. I write about it so we can feel empowered to doing the critical work that this generation of black women are charged with doing.
I went around in my teens and early 20s thinking that life was a con trick. I had managed to grow up believing in all sorts of romantic ideas about hard work and justice and truth, and it seemed the real world was much more complicated and shaded than I wanted to believe.
I don't feel there's a difference between the real world and the fairy-tale world. They contain psychological truths and, I guess, projections of what the culture that tells them thinks about various things: men, women, aging, dying - the most basic aspects of being human.
If you think about it, it requires a lot of effort and time and energy to make money in the real world, and if they made games equally as difficult to make money in, people wouldn't play them. So they are generally designed to be hyper-inflationary because that's more fun.
The idea of a family sitting round the kitchen table and carefully planning their future family size based on the certainty of years to come is a complete fantasy. Back in the real world, jobs are lost, livelihoods taken away, families break apart, partners leave or pass away.
In the real world, answers may not be clear cut. There will be messy choices, and you're not going to be able to construct a policy response in a neat and tidy way. Being able to listen to other people, even as you stay true to your principles, that's how you actually succeed.
Science fiction in particular is often assumed to be about the future, or about some abstract technological or philosophical idea, or just about 'adventure,' but writers can't build worlds out of nothing. We use bits and pieces of the real world to assemble our fictional ones.
There are those photographers who have made a whole career doing commercial work but have never had a museum show, and then there are others who've only had museum shows but couldn't survive for five seconds in the real world of photography. But I've done absolutely everything.
I think all these pop cultural media often reflect conversations we're having in the real world at that moment in time. I think one of the big conversations we're having as a culture is we thought we'd solved sexism and racism, and we're realizing more and more that we haven't.
When you're in school, every little mistake is a permanent crack in your windshield. But in the real world, if you're not swerving around and hitting the guard rails every now and then, you're not going fast enough. Your biggest risk isn't failing; it's getting too comfortable.
It's like Christmas every day playing in the NBA. You don't have to worry about the real world and real issues. As you get older, you get more mature and you understand that. There's so many other things going on that we have to shed light on to help these people any way we can.
Heart is tied with a lot of controversies, a lot of heartbreaks in show business. With 'Love Marie' who I really am in the real world. I feel more free, I feel more clean. I feel like people don't judge me, and that is why I shy away from being Heart when it comes to my painting.
Personally, I don't like to talk too much to the actors about the camera choices because I feel like the way I want them to perform is as if it feels very rooted in the real world and that I'm essentially stepping back and just watching and hoping they feel safe with me watching.
Cyberspace is colonising what we used to think of as the real world. I think that our grandchildren will probably regard the distinction we make between what we call the real world and what they think of as simply the world as the quaintest and most incomprehensible thing about us.
In high fashion, we're always accused of doing things that are not very relevant, not the real world. I know that it's important sometimes to do fantasy, but I felt like touching people and going back to different women and men, especially the idea of different ages and body shapes.
Leaving Nickelodeon was definitely an adjustment. Because then, it was back to the real world of, 'Now I'm an adult looking for a job,' as opposed to a kid that's getting introduced to all these people like, 'Look how cute this little kid is. Don't you want to put him on your show?'
Rehearsing a scene beds a role into you. But sometimes, if you over-rehearse it without unearthing any new meaning in it, you can suddenly forget your lines. You realise that you are on a stage, not in the real world. The scene's emotional power, and your immersion in it, disappears.
Before, I would spend all my hours at training, come home, sleep, eat, watch football, sleep, and go back to training the next day. Now I do the school run, train, pick up my daughter. I am living in the real world. I am a father now. That has given me more satisfaction than football.
The detail adds an element of unexpected something. All fiction is false; what makes it convincing is that it runs alongside the truth. The real world has lots of incidental details, so a painting also has to have that element of imperfection and irregularity, those incidental details.
'Seanan McGuire' is my real name; if I'm being silly and third-person about it, she's a frequently cranky, foul-mouthed Disney Princess on vacation in the real world, where she studies diseases, cuddles reptiles, watches lots of horror movies, and goes to as many corn fields as possible.
Fundamentalists are crazy. They're the real world equivalent to the evil geniuses of our spy fiction and our superhero comics. They want to mold the world into a specific shape that they really believe in, and if you don't believe in that, if you can't relate to that, it just seems crazy.
People - especially the geeks who created it - have tended to look at the Internet as something that's hermetically sealed: there's the Internet and the rest of the world. But that's not how people want to use the Internet. They want to use it as a way of better navigating the real world.
I think YouTube used to have a negative connotation, like it was the place where the rejects went and made careers, but I'm proud to be YouTuber. I wanted to be in that first generation of YouTube stars who transitioned into the 'real world.' It was a really good way to build my business.
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
We emphasize negativity and violence in the media because that's what grabs everybody's attention, but in the real world, it's mostly people being very cooperative and caring and connected and kind. That's the norm of human experience. And yet, what gets our attention is the very opposite.
Americans have so much natural entrepreneurial drive. The caveat is that it is technology that should be a tool making lives better in the real world, and in line with the American spirit of getting better and better at something, whether it's curing cancer or creating a better taxi service.
I wear yoga pants and get to work out all the time - it's my job. I feel a little bit different when I go into what I call 'the real world.' It's cool to be able to train as a full-time job, and it's something that I love and will continue to try to make work for the next however-many years.
Chinese citizens have never had the right to really express their opinions; in the constitution it says you can, but in the real world it is more dangerous. In the west people think it's a right they're born with. Here it's a right given by the government, and one that's not really practised.
Often the magical elements in my books are standing in for elements of the real world, the small and magical-in-their-own-right sorts of things that we take for granted and no longer pay attention to, like the bonds of friendship that entwine our own lives with those of other people and places.
In politics, religion and other areas of culture, people disagree on the worth of competing ideas. There is no equivalent to the scientific method that can determine in a robust way which ideas match the real world, and which ones can be ruled out. So conflicting ideologies persist indefinitely.
Trust your gut instinct over spreadsheets. There are too many variables in the real world that you simply can't put into a spreadsheet. Spreadsheets spit out results from your inexact assumptions and give you a false sense of security. In most cases, your heart and gut are still your best guide.
It was great, because as far as playing such an iconic character that Cinderella is from the Disney world, walking into such a raw and authentic environment - even though it's the real world, and it's Jacinda, it's still Cinderella that's being cursed, and now she's in the real world as Jacinda.
'Bigg Boss' changed my view of the world. Before I joined the show as its host, I was living in a bubble. I believed the real world is a happy place. 'Bigg Boss' made me realise that the world is made of all kinds of people, including some judgmental ones. It has introduced me to the real world.
When I see kids who naturally get A's and who naturally score high on tests and the teachers naturally like them because they require the least amount of management - when they come out into the real world, I find they're very poor at getting through obstacles. And life is about solving obstacles.
We often mistake the artificial chemical and psychological thrill of fake edges for the real. In fact we often seek them out as a substitute for the reality of change, growth and exploration. Our minds and bodies help us in this, as they react much the same to this simulations as to the real world.
I go to conventions all the time. I'm not one of those actors who's public-shy, meaning I don't mind when someone comes up. It doesn't happen often in the real world because people don't recognize me because I was in makeup, but when it does, I don't usually mind it at all if somebody says something.
As a teenager, my father took me to the shows at the Architectural Association and to places like Milton Keynes back when it was first being built. But I couldn't find anything for me. There seemed to be despair at the possibility of the built environment possessing any imagination in the real world.
What you learn in school is the opposite of what happens in the real world. In school, you're always worried about minimums. You have to reach 20 pages or you have to have so many slides or whatever. Then you get out in the real world and you think, 'I have to have a minimum of 20 pages and 50 slides.'
Coming from a YouTube perspective, a lot of times you kind of limit yourself and think, 'Oh, artists from the real world wouldn't want to work with someone who's made their career on YouTube.' But more and more, I'm realizing that artists from both sides are learning that we can benefit from each other.
To my mind, the most successful and the best comic book illustrators are those who translate the real world into a consistent code. If you look at Jack Kirby or Steve Ditko, their drawings look nothing like the real world, but they are internally consistent. In terms of a comic book it can work just fine.
I graduated from university with a degree in architecture and then ended up doing a series of internships with different firms. And once I was in an office environment, I realized that at school what I was doing was 98 percent creative, 2 percent makework, but in the real world, it was the other way around.
'The Matrix' is a movie that is all about glamour. I could do a whole talk on 'The Matrix' and glamour. It was criticized for glamorizing violence, because, look - sunglasses and those long coats, and, of course, they could walk up walls and do all these kinds of things that are impossible in the real world.
I still have a photo on my wall of the greatest idol I will ever have in my life, and it's myself at eight. Because that's when the forces of imagination have the same value as the real world, when they're an instrument of survival: when my mother disappeared, and I imagined a mother. That was me at my best.
Everything is connected, so you can't just live in a Trumpian world and be an isolationist when you're managing government by congressional district or by city. The mentality that you can cut off one area to punish a policy just doesn't work in the real world... it's cutting off your nose to spite your face.
The entertainment industry is a microcosm of the real world. To be 'othered' within the industry is a reflection of where we have been cast in the outside world, existing in the margins of society for decades witnessing cisgendered, heterosexual whiteness as the clearly defined default to which we must cater.