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This paradigm of the war on terror, connecting all kinds of armed resistance around the globe in one huge ideological framework, as a new ideology at a stage in history when most of the major ideologies are gone, does not reflect the facts on the ground.
The Purple Man helps Matt understand that his powers are unique, and maybe he is cut out for the hero biz after all. And Mr. Fear challenges Daredevil's very philosophy; how does a Man Without Fear deal with a man who induces terror in everyone he meets?
On September 11 2001, America felt its vulnerability even to threats that gather on the other side of the Earth. We resolved then, and we are resolved today, to confront every threat from any source that could bring sudden terror and suffering to America.
From our perspective, trying to deal with this continuing campaign of terror, if you will, the war on terror that we're engaged in, this is a continuing enterprise. The people that were involved in some of those activities before 9/11 are still out there.
There is something wonderful about turning up every day and knowing that not just the character but the whole movie kind of rests on your shoulders. And there's great satisfaction when you think it's going well and then real terror when you think it's not.
That first morning that I woke up self-employed, terror quickly consumed me. I found myself sitting with my laptop and realized, for the first time, that I was entirely responsible for all of my own decisions, as well as the consequences of those decisions.
'Blue Velvet' changed my life forever. It was like I'd always read Chaucer and suddenly discovered Charles Bukowski. It made me understand that there is poetry of sublime ecstasy and dark terror, and it spoke to a side of me that hadn't been reached before.
I'm interested in the way that terror is almost a psychosomatic state. You may have suffered a small injury for a few seconds, but the rest of the year you're constantly on the alert, your injury is constantly with you - and I mean this on a city-wide scale.
The Metropolitan Opera, of course, is the gold standard in opera. The Met experience includes the huge stage, the vast audience, the elaborate sets. Anyone who saw 'Faust' there - I did - knows exactly what hell is like, complete with fire, smoke and terror.
Iraq is the central battleground in the war on terror. The terrorists certainly know what is at stake, which is why they are pulling out all the stops to derail our efforts there. They know that a free and democratic Iraq is a serious blow to their interests.
Israel was born under the British mandate. We learned from the British what democracy means, and how it behaves in a time of danger, war and terror. We thank Britain for introducing freedom and respect of human rights both in normal and demanding circumstances.
War in Africa is hardly a new phenomenon, nor are voices telling its stories of terror and triumph. Yet some of the continent's most devastating conflicts - and the literature born from the experiences of their survivors - have often gone unnoticed in the West.
I recall feeling an almost delicious terror when one day I found myself alone in the midst of tall June grasses that grew high as my head. But here the secret working of self consciousness is almost too entangled with the things of the past for me to explain it.
Where the stakes are the highest, in the war on terror, we cannot possibly succeed without extraordinary international cooperation. Effective international police actions require the highest degree of intelligence sharing, planning and collaborative enforcement.
Legitimate steps of self-defence which Israel takes in its war against Palestinian terror - actions which any sovereign state is obligated to undertake to ensure the security of its citizens - are presented by those who hate Israel as aggressive, Nazi-like steps.
So we mustn't lower our guard in any sense because of what has happened in terms of the death of Osama Bin Laden and we are certainly not doing that. The terror threat level here in the U.K. remains at severe and we're very conscious of the need to continue that.
It's extraordinary to hear waves of laughter after you've been playing something, night after night, to nothing. That's why I'm still hooked on acting: the terror of the possibility of things going wrong, the thrill when they go right, and the joy of the company.
I can't separate the fight with terrorism and the fight against global warming. These are two big global challenges we have to face up to because we have to leave our children more than a world free of terror; we also owe them a planet protected from catastrophes.
The greats are 'The Shining', 'Rosemary's Baby', 'Don't Look Now', 'The Exorcist' - those movies were not really slashers: they were about psychological terror and had very deep emotional backdrops. If we do our best, '6 Miranda Drive' can be that kind of a movie.
When a crime is committed, only the victim and the victim's close circle experience the event as pain, terror, death. To people hearing or reading about it, crime is a metaphor, a symbol of the ancient battles fought every day: evil versus good, chaos versus order.
Opening Iran up to foreign investment, increasing its oil exports, and unfreezing over $100 billion in assets means more money for Hamas for building terror tunnels in Gaza, more weapons for Hezbollah in Lebanon, more slaughter in Syria, and more violence worldwide.
Directing is mystifying. It's a long, long, skid on an icy road, and you do the best you can trying to stay on the road... If you're still here when you come out of the spin, it's a relief. But you've got to have the terror if you're going to do anything worthwhile.
I think baseball represents something closer to our experience. There's no clock in baseball; it's not over until it's over. It's like life in that there are prolonged periods of boredom and monotony, punctuated by intense moments of excitement and sometimes terror.
The war on terror, sometimes known as the 'Global War on Terror' or by the clunky acronym GWOT, became the lens through which the Bush administration judged almost all of its foreign policy decisions. That proved to be dangerously counterproductive on several levels.
Since 9/11, the Justice Department has been widely criticized for one particular tactic it uses in fighting the War on Terror: it detains suspicious persons for long periods of time and puts them under heavy questioning before they are ever even charged with a crime.
It is standard practice for corrupt leaders who are seeking a certain political outcome to hype or manipulate a terror threat or a threat of violent domestic subversion. While sometimes the threat is manufactured, frequently the hyped threat is based on a real danger.
To this day I have no idea what dissident professor or librarian placed feminist texts on the bookshelves at the university library in Jeddah, but I found them there. They filled me with terror. I understood they were pulling at a thread that would unravel everything.
I have to phrase this perfectly: I'm just not convinced that the attention we give to creating what we think of as a character isn't actually quite often the means by which an actor overcomes his own terror of standing there onstage and creating a mask to hide behind.
One of the chapters outlined in my book talks about the Iranian influence with Venezuela, these terror flights that go back and forth that we don't manifests on, and then nuclear material smuggled across our unsecure southwest border from Mexico into the United States.
America has lost the moral high ground with the rest of the world, and we have fewer allies as a result. President Bush and his administration have undermined the war on terror by using tactics outlawed by international treaty and condemned by even our closest friends.
If the United States had maintained its spending under Ronald Reagan, it is possible that the attacks of 9/11 - presaged by Islamic terror attacks on multiple American targets beginning with the first bombing of the World Trade Center in 1993 - would have been stopped.
On one level, bombing ISIS is easy. The U.S. knows where the group operates. There's no need for a ten-year hunt like the one for Osama bin Laden. The terror group has two capital cities: Mosul in Iraq and Raqqa in Syria. Al-Qaeda never had such an obvious home address.
This is now a global war on terror and, indeed, it is important, it is imperative that we win in the battles in Afghanistan and that we win in the battles in Iraq. And as the gentleman from Georgia has mentioned, this is not something that is going to be quick and easy.
My submission to you is we're fighting the war on terror not overseas but in our own streets, and we'd be spending vast more fortunes to try to be a defensive country to protect ourselves rather than an offensive country to spread democracy wherever people yearn for it.
The office of drama is to exercise, possibly to exhaust, human emotions. The purpose of comedy is to tickle those emotions into an expression of light relief; of tragedy, to wound them and bring the relief of tears. Disgust and terror are the other points of the compass.
We must learn the correct lessons from the U.S. war on terror, which, far from making the U.S., its citizens and interests safe across the world has only increased insecurity worldwide and has led to many more terror attacks on U.S. interests and citizens across the world.
Similarly, today, we do not know what will happen as we wage the War on Terror. We do know that we can count on the strong support from our closest ally and friend in the world in winning this war to secure our freedoms and the freedoms for all peoples throughout the world.
If you're too dangerous to buy an airplane ticket, you're too dangerous to buy an assault weapon. And, when we talk about the Second Amendment - I support the Second Amendment - but the Second Amendment was created and designed to prevent tyranny and not to encourage terror.
One of the downsides of working in antiquity is that you don't have many female voices, but you certainly have a lot of male terror about the potential of women's power. It shows you very clearly that the most oppressive cultures tend to be afraid of those whom they oppress.
The threats against me are not only in Holland, but outside the country as well. We are talking about very serious threats on the part of different terror groups, and when you are aware of the extent of the threats, it's only human to think that something will indeed happen.
I believe the war on terror is the vital discussion of this decade and of our generation, probably. To win the war on terror, you need a good offense and a good defense. On defense, I regret to say, basically, this administration has not come close to doing what is necessary.
If there will be a serious Palestinian prime minister who makes a 100 percent effort to end terrorism, then we can have peace. Each side has to take steps. If terror continues, there will not be an independent Palestinian state. Israel will not accept it, if terror continues.
Unfortunately, terror is now linked to immigration, and anyone with dark skin or a beard or a Muslim name is suspect. Russia, France, then the United Kingdom, and now even Germany have no qualms about going far beyond their borders to strike at the enemies of their countries.
The U.S. is friends with dictatorial regimes, then invades places like Iraq and Afghanistan, and what happens afterwards is a catastrophe. In the place of their leaders, fundamentalist movements that use the name of Islam spring up, and all that's left is terror and bloodshed.
True enough, Osama bin Laden is dead and other al-Qaeda leaders have joined him. But, the assassination of Ambassador Chris Stevens and three other Americans in Benghazi is a brutal reminder that radical Islamic terror groups have not disappeared and certainly are not dormant.
History is replete with ideologies of freedom, justice, liberation of the downtrodden and the exploited, that have been turned against the very people they had mobilised, or that have reproduced the same logic of exclusion and terror toward those whom they claimed to set free.
In our interconnected world, novel technology could empower just one fanatic, or some weirdo with a mindset of those who now design computer viruses, to trigger some kind of disaster. Indeed, catastrophe could arise simply from technical misadventure - error rather than terror.
I've wanted to act since I was seven. The year before, I'd been a munchkin in 'The Wizard of Oz' and was overcome with terror. The next year I just watched. My sister was in 'The Little Mermaid' and I had this deep knowing that I needed to be there on stage, not in the audience.
It is time for Iran and other stakeholders to begin to address the causes of tension in the wider Persian Gulf region. We need a sober assessment of the complex and intertwined realities here and consistent policies to deal with them. The fight against terror is a case in point.
If a work of art is rich and vital and complete, those who have artistic instincts will see its beauty, and those to whom ethics appeal more strongly than aesthetics will see its moral lesson. It will fill the cowardly with terror, and the unclean will see in it their own shame.