Quotes of All Topics . Occasions . Authors
In the 1970s, family history wasn't yet thought of a serious field for study. I was terrified of being laughed at by other historians. I called my book 'The Social Origins of Private Life.' It should have been 'As Pompous as You Want to Be.' Every sentence was academic jargon, and if I said X, I qualified it with Y.
When you're in a band with three writers, three great writers, you only get one third of the writer thing. So that's the whole reason that I did a solo career. And that's, you know, when I told Fleetwood Mac I was going to do that, they were of course terrified that I would do that record and then that I would quit.
I don't want to say I took myself too seriously, but I put a lot of pressure on myself coming out of school. I saw so many people leave the business behind, certain opportunities disappear for folks who had to go into other professions. That kind of terrified me. As a result, I wanted things to happen really quickly.
I was terrified of being on camera. I was worried that whatever I would say, people would assume I'm speaking for every Muslim, every Pakistani, or every Middle Eastern person. That's a lot of pressure. But it also got me excited about what could be done, because I am a representative for people who are underrepresented.
I'm a good Canadian girl. I miss all that good stuff. I miss tobogganing and I miss snowboarding, but I've also learned to surf and I've become a water baby which I used to be relatively terrified of the water and I kayak all the time now and I'm able to run year round on the beach which you can't obviously do in Canada.
I'm terrified at the prospect of Donald Trump becoming president. I think he's disgusting, he's offensive. I think that it would be embarrassing for our country to have him sit down with world leaders and try and have a conference or even take a photo op. So we'll see what happens, but it's a very pivotal time in the U.S.
Certainly with a book, people are going to be able to read it and give themselves permission to have that delicious feeling of being terrified because they're in a safe place while they're reading. That's what you can rely on as a writer, that people can let themselves be really frightened because they're really all right.
I've never had much interest in spinoffery - the idea of writing in someone else's universe generally leaves me cold - but 'Doctor Who' is different. I've grown up with it. It's been part of my life since I was tiny, watching Jon Pertwee on a grainy black and white television in Cornwall and being terrified out of my mind.
It's a funny thing when you think you're dead. You're not terrified of it anymore. There's a sort of a epiphany to religious thing; it's not sort of church-based, but you end up with a serenity which you didn't have before, and I just simply enjoy it. It really does sound stupid, but I've got to tell you it's made my life.
I've gone skydiving twice. I was terrified about doing it, but I wanted to overcome that. The first time, I did it with my parents and I remember that they had already both jumped out, and suddenly it was my turn. And I thought, 'Well, I don't want to be an orphan,' so I guess I have no choice, and I jumped out of the plane.
My stepmother appeared when I was about 9. My brother was sent off to an institute in Scotland & my sister & I were sent to school. As my stepmother's ideas were then wholly Quaker, mixed with a naive & charming innocence & a little snobbery, it was one dotty epoch on top of another. I always remained terrified of my father.
Writing, to me, is like kayaking a river. You are paddling down, and you come to a walled-off canyon, and you make a sharp turn, and you don't know what's around the corner. It could be a waterfall, it could be a big pool. The narrative current carries you. You're surprised, and you're thrilled, and sometimes you're terrified.
I have a voice inside. A voice that I am forever trying to silence. A voice that calls me in when I want to be out, playing. A voice that is always sad. That is always terrified. That always wants to sit in the darkened room, away from noise and movement and colour - away from any experience that could prove to be challenging.
The truth is, when I started to make films, I was terrified. I had a huge difference in what I was writing in the screenplay and what was on the screen after. Sometimes there was a big gap. Now, the more I have experienced, the more I do movies, the more I feel that the dream is closer to the screen. It's coming with experience.
I never thought it was fair that women couldn't travel freely because it was dangerous. I'd stay by myself on the North Carolina coast for a couple of weeks, with my dog and my gun, and my mom would be terrified. I told her, if I stay home, a lamp could fall on my head. You can't spend your whole life inside because you're scared.
One night, I lay awake for hours, just terrified. When the dawn finally came up - the comfortable blue sky, the familiar world returning - I could think of no other way to express my relief than through poetry. I made a decision there and then that it was what I wanted to do. Every time I pulled a wishbone, it was what I asked for.
Especially after the Twin Towers, we're so terrified of 'Arabic' people. And talk about stereotypical negative portrayals of people of certain groups, if you look at the portrayal of Arabic people in Hollywood films, it's just appalling. They've always been just the easiest of targets - along with native Africans and what have you.
With the accent, it's an internal dialogue that Southerners have with themselves. We kind of carry around that shame, that feeling of being inferior to the North. I think I did lose some of the accent for a while. Because when I was a graduate student, I was terrified at having to get up in front of a roomful of smart New York kids.
To be honest, I was the world's worst vegetarian. You see - I didn't really like vegetables very much. I'd spent most of my childhood terrified of them - horrid bland mushy things. It's only as an adult I realise that part of the problem is my mother's cooking - she hates using salt and has a tendency to overboil things. Thanks, Mum.
We played one warm-up gig at this bar that was kinda like that bar in 'The Blues Brothers' with the chicken wire. This place called The Brick House, in Housatonic. I really can't believe we're going to play for people in New York City. I'm terrified, but it's a small enough room. But it's really just supposed to be for the fun of it.
A lot of parents today are terrified that something they say to their children might make them 'feel bad.' But, hey, if they've done something wrong, they should feel bad. Kids with a sense of responsibility, not entitlement, who know when to experience gratitude and humility, will be better at navigating the social shoals of college.
Before I sat down and became a writer, before I began to do it habitually and for my living, there was a decades-long stretch when I was terrified that it would suck, so I didn't write. I think that marks a lot of people, a real terror at being bad at something, and unfortunately, you are always bad before you can get a little better.
I just think there are a lot of celebrities who don't feel that they have a voice. A lot of actors come from a place of fear, and that's just a general statement about actors. You're terrified the casting director won't like you, you're terrified the producer won't like you, you're terrified the director won't like you, and on and on.
I remained quiet about the climate disinformation campaign because I was afraid of losing friends and funding. The few times I summoned the courage to defend climate science from those who misrepresent it I suffered harsh consequences. And so I mostly stood by and did next to nothing as my fellow environmentalists terrified the public.
I have mostly been terrified of listening to scary stories around a campfire. We camp a lot as a family, and at night my dad would try and tell us scary stories. This made eating s'mores difficult. The story would start with something like... 'and the old man who lived in these woods...' I would then run back into the camper terrified.
I always felt that if someone shot me, it would be great for the environmental movement, because they would make me a martyr. Our biggest fear was our children, because there was a tremendous amount of threat and intimidation, and my wife was terrified that the children might be grabbed or assaulted in some way. That was the real fear.
I never pursued anything in terms of performing comedy until I was in my twenties. I was basically forced into it by a couple of my friends who were starting a sketch troupe and thought I'd be good at it. I was kind of terrified by it, but I gave it a try. I am so grateful to those guys for believing in me and viciously twisting my arm!
I've done a couple of conferences where you sit and sign autographs for people, and then you have photographs taken with them and a lot of them all dressed up in alien suits or 'Doctor Who' whatevers. I was terrified of doing it because I thought they'd all be loonies, but they are absolutely, totally charming as anything. It's great fun.
I think it was in sixth grade, though, when I picked up my first Stephen King book, which was 'It,' that knocked me over and terrified me for years. Then I never went back. I had to own every Stephen King book and read them at least three times. They would terrify me completely, but I couldn't stop. That became my preferred source of fiction.
Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story.
For me, the natural world is always telling big stories about humongous scales of time. And I often feel simultaneously terrified and humbled by those scales and in awe, and delighted that I get to be here; that I'm lucky enough, that we are lucky enough to get experience these things for the tiny finger snap of time that we get to be on Earth.
There were times at the start of it all when I would be standing, terrified, in front of the cameras and people I considered 'real' actors. I had no idea what was happening, what the guy with the clipboard did, or if people in the studio were looking at me because it was their job to look at me or because they thought I was making a mess of things.