I was born in 1950, so there were tons of Westerns on TV by the time I was 6, 7, 8 years old. In terms of television, 'Maverick' and 'Have Gun - Will Travel.' But filmically, classics like 'High Noon' and 'The Man Who Shot Liberty Valance' - that's one of my favorite films.

One of the most important things for me in terms of my working method is doubt. I get very insecure about my ideas. And I don't say 'insecure' in kind of a paranoid way. I mean just: 'Are they good enough?' 'Is this the right thing to do?' I really beat myself up over that.

Many progressives understand Scalia, and other conservative judges, in crassly political terms - as opponents of affirmative action, abortion, gun control, and campaign finance legislation. But what Scalia cared most about was clear, predictable rules, laid down in advance.

Today, there are more opportunities for writers in terms of access to larger success, but it's more difficult to publish a literary novel in the lower ranges. In other words, you almost have to hit a home run. You can hit a triple, maybe, but nobody's interested in a single.

Part of what makes you great as a young player can hurt you at the end of your career, in terms of you need a certain amount of ego, a certain amount of arrogance to be able to play well and to push yourself and trick yourself into thinking you're better than you really are.

I'm an anarchist. I'm implacably opposed to heirarchical systems of power and control. I also mistrust crowds, as they often operate according to their lowest common denominator. In terms of evolutionary psychology, the crowd is very close to a herd of stampeding wildebeest.

Stand up for yourself and fight for your right to be the artist that you want to be. There's plenty of pressure from outside; people tell you how to dress and how to sing or what to sing, but I always felt like if I'm going to fail or succeed, I want to do it on my own terms.

For so long, black conservatives have not been able to have a voice; people who have bi-racial children, people in bi-racial relationships, it has been so black and white. I blame Obama. His eight years in office did a lot of damage in terms of race relations in this country.

I think I fall into a lot of cracks in terms of I'm too something. I'm too this, I'm too that. And my music has never really had a home. I've been this floating alternative. I'm too mainstream for alternative. I'm too alternative for mainstream. And I'm just kind of wandering.

I don't think in terms of that bizarre tautology 'value for money' in my literary and journalistic work - and nor will I in my academic role. However, if I don't believe I'm helping my students towards a fuller and more empowering relationship with the world, then I'll resign.

I just kind of went into the blue-collar workforce at a really young age and discovered music, in terms of being a musician, around the same time. The good news is, I was probably 17 when I knew that's what I was going to do with the rest of my life, no matter what that meant.

'FlashForward' is definitely not a sci-fi show. It doesn't have the mythology of 'Lost.' We have one major event that happens that you are asked to buy into. After that, you're dealing with very human ripple effects - how people deal with it and how they come to terms with it.

We played in a number of these neutral site games, I would call them, whether it's a playoff game, a bowl game, or one of these kickoff classic type things, which I think is helpful to, you know, our players in terms of playing some place that's not really a home game for them.

I learned by watching my favorite shows. I would just rewind and say the words back, until they sounded right to me. I never studied the American accent, in terms of getting a teacher or taking phonetics classes. I've always been a good mimic. It really wasn't that hard for me.

Everything you write makes you better. But if you really need a tip, here's one: a good story begins in opposition to its ending. That means you work out how it finishes first, and then begin the story as far away from that point - in terms of character development - as you can.

Everyone with a cell phone thinks they're a photographer. Everyone with a laptop thinks they're a journalist. But they have no training, and they have no idea of what we keep to in terms of standards, as in what's far out and what's reality. And they have no dedication to truth.

I think, for a while, there was a kind of debate about whether you could bring back Negro and reclaim it, and then it was black versus African American; now I have noticed in conversation that black people will use all three terms depending on context. I don't advocate one term.

Something I've always written about is social expectations: that the eyes of the community are on you all the time, expecting you to line up with certain social norms, certain behaviours. Whenever you forgot about them, they'd be strongly reiterated to you, in no uncertain terms.

Affirmative action was designed to recognize the uniquely difficult journey of African-Americans. This policy was justifiable and understandable, even to those who came from white cultural groups that had also suffered in socio-economic terms from the Civil War and its aftermath.

I love Australia; it was a really, really nice experience for me. It's such a beautiful place. The people are beautiful - like, really beautiful - and they are beautiful in terms of their personalities. It's a great place to be. It's like you are in a little bit of a dream world.

In terms of the actual curriculum for management education, my own view is very simple-minded: The world is incredibly complex, it changes all the time, and we should not even hope that we could create a general model that accurately describes the world in all its possible states.

I have so much going on inside my head in terms of writing, there's such a large space in my life taken up by that. I can't imagine it being taken up by a husband and children and writing, and everything getting its due. I don't believe there is room for all of it. I really don't.

Maybe I should say that memory interests me a great deal, because I think we all tell stories of our lives to ourselves as well as to other people. Well, women do, anyway. Women do this a lot. And I think when men get older, they do this too, but maybe in slightly different terms.

Painter after painter, since the beginning of the century, has tended toward abstraction. First, the Impressionists simplified the landscape in terms of color, and then the Fauves simplified it again by adding distortion, which, for some reason, is a characteristic of our century.

The terms of copyright last far too long: either the life of the author plus 70 years after death for a personal work or 95 years for a corporate work. That length doesn't encourage more authorship - it merely limits the speakers who could share powerful speeches, books, and films.

The danger of what's happening right now in terms of using reconciliation is, the purpose of the Senate is going to be defeated. And that is to bring consensus to big issues in this country so that we have a reasoned and thoughtful approach and that the American public buys into it.

Everybody has their own rules, and so do I. I have always lived on my own terms. As far as mistakes are concerned, I've made them and acknowledged them as mistakes, not regrets. I consider my life a success. There's nothing that I would re-do. I've always done what I felt was right.

The idea of 'advice,' in terms of telling people advice or asking people for advice, has become not comprehensible to me, to a certain degree, due to feeling, like, for something to be accurately defined as 'good' or 'bad,' I would want to know the context, goal, perspective for it.

I like human stories. I like stories about situations we can relate to. I like movies like 'Ordinary People' or 'Terms of Endearment.' Mothers and daughters, fathers and sons, boyfriends, girlfriends. The stories to me that are worth telling are almost simple ones, but very relatable.

Please look at the response to Windrush, and the apology, in terms of trying to put things right and, secondly, the bigger picture about how this government has been committed to trying to deal with the injustices in society, some of which matter more to people from ethnic minorities.

The dirty little secret is that I grew up in a household where there were no carbohydrates allowed, ever. No cookies, no bread, no potatoes, no rice. My mother was very extreme in terms of what she served. Since I left home more than 40 years ago, I've been making it right for myself.

I basically look like a lot of modern Orthodox people you know, but I work on a TV show where I sometimes have to kiss Jim Parsons. That's why I don't take on the title of modern Orthodox, but in terms of ideology and theology I pretty much sound like a liberal modern Orthodox person.

Talking about Apple v. Microsoft without mentioning the Internet and the browser is like talking about WWII without talking about the nuke. Framing the conversation just in terms of open v. closed operating systems, the quality of the hardware or software or who the CEO was, is silly.

Prophets of doom have always taken risks in terms of ridicule and humiliation. If you stand on a street corner holding up a sign that reads 'The End Is Near,' passersby will laugh and heckle. People will say you're like Chicken Little, running around telling people the sky is falling.

The role of a goalkeeper in Pep's team is like the 11th outfield player on the pitch, in terms of the build-up, the pressing. I think it's more difficult. There is a bigger responsibility because you can't afford to make any mistakes. If you do, it probably ends in an opposition goal.

I'm a New Zealand actor, and I really want to be doing our stuff here, and our stuff includes plays from overseas. In terms of survival, maybe I should have taken a shot elsewhere at some point, but it gets back to the same theme - we should have our own people telling our own stories.

I'm enormously interested to see where neuroscience can take us in understanding these complexities of the human brain and how it works, but I do think there may be limits in terms of what science can tell us about what does good and evil mean anyway, and what are those concepts about?

Music is my first love and the thing that I feel extremely connected to. I feel like I still have a long way to go within that in terms of being able to perform and write songs. But, yeah, I really hope 'The Possession' opens doors for me to do more acting, because I really enjoyed it.

Whether history will view Ronald Reagan as a great president depends, more than anything else, on one question: how much credit does he deserve for the fact that the Cold War ended far earlier than almost anyone suspected - and on terms that Americans had fantasized about for 45 years?

Sometimes you can't fight change, because you're a part of it, and I feel that in the context of these films that are happening now, there is a kind of change coming in terms of how history is represented on film, and the African, and the African-American and British African experience.

When you're the younger guy, you're kind of only looking after yourself. Obviously you have to be a bit selfish in terms of what you're doing. But when you're the older guy you have to look out for the younger guys as well. If they're making mistakes, they need help, then you help them.

What is fascinating to me is the way I view everything in terms of parallels and connections. When I read about Achilles and Odysseus in Homer's 'Iliad,' I can see parallels in Chinese historical romances, in the way the first emperor of the Han dynasty and his chief rival are portrayed.

Museums are managers of consciousness. They give us an interpretation of history, of how to view the world and locate ourselves in it. They are, if you want to put it in positive terms, great educational institutions. If you want to put it in negative terms, they are propaganda machines.

The Heartland Institute, which people mostly only know in terms of the fact that it hosts these annual conferences of climate change skeptics or deniers, it's important to know that the Heartland Institute is first and foremost a free market think tank. It's not a scientific organization.

Legally speaking, the term 'public rights' is as vague and indefinite as are the terms 'public health,' 'public good,' 'public welfare,' and the like. It has no legal meaning, except when used to describe the separate, private, individual rights of a greater or less number of individuals.

I'm of those who believe that excesses in all matters are not a good idea, whether it's formation of bubbles, whether it's excess in the financial market, whether it's excess of inequality, it has to be watched, it has to be measured, and it has to be anticipated in terms of consequences.

There's this old Frank Sinatra song: 'If you can make it here, you can make it anywhere'... that song was about New York, but it applies to America. People know that if you make it in America, you can make it anywhere, and that is both in terms of sophistication and customer satisfaction.

'Globalization' has become the great tag phrase, but when we talk about it, it's nearly always in terms of the global marketplace or communications technology - either data or goods that are whizzing around. We forget that people are whizzing around more and more. On them, it takes a toll.

I just like the lineage and the heritage and the fact that British dance music is still progressing. I'm from London; I love London, and I wouldn't know how else to show that love in musical terms. There's something about British stuff that's a bit faster, a bit harder-hitting. Just tough.

Worldly influences would hinder use of our agency afforded through the Atonement of Jesus Christ. But we are agents who can act, and that affects everything in terms of how we live the gospel in our daily lives. It affects how we pray, how we study the scriptures, how we worship at church.

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