Quotes of All Topics . Occasions . Authors
What you're doing is putting into professional play the way that you relate to other people, the way that you analyze and relate to a written text, the way that you would persuade anybody to do anything. It has to do with listening, with humility and a sense of yourself.
I remember going to a son's friend's bar mitzvah, and the text that he chose to explicate was right at the beginning of Genesis. It was not about a fall from grace or a fall from perfection; it was about an awakening into consciousness, which is what it means to be human.
Falling in love in high school and falling out of love - it's very digital. I've had breakups where they've called me to tell me we were done, and I've gotten a lot of text messages from an old girlfriend letting me know how she felt about me after we had ended everything.
Since 1970, I've been using text and ephemera as well as photographs in order to tell stories of one kind or another. There's a thread that runs through all the work that is to do with bearing witness. The photographs are about asking questions, though, not answering them.
We all know the feeling of surrendering to the embedded biases of our devices. We let our cell phones ping us every time there's an incoming message and check our e-mail even when we'd best pay attention to what's going on around us in the real world. We text while driving.
What I'm seeing is a generation that says consistently, 'I would rather text than make a telephone call.' Why? It's less risky. I can just get the information out there. I don't have to get all involved; it's more efficient. I would rather text than see somebody face to face.
I like acting with no lines because all of a sudden you're able to express things without always worrying about the text. It's great to have a great text, but there's a lot of stuff you can't say in words, and I think there's something really nice about good physical moments.
I didn't care about that because I'm not a diplomatic person to begin with. I just went along with things and did what I wanted to do because I knew they had to shoot their 12 pages a day. And when they realized that I didn't alter the text they really didn't mind what I did.
You know, I said I have this problem that I need to more carefully read Akron's text because it's too much, too much fantasy, and so I am busy with other stuff - it's funny, it's nice to hear that someone is studying that carefully and now I know a little bit more about that.
The text, 'Is God a White Racist', By Rev. Dr. William Jones, is still studied by theologians and academics and taught in institutes of higher learning. The book called into question the chief construction of black liberation theology: that God is on the side of the oppressed.
When you post something, when you text something, you lose ownership of it when you hit enter or send. Who you send it to, where you post it, they take ownership of that information whether you like it or not. Unfortunately, you don't lose responsibility for that text or post.
I met India Arie, who is one of my favorite artists of all time. It was really sweet; I was broken up with a month before, and she stayed up texting me all night and was helping me through it. Her text message looks like a song of hers. She's sort of become my fairy godmother.
There was one time during my busiest month when I went into school, and they were like, 'Sadie, where's your calculator? The PSAT is today.' I was like, 'The what?' Luckily, it was the practice one, but I still had to text my dad and get him to bring me my graphing calculator.
As we all saw in grade school, once you learn how to read a book, somebody is going to want to write one - that's how authors are made. Once we know how to read our own genetic code, someone is going to want to rewrite that 'text,' tinker with traits - play God, some would say.
I do think that once you remove the limitations of the page, once you turn text transitive, meaning it can be clicked away from, the forward movement of text can be interrupted. But I don't think this is just a function of technology. It's also a function of cultural preference.
I did my doctoral dissertation on the lectionary readings that we use at mass and how you have biblical texts that have been taken out of their original Bible context and put together for mass, and now they form a new text. Out of that new text, there is an interplay of new meaning.
If you were a medieval scholar reading a book, you knew that there was a reasonable likelihood you'd never see that particular text again, and so a high premium was placed on remembering what you read. You couldn't just pull a book off the shelf to consult it for a quote or an idea.
In 2013, before the publication of my fourth novel, I met with a stylist at Nordstrom. Since then, I've rarely shopped for 'event clothes' on my own. I usually do it with my sisters or a friend; if I'm alone, I take pictures of myself in the dressing room and text them to my sisters.
For 8,000 years, we've had lyric poetry; for 400 years we've had the novel: theatre hands its meaning down in text. Let's find a medium whose total, sole responsibility is the world as seen as a form of visual intelligence. Surely, surely, surely the cinema should be that phenomenon.
Sit down at your computer or open your nearest mobile device and Google these words: 'Directed by.' What's the first predictive text that comes up? Martin Scorsese? Quentin Tarantino? Ingmar Bergman? Chances are the first name Google suggested was Robert B. Weide. That's me. Sort of.
What is hypertext? It is a method of giving a text more depth, structuring it, and letting the computer help you explore it. Links, like we know today - you see some blue underlined word and you click on it and it takes you somewhere else. That's the simplest definition of hypertext.
The Torah is the foundational text for Jewish law, but the Haggadah is our book of living memory. We are not merely telling a story here. We are being called to a radical act of empathy. Here we are, embarking on an ancient, perennial attempt to give human lives - our lives - dignity.
Now we're e-mailing and tweeting and texting so much, a phone call comes as a fresh surprise. I get text messages on my cell phone all day long, and it warbles to alert me that someone has sent me a message on Facebook or a reply or direct message on Twitter, but it rarely ever rings.
One of the ideas that was developed at MIT in a workshop was, imagine this pipe, and you've got valves, solenoid valves, taps, opening and closing. You create like a water curtain with pixels made of water. If those pixels fall, you can write on it: you can show patterns, images, text.
Although Britain has, since 1653, had nothing approaching a single, codified constitution, it did for a very long time possess a broad cult of constitutional writing. The Petition of Right of 1628, like the Bill of Rights of 1689, was a cherished text. So, most of all, was Magna Carta.
People avoid the telephone because it's easier to text. Calls can be awkward - you interrupt each other; you can't quite hear someone. But the advantage is you get to hear someone else's voice. You find out whether or not you can have a fluid conversation or if it's stilted and peculiar.
The Chinese government tried to keep a lid on the SARS crisis, but there were 160 million text messages in three days sent by Chinese citizens. These are early indications that it's going to be difficult for people who used to have control over the news to maintain that level of control.
When I came to the industry, one PR person told me, 'Send a text message to this actor. Go on a date with him.' And I said, 'But he is married!' Then this person said, 'Why didn't you send a message to this cricketer? It would have been good for your career, for your PR and public image.'
When I did plays in high school and college, I never remember memorizing my lines, but once I had blocking, I had all my lines memorized. Once I had movement associated with words, it was fine. Before I had blocking, it was just text on a page. Once it became embodied, it was much easier.
Down on the ground, we seem to do anything but make lengthy, robust monologues. We can communicate in an instant almost anywhere. Gone is the slow old letter - itself a monologue, a sort of considered performance of best self - and in its place is the e-mail, the text, the SMS, the tweet.
The SFPD has had a lot of issues, and I think one of the issues that needs to be addressed is the racist text messages that have been passed back and forth between PD members, not only talking about the community, but also talking about colleagues that work in the same department as them.
There is some argument about who actually invented text messaging, but I think it's safe to say it was a man. Multiple studies have shown that the average man uses about half as many words per day as women, thus text messaging. It eliminates hellos and goodbyes and cuts right to the chase.
I have a color-coded computer spreadsheet that divides things down to chapter fragments. Each character's point-of-view is a different color. The text of the manuscript is color-coded the same way. The last thing I do before submitting the manuscript is turn all those colors back to black.
It turns out you can train a neural network on a big body of text. It can be Wikipedia; it can be all the works of Charles Dickens; it could be all of the Internet. They can use grammar and put words together in interesting and convincing ways - and, I think, unexpected and beautiful ways.
There were a lot of publishers that I loved, so the book went to auction. An auction is where you sit nervously by your phone and eat potato chips for two days waiting for your agent to text you numbers of the highest bid for each round. I ultimately went with Dervla Kelly at Rodale Books.
For Russians, to whom Pushkin's poem 'Eugene Onegin' is sacred text, the ballet's story and personae are as familiar and filled with meaning as, for instance, 'Romeo' and 'Hamlet' are for us. Russians know whole stretches of it by heart, the way we know Shakespeare and Italians know Dante.
The way we're attached to our phones these days, they buzz and twitch in our pockets, and we have to look and see if it was a text, a voicemail, or an e-mail. We're almost like lab rats. I tried to eschew the whole cell phone theory until I had kids; then, I had to be reachable at all times.
Learning to read the Bible in the light of the times in which it was written is critical. Reading it uncritically, without understanding the cultural and historical setting of the text, leaves us forced to accept scientific and sociological norms of the ancient Near East from 3,000 years ago.
In any long string of letters, one can find countless anomalies that will seem like convincing proofs of hidden meaning to the mind that wants to believe that the text is somehow special. Numerological tricks, for example, can demonstrate that William Shakespeare wrote the 'King James Bible.'
In order to make Alma innocent and open, I had to forget that I'm stressed as an actress because I'm making a film with Paul Thomas Anderson. I had to let go of everything and hold onto the text. The language was like a rope I could cling onto and make my way blindfolded through the shooting.
We do not need a heavy theoretical thumb on the scales. What's important is how the traditional sources of law and legal interpretation - text, structure, history, canons of interpretation, precedent, and other well-established tools of the judicial craft - are prioritized, weighted, and applied.
Most of the dramatism in Wagner comes from a very close link between the music and the language of the text. So much of the expressivity of Wagner's music dramas comes from the singers' capacity to play with the sound of the language. This kind of thing you can do very well in concert performance.
How arrogant - how very far from humility - would be the self-satisfied, smug assurance that God, a tidy-up-after-us God will come and clean up our mess? Hope for a nanny God, who will with a miracle grant us amnesty from our folly - that's not aligned with either history or the text of the Bible.
When I'm writing the text for a book like 'Little White Rabbit,' I read it aloud, alone, in my studio, again and again and again - because the rhythm has to be exactly right. After I get my manuscript to the point where I think it is perfect, I begin to think about what I want the art to look like.
I wasn't brought up with any religion at all. At school and in my early 20s, I read every religious text I could get my hands on - Buddhist scriptures, Hindu texts, the Qur'an, and the Bible. I wanted to feel like something made sense to me, that there was something sacred I could feel aligned with.
Around the time I began starving, in the early eighties, the visual image had begun to supplant text as culture's primary mode of communication, a radical change because images work so differently than words: They're immediate, they hit you at levels way beneath intellect, they come fast and furious.
I like reading books with both hands, with my heart pumping, with blood on the page. So I'm interested in people who make stuff, and I'm interested in the lives that make the text. To read a book or watch a movie any other way, to me, personally, feels like a waste of time and misapplication of energy.
I tend to learn things physically - I guess it's my dance training. I never want to make too many choices too soon - so, while I am thinking about the character and thinking about her history, which is very vague in terms of what is given in the text, I am starting to have ideas about what her home is.
I remember, as a child, the confusion of not knowing what this place was where I was supposed to spend the night: it's a disquieting experience for a child. And what I would do was quickly unpack my books and go back to a book I knew well and make sure the same text and the same illustrations were there.
I used to dream of some kind of way that you could carry a phone with you - but I never thought I would see it in my lifetime. It doesn't matter nowadays if you are caught in traffic or got lost on the way somewhere. You can just send a text and the recipient will know that you haven't fallen under a bus.