My brother is brutally honest with me - he always has been - and he's the first one I text after games. He has a nice chat with me and tells me how I did. He's one I've always looked up to, and I'll always respect him for that.

A selfie, like any photograph, interrupts experience to mark the moment. In this, it shares something with all the other ways we break up our day: when we text during class, in meetings, at the theater, at dinners with friends.

I don't want to read a book on a device. I like a book with a hard cover and text on a piece of paper. I like magazines. I don't care if I carry around 100 lbs. of magazines; I'd rather do that than look at them on the Internet.

If you're going to do Shakespeare, do Shakespeare. There's a reason why he's been performed for hundreds of years. His words affect people on a very deep level. He's the true humanist. That all comes through his text, his words.

A lot of my peers, be seniors or juniors, they'll text me or they'll call me and they'll say, 'Thank you for doing the music that you do because it pushes the genre forward in different ways.' It's a very rewarding thing to hear.

I respect the fact that a director has studied the text and the road map of work before us, the subtleties, interconnections, underpinnings... His job is to paint the entire picture and knows all the colors that have to be in it.

In America, everyone writes but no one reads. Everyone's writing all day long - sending emails, tweets, text messages; they all think they're James Cameron's Avatar, performing in some video game for which they make up the script.

My inspiration is endless; I can't define it. It is a constant flow and evolution. In general, I'm taking it from everywhere. People get nervous when they walk with me, as I'll see something and suddenly have to text it to myself.

I can look into someone's eyes and feel like I know her better, versus a phone call, where you can't get that same type of emotion. That's why text messaging gets you in trouble: You can't bond, and emoticons explain only so much.

One thing about my dinner parties - they're never planned. I go to the grocery store, and I buy whatever is on sale. I get a lot of it, and I just send out a mass text: 'I just bought food. Dinner's at 8. Text me if you're coming.'

I think justice Scalia is really the gold standard of what a justice should be. Somebody, regardless of how he feels on an issue, is going to look at the text of the Constitution, look at the text of the law, and make his judgment.

I have so many girlfriends who are powerhouses: They have big careers, are fearless in traveling in third-world countries or a launching non-profit. But they won't text a guy for fear of being perceived as desperate. That is broken.

I have been doodling since childhood. I have a passion for illustrating but cannot paint or colour for that matter. I illustrate what I am trying to communicate through my writing. My images are like drawings in a science text book.

I'm equally guilty of using technology - I Twitter, I text people, I chat. But I think there's something strangely insidious about it that it makes us think we're closer when in fact we're not seeing each other, we're not connecting.

What is the biggest public forum in the United States? We were told it's the Super Bowl. The ad shows kids working at blue-collar jobs, and the final statement is just written text: Who's going to pay for the trillion dollar deficit?

Those who read the Scriptures and judge for themselves, not resting satisfied with the perverted application of the text, do not find the distinction that theology and ecclesiastical authorities have made in the condition of the sexes.

I had a sort of classic moment when a friend of mine rang up and said she'd just been to a funeral, and in the middle of the eulogy, this kid had taken out the phone and had a whole proper text conversation - while everyone was weeping!

I have one rule when adapting any text: nothing gets added; all the words are the original author's own. But in the ordering and recreation of the story, I can do as I please, and to me, the heart and the point of 'Dracula' is appetite.

Theatre is about the collective imagination... Everything I use on-stage is driven by the subject matter and what you might call the text - but that text can be anything, from a fragment of movement or music to something you see on a TV.

In our daily lives as programmers, we process text strings a lot. So I tried to work hard on text processing, namely the string class and regular expressions. Regular expressions are built into the language and are very tuned up for use.

The text illustrates the pictures - it provides a connective tissue for me. I usually refine the text last, partly because pictures are harder to do, so it's easier to edit words - I use text as grout in between the tiles of the pictures.

I can say with a level of confidence that Islam is not a religion of war, only because the majority of Muslims don't subscribe to that perspective, not because there's something inherent in the text that tells me it's a religion of peace.

It used to be that people had a way of dealing with the world that was basically, 'I have a feeling, I want to make a call.' Now I would capture a way of dealing with the world, which is: 'I want to have a feeling, I need to send a text.'

I had no idea that social networking would be as prominent as it is today. And it's important to understand what that phenomenon is. If you text someone, you get an immediate response; if you e-mail them, you probably never hear from them.

Actors only have our bodies, voices, and the text. So I think actors need to have a fit and in-tune body. I was always very disciplined in wanting to have that. That's one of my favorite things - playing a role with a physical requirement.

Values that I would be enforcing if I were a judge are not just my values, that I am not striking something down simply because I don't like it. That is a countermajoritarian aspect of our system of government. I would start with the text.

Every once in the while I'll watch 'Duck Dynasty' and 'Kim & Kourtney Take Miami,' but outside of that, I don't really watch TV. Also, I don't text anybody, I'm hardly on Twitter or Instagram, and I'm very closed off. I'm kind of a hermit.

Most of us still haven't grasped the fact that everything we commit to the digital space - not just our public blogs and broadcast tweets, but every private text message, email, and voicemail is likely to be stored and accessible. Forever.

The 'World Wide Web', as people quaintly called the Internet in 1996, was more or less made up of text. There was no YouTube. There was no Facebook. There was, however, Usenet, a loose and difficult-to-navigate assortment of message boards.

The reality is that we communicate with every part of our being, and there are times when we must use it all. When someone needs us, he or she needs all of us. There's no text that can replace a loving touch when someone we love is hurting.

I'm in the mood for 'Shark Tank' sometimes. When I am, my son and I can't stop watching. But I probably watch 'The Bachelor' more, and Scott Foley and I text about it, like, 'Oh my God, did you see that?!' I love it. It's such a train wreck.

Visual storytelling combines the narrative text of a story with creative elements to augment and enhance the traditional storytelling process. By design, it is a co-creative process resulting in an intimate, interpretive, expressive technique.

It is very clear from the text of the Geneva Conventions that families have the right to know about the whereabouts of their missing and that belligerents have a duty to inform families if they have indication and if they are detaining people.

People are drawn to preaching that is passionate and offered with conviction. Passion comes when the preacher has spent significant time with the text, and when God has spoken through the text in a way that addresses the preacher's life first.

One of the things I love about our source text as Christians, the Bible, is that it teaches us not to avoid conflict. And it teaches us that before the fall of man, in Paradise, there was conflict. God wants conflict to be a part of your life.

Given the devaluation of literature and of the study of foreign languages per se in the United States, as well as the preponderance of theory over text in graduate literature studies, creative writing programs keep literature courses populated.

Phones were created as social tools. Smartphones are especially good at being social, integrating text, voice, video and images in an endless number of apps that can serve a user's needs, and all without the need for a web-based social network.

Technology is transforming how we hold ourselves, contorting our bodies into what the New Zealand physiotherapist Steve August calls the 'iHunch.' I've also heard people call it 'text neck,' and in my work, I sometimes refer to it as 'iPosture.'

I think that classical theater training is just one aspect of acting. I think that experience of having worked with a lot of text can help you as an actor. It gives you the ability to tackle a larger than life character in parts that require it.

If you look at Kirsten Dunst's performance in 'Melancholia,' which I think is absolutely wonderful - it's not even in the text, because she doesn't say much; it's all in her eyes. She doesn't have to explain what she's feeling. You just feel it.

I've never seen anything like the way some young people behave. They go out on a date, and they're sitting opposite each other at a table, and they're not looking at each other, and they text each other as though they're deaf-mutes. It's insane.

I want to do all kinds of things. I want to do some comedy. I'd love to do a romantic comedy, and I'd love to do some period pieces with classical text. I'd love somebody to cast me as Macbeth, but for a film. I just want to be all over the place.

I was on the campaign trail, covering Donald Trump for two years - and it's really hard to do anything for yourself with a schedule like that. I didn't have time to answer text messages from my friends or go to the gym, let alone get my nails done.

I think there's a worry that an excessive use or an almost exclusive use of text and emails means that as a society we're losing some of the ability to build interpersonal communication that's necessary for living together and building a community.

Writing an encyclopedia is hard. To do anywhere near a decent job, you have to know a great deal of information about an incredibly wide variety of subjects. Writing so much text is difficult, but doing all the background research seems impossible.

Don't see the point in reading ghost-written autobiographies, even though some of these published lives may fascinate me. The 'ghost' is always present, manipulating an interview into first-person singular text, and it feels like I'm reading a lie.

Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.

Likewise, there is no evidence that texting teaches people to spell badly: rather, research shows that those kids who text frequently are more likely to be the most literate and the best spellers, because you have to know how to manipulate language.

I think what I notice now is that a lot of the things that are said to us on camera on air are not particularly believed and quite often not true and its an extraordinary position to be in when you've had WhatsApp messages, text messages off record.

4chan is a framework of pictures and text. I've always been extremely hands-off with dictating what gets posted, past general categories and rules. I support providing a place to discuss anything, although I don't agree with everything that's posted.

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