Quotes of All Topics . Occasions . Authors
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
Most girls spend most of their time at school. If real change comes from hearing our voices, it has to start in school, but school is a place where black girls tend to experience microaggressions. Microaggressions are not always obvious, ugly, or terrible things, but they make you feel as though your voice does not matter.
I dropped out of school to play poker, and at 21, I moved from Toronto to try my luck as a pro in Vegas. I ate the typical meat-heavy diet of most poker players in the '90s: burgers and steak, along with French fries, mash, and a bucket-load of wine, beer, and vodka. There was nothing fresh in my diet, and I felt terrible.
I don't just live in a bubble in Los Angeles. I'm on the road all the time. I say hello to people everywhere. That way, you get to see what despair is around the holidays. People are making terrible choices: Do I have heat in the winter or food on the table? Decisions between filling the gas tank or buying a gift for a kid.
I realised after doing 'Tanu Weds Manu' that I had become fat and was not performing to the mark. I realised that I had become a terrible actor. I did 'Jodi Breakers,' which did not do well. So, I moved away from the film industry and lived with the common man to know where I was lacking and what do they want from an actor.
The conditions were terrible. The farmworkers were only earning about 70 cents an hour at that time - 90 cents was the highest wage that they were earning. They didn't have toilets in the fields; they didn't have cold drinking water. They didn't have rest periods. People worked from sunup to sundown. It was really atrocious.
The first 10 years of my life, I lived as 'Matangi.' When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name. My auntie came from Europe to visit us, and she was like, 'Just call yourself something else.'
I was the executer of our mother's trust. She asked me to hold onto the house for 10 years and then sell it. I think that was because it was so hard to face dying and think of all her most prized possessions no longer being a part of our lives as well. Business wise, it was a terrible investment, because we were losing money.
Of the Queen tributes, some of them are very funny, and some of them are really not funny at all. The terrible ones are cheesy and pantolike, more about dressing up in a Brian May wig and a Freddie Mercury moustache, and what they're missing out is the fact that the music is quite complicated and actually not easy to perform.
Bill Phillips was this nervous, chain-smoking student. He had signed up to be an engineer, he had gone away to fight in the Second World War, he had come back. He had switched to sociology because he wanted to understand how people could do these terrible things to each other. And he did a little bit of economics on the side.
I'm not resigned, but I'm realistic too. The statistics in my case are very poor. Not many people come through esophageal cancer and live to talk about it, or not for long. And the other wager is, the part of the wager, it's a certainty you'll have a terrible time and you may wish you were dying because it's an awful process.
If the script's good, everything you need is in there. I just try and feel it, and do it honestly. I also don't learn things for auditions, because I feel like it's just a test of memorizing rather than being real. Maybe every other actor would think that was terrible, I don't know. But it seems to have worked for me, so far.
I was a gymnast when I was younger. My parents put me in gymnastics, and I was actually only good at the floor. I was terrible at everything else, especially beam. Unfortunately, you can't be a gymnast unless you're good at all of the apparatuses, so I became a competitive cheerleader. I was just the main tumbler for my squad.
There's this weird game called 'Blueberry Garden.' For that game an artist recorded some piano music, but evidently he only had a really terrible microphone on top of the piano, and I really liked it and wanted to experiment with that. So, I made piano recording and really mangled it, and kept experimenting with the technique.
The 'Law & Order' audition was so last-minute. I was already in a shabby suit, the journey was a complete disaster, my train stopped early, it was raining, and I had to show the cabbie the way... I rushed in apologising, gave this terrible reading, and ended up telling my whole journey to them. I must have bored them to tears.
I try to be as optimistic as I can. I feel like that's the beautiful thing about art and music. It can take you places, and they can be a positive influence. A very soothing influence. Honestly, I feel like there's enough pain and terrible things that happen in life. That's beautiful thing in art, you can really idealize things.
Terrorists are not bad; they are limited by circumstances. They are human beings. I am very, very, very sad when they explode themselves and kill 40 to 60 persons. It's terrible. But also, I am sad for them, a young person who lost his whole life. It's terrible. They are limited by religion, by politics, by economical interests.
Drama's not safe and it's not pretty and it's not kind. People expect the basic template of television drama where there might be naughty villains, but everyone ends up having a nice cup of tea. You've got to do big moral choices and show the terrible things people do in terrible situations. Drama is failing if it doesn't do that.
Social Security is an insurance policy. It's a terrible investment vehicle. Social Security has some great benefits. But it was never meant to be a savings plan. So we need to have a national debate. Should this 12.5 percent that we're contributing all go into a Social Security pool, or should half go into a mandatory savings plan?
It makes sense that we came up with our public school system during the Industrial Revolution because it's like everybody is a factory worker, eating their terrible food and going back to the room where you're silent and listening to an idiot. That's an epitomizing idea, getting called 'Nothing' for your whole high school experience.
'The Accursed' is very much a novel about social injustice as the consequence of the terrible, tragic division of classes - the exploitation not only of poor and immigrant workers but of their young children in factories and mills - and as the consequence of race hatred in the aftermath of the Civil War and the freeing of the slaves.
Being in school, whenever I laughed or smiled, I would turn to find someone staring at me with this terrible hatred and disgust. I had to control everything - control my voice, control my facial expressions, control my hair and my clothes, and where I walked and where I sat - at every moment. I think that drove me to terrible anxiety.
I was often looked at as a leper by kids at school because I was a Jehovah's Witness. They didn't like it - you were 'weird'. And on Saturday mornings, you'd be knocking at their doors. I remember standing there with my mum and dad, thinking, 'Oh my God, I know whose door this is, and I'll have to see them on Monday.' It was terrible.
Life is a series of baby steps along the way and if you add up these tiny little steps you take toward your goal, whatever it is, whether it's giving up something, a terrible addiction or trying to work your way through an illness. When you total up those baby steps you'd be amazed over the course of 10 years, the strides you've taken.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.
There was kind of a no-nonsense parenting style that my parents had that was true of the time. Everything now... there are books, and there are websites, and there are blogs, and you're reading, and there's research. We're such an interconnected world now, and half the stuff they did was pretty terrible, but we somehow turned out fine.
I had often sought for the peace there is in Christ, but I could not seem to find the freedom I desired. A terrible sadness rested on my heart. I could not think of anything I had done to cause me to feel sad; but it seemed to me that I was not good enough to enter Heaven, that such a thing would be altogether too much for me to expect.
I think the least important thing about science fiction for me is its predictive capacity. Its record for being accurately predictive is really, really poor! If you look at the whole history of science fiction, what people have said is going to happen, what writers have said is going to happen, and what actually happened - it's terrible.
My first 'Daily Show' piece was pretending I had this terrible immigrant journey, so I went to talk to an immigration lawyer who would help out people, and I ran into him in Penn Station about three months after I'd gotten the green card. I said, 'I got my green card yesterday.' And he hugged me because he understood that level of relief.
Melissa Barak, an ex-City Ballet dancer and sometime choreographer, has put together an unspeakably dopey and incompetent mess called 'Call Me Ben,' combining ultra-generic dance, terrible dialogue and disastrous storytelling, about the founding of Las Vegas by the gangster Bugsy Siegel, who insists, violently, on being addressed as 'Ben.'
Wherever I went, I became a son-in-law. It was a terrible phase for me. I had to work double hard to get back my identity. Whenever I gave an interview, the first question would invariably be, 'What is it like to be his son-in-law?' Now that question comes somewhere in the middle of the interview. Hopefully, soon, it won't be asked at all.
There are terrible, terrible memories of September 11th, things that I saw, people that I lost, the devastation, the identification of bodies. I mean, all these memories come back to you at different times. And then the other side of it this tremendous response with the firefighters and the police officers saving people, the rescue workers.
The CD is now the wax album and so it is a collector's item for people who collect music and love to look at the liner notes and feel paper. I don't know what would turn them on about having to go through that terrible exercise of trying to open the packaging - it's unbelievable when you're trying to open a CD, right? You need a box cutter .
The 'victim to victory' theory is that, if you listen to the radio, a large percentage of the hits are... about victim to victory, like, 'I'm having a terrible time.' And then the pre-chorus is, 'I don't know what's gonna happen next.' And the chorus is, 'Now I'm brilliant, and everything is great, because something happened to make it great.'
Our Heavenly Father loves us. He sent His Only Begotten Son to be our Savior. He knew that in mortality we would be in grave danger, the worst of it from the temptations of a terrible adversary. That is one of the reasons why the Savior has provided priesthood keys so that those with ears to hear and faith to obey could go to places of safety.
Certainly what happened to the dinosaurs was not good - that was a terrible day for the dinosaurs, very sad. But I have to say, there are a lot of threats we face as people and, as someone who lives in Los Angeles, I'm personally more likely to die from driving on the freeway than I am from an asteroid, so you have to put that risk in perspective.
I've been asked this question about playing the baddie so many times. When I read the script, I said, 'Of course this guy has done terrible things, but he's a human being first,' and that's what I'm attracted to in a part like this. It doesn't make any sense if all of a sudden the guy is horrendously bad and that's it. You can't relate to him or understand him.
Most people consume information passively-whatever they're being fed. They're being fed Russian television, which tells them that in the 90s there was a terrible catastrophe, that before that life had been all right, and then when Putin came many people say, "I've never lived as well as I'm living under Putin." That's true-there has never been such a level of affluence. But now, it looks like people will have to tighten their belts, and some are already having doubts.
You don't get a lot of life milestones in show business. It's really difficult to make things, and a lot of times you don't know you're at the end of something. With Mr. Show, I was only a writer and we knew we were going into the movie, and we thought, "Okay, like Monty Python, we're going to make five movies." And we didn't know it was the end. So it ended up being a bummer and such a terrible ending for Mr. Show. We never got to feel like, "Wow, we did it! We did something."