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What secret knowledge, one must wonder, is breathed into lawyers when they become Justices of this Court that enables them to discern that a practice which the text of the Constitution does not clearly proscribe, and which our people have regarded as constitutional for 200 years, is in fact unconstitutional?
While learning to code may have once been an arduous or expensive process, the college dropouts who developed Codecademy have democratized coding as surely as Gutenberg democratized text. Anyone can go to Codecademy and start learning and creating code through their simple, fun, interactive window, for free.
Once you've finished typing and moving text around and everything else, you have to leave it alone for a while. You do that to see if it stands up, to see if all the loose edges have been trimmed, if it makes sense, if it's consistent, what shape it really has. You can't tell that while you're working on it.
Certainly I was a very religious child, a deeply weird and very emotional child, an only child with lots of imaginary friends and a very active imagination. I loved Sunday school and Bible camp and all that. I had my own white Bible with Jesus' words printed in red in the text; I even spoke at youth revivals.
I take some pains to learn the material beforehand. I have a bunch of tricks I use to try and hit the ground running. I write everything out. I take the text and I very methodically go through, and that tends to put it into my head a little bit more solidly than if I just glanced at it and hoped for the best.
Vast volumes of mixed media surround us, from music to games and videos. Yet almost all of our online actions still begin and end with writing: text messages, status updates, typed search queries, comments and responses, screens packed with verbal exchanges and, underpinning it all, countless billions of words.
The Gospel of Judas really has been a surprise in many ways. For one thing, there's no other text that suggests that Judas Iscariot was an intimate, trusted disciple, one to whom Jesus revealed the secrets of the kingdom, and that conversely, the other disciples were misunderstanding what he meant by the gospel.
Writers often like to talk about how intuitive the writing process is, but in truth, building a book is a remarkably unintuitive task. Or, to put it more accurately, you need a lot more than intuition. You need plot and characters. You need a setting. You need a theme that is relevant and supported by your text.
Every status update you read on Facebook, every tweet or text message you get from a friend, is competing for resources in your brain with important things like whether to put your savings in stocks or bonds, where you left your passport, or how best to reconcile with a close friend you just had an argument with.
VR could, in theory, connect sports fans in different geographical locations so they could watch a game together. Instead of a group text or Twitter stream of commentary playing out across time zones when a team is playing, our avatars could inhabit virtual stands, side by side with the rest of our digital tribe.
I get home from work at six or seven. When I'm busy, I set my alarm for three, get out of bed at quarter past three. I have a cup of tea and read a magazine and take the dogs for a walk up the lane. Go through my text messages and reply to anything that needs it, then get my biking gear on ready to cycle to work.
My claim is simply that the literary approach is one necessary way to read and interpret the Bible, an approach that has been unjustifiably neglected. Despite that neglect, the literary approach builds at every turn on what biblical scholars have done to recover the original, intended meaning of the biblical text.
I realize that Facebook today is a global success with more than 600 million users worldwide. But I also understand, maybe a bit sadly, that it is not for me. Perhaps it is because I am a bit too old? Or perhaps it is because I am more interested in exploring the epic text, which I have lived with for all my life.
You don't want to become guilty of plagiarism by letting someone else's words get inadvertently mixed in with your own. If you do feel the need to paste in a block of research while you're writing, be sure to highlight the copied text in a different color so you can go back and remove or rewrite it entirely later.
I've scrubbed many, many landmarks. I scrubbed the Kremlin back in '98. We had a mandatory-toothbrushing parade; we had the text of the mandatory-toothbrush law translated into Russian. And we had like 30 Russians; we had musicians; we had the giant toothbrushes. The police came and told us to stop, and we stopped.
I ended up breaking with my boyfriend, and a week later, Neil and I had a date. We started hanging out every single night, and after three months, it was just non-stop. We talk on the phone at least eight times a day and text at least 25 times a day. He's my lifeline in an amazing way. Without him, I can't breathe.
Right out of school, I did this show called 'Natasha, Pierre & the Great Comet of 1812.' It is based on a classical text with new music - not necessarily confined by a certain genre. It was a diverse, interesting group of musicians, actors, nonactors, and singers all creating this thing that is bigger than all of us.
We had a few tragic accidents in our state, as they've had in every state, from train crashes on down. And really, no text is worth dying for; that is our message to young people. And this is such a new phenomenon when you look at the number of texts and how they've increased exponentially in just the last few years.
Spurred by the unlimited texting plans offered by carriers like AT&T Mobility and Verizon Wireless, American teenagers sent and received an average of 2,272 text messages per month in the fourth quarter of 2008, according to the Nielsen Company - almost 80 messages a day, more than double the average of a year earlier.
The overall tectonic shifts that are going on in games and more broadly in media are that everything is moving to becoming free, social, and accessible. But we're just at the beginning of that. We can get to a day where short-session play can enhance, if not replace, text messaging as a way to stay in touch with people.
Endnotes, often confused with footnotes that live at the bottom of a page, is that lump of text at the end of the book, sometimes even relegated to a tiny font size. They're often forgotten but, in nonfiction, particularly history books, can offer a fascinating footprint into the author's research, a joyful, geeky abyss.
For one who has an interest in the body as text, airports are treasure troves of information. It seems almost un-American to enjoy delays, and perhaps enjoy is not the best word, but certainly a delayed flight, if it does nothing else, allows one the opportunity to make prolonged observations about one's fellow travelers.
History teaches us, in no mistaken language, how often customs and practices, which were originated without lawful warrant, and opposed to the sound construction of the law, have come to overload and pervert it, as commentators on the text of Holy Scripture have established doctrines wholly at variance with its true spirit.
When the Internet came along, at first it was just a medium for moving text around - books first, then pictures, finally video. Each time the bandwidth expanded, so did the capabilities of the medium, and each time it happened, the Internet cannibalized preexisting formats. And each time, those formats had to adapt. Or die.
In a poem, the words happen; they just come. I let them. Otherwise, I wouldn't write. To interfere with what is happening is to distort the poem. Just a very small degree of intelligence and supervision is necessary. Very tactful. Any revision later that violates the text as it came, that begins rewriting the words, is fake.
Logically, taking Scripture seriously means being passionately concerned about interpreting it correctly and thus welcoming any evidence that exposes erroneous understandings of the biblical text. Unfortunately, many zealous Bible students and teachers confuse their favorite interpretations of the Bible with the Bible itself.
I've developed a fun text when a friend has just had a baby. I ask a classic question: 'Are you sleeping?' The reply is inevitably that they aren't, they're getting a few hours here and there, they're exhausted. It's then when I swoop in: 'It'll all be worth it when they're softly stroking your hair as you slip into oblivion.'
More than conventional picture books, the notebook format allows me to leap from words to images, and this free-flowing back-and-forth inspires my best work. It reflects the way I think - sometimes visually, sometimes verbally - with the pictures not there just to illustrate the text but to replace it, to tell their own story.
I overanalyze things way too much, to the point where it affects my life. Like, when I'm talking to a boy, I'll overanalyze a text message he sent. And I have to think to myself, 'Just chill out. Some guy sent me a text message. That's all. Don't read something into it that's not there. Just be glad he sent you a text message!'
My first job in Brazil was actually to develop a way to improve the readability of billboards, and based on speed, angle of approach and actually blocks of text. It was very - actually, it was a very good study, and got me a job in an ad agency. And they also decided that I had to - to give me a very ugly Plexiglas trophy for it.
With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated polyphony where the text is completely buried. So no, I am not another Orff, and I'm not primitive.
When a fan buys a ticket, we learn an enormous amount about them: What bands they like, where they live, how much they are willing to spend. Someday, a fan will be sitting in a bar and his cellphone will text message 'Sonic Youth are playing tonight. Do you want to go?' He'll buy his ticket over the phone and walk to the concert.
In the statement accompanying the text of Lahore Conspiracy Case Ordinance, the Viceroy had stated that the accused in this case were trying to bring both law and justice into contempt. The situation afforded us an opportunity to show to the public whether we were trying to bring law into contempt or whether others were doing so.
I like, for instance, 'Serpico.' I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could - I could embody him. I could, you know, I could work and get to know him and have him help me with the text, the script and become him. It's almost like a painter having a model to become.
Telling stories with visuals is an ancient art. We've been drawing pictures on cave walls for centuries. It's like what they say about the perfect picture book. The art and the text stand alone, but together, they create something even better. Kids who need to can grab onto those graphic elements and find their way into the story.
When I grew up in the early '90s, the new World Wide Web felt like a gimmick, and I had no idea of the changes in store. In the summers, I'd backpack through Europe, follow the Grateful Dead. I had a car and a tent and traveled around the Great Lakes and out West. Jack Kerouac was my guiding light, his 'On the Road' a sacred text.
Text input is certainly useful, but images and speech are a much more natural way for humans to express their queries. Infants learn to see and speak well before they learn to type. The same is true of human evolution - we've had spoken language for a long time compared to written language, which is a relatively recent development.
With vocal and choral music, first and foremost, it's the text. Not only do I need to serve the text, but the text - when I'm doing it right - acts as the perfect 'blueprint', and all the architecture is there. The poet has done the heavy lifting, so my job is to find the soul of the poem and then somehow translate that into music.
Usually in theater, the visual repeats the verbal. The visual dwindles into decoration. But I think with my eyes. For me, the visual is not an afterthought, not an illustration of the text. If it says the same thing as the words, why look? The visual must be so compelling that a deaf man would sit though the performance fascinated.
Because the last time I saw my family was 2015. Sometimes I even forget what they look like, you know? It's so hard to communicate with them. Because Turkish police raided my house. They took electronics away, computers away. They wanted to see if I'm still in contact with my family or not. Any single text, they will all be in jail.
Teenagers talk about the idea of having each other's 'full attention.' They grew up in a culture of distraction. They remember their parents were on cell phones when they were pushed on swings as toddlers. Now, their parents text at the dinner table and don't look up from their BlackBerry when they come for end-of-school day pickup.
Growing up, I didn't get the talk of 'Make sure boys take you on a date and treat you right.' So I was the girl who wasn't dating and would just text. I dated these guys who didn't have jobs, and I would always be paying. At one point, I remember looking in the mirror and thinking, 'You're too pretty and cool to be treated like this.'
My mum will always come and see my shows if she can, and if she can't, she'll text or email just before wishing me a great show and telling me how much she loves me. She still gives tonnes of positive reinforcement and love. It's really remarkable what that does for a child, and it's really remarkable what that does for me as an adult.
On occasion, I like to reread my grandfather's letters. While leafing through them, I'm saddened by what is being lost in modern communication. Soul-baring sentimentality isn't typically poured into text messages, tweets and emails. All too often, personal connections are brushed aside for the sake of convenience in a fast-paced world.
A book is not necessarily made of paper. A book is not necessarily made to be read on a Kindle. A book is a collection of text, organized in one of a variety of ways. You could say that words printed on paper and bound between cloth covers will someday be obsolete. But if and when that day comes, there will still be a thing called books.
The Russo brothers are the best people ever, and they cast me in 'Happy Endings.' I did text Joe Russo to say, 'I don't think my character dies, so if you need a local news cameraman to show up in 'Captain America 2'... I know it doesn't make sense, but just hear me out on this!' He was really cool about it and turned me down right away.
The other day I got a text from a boy, but it wasn't hot. I mean, if you're going to text me every day, you haven't seen me for months and you're trying to seduce me, you'd better spice up that text and make it more exciting than 'How was your day? I hope you're having a beautiful one.' Sadly, I haven't been doing a lot of kissing lately.
Governmental surveillance is not about the government collecting the information you're sharing publicly and willingly; it's about collecting the information you don't think you're sharing at all, such as the online searches you do on search engines... or private emails or text messages... or the location of your mobile phone at any time.
I was focused on building things from an early age. When I was about 3, our toilet broke, and my mother was ready to call the plumber. I told her I would fix it and asked her to get my Richard Scarry book 'How Things Work in Busytown.' Between the picture of a toilet and the text she read to me explaining how the parts worked, I fixed it.
I go back and research, say, every reference to the Gorgons, and I find what the classical writers said about them and it's so much richer than you might get in an average Greek mythology text. I feel like an archaeologist - I'm dusting off these things that people have not seen for thousands of years and bringing them into the modern world.