I am a tenor buff. I hear myself.

I play saxophone, I play tenor sax.

Franco Corelli is my favorite tenor.

The tenor voice should be like sunshine.

I wanted my voice to be a tenor sax, really.

I'm a farmer with a mandolin and a high tenor voice.

We must demand a more civil tone and tenor in our politics.

A superb tenor voice, like a silver trumpet muffled in silk.

Then, of course, I played alto and tenor, wherever there were jobs.

My father was a Norwegian tenor and my mother a New York Irish librarian.

Even in today's opera world, the position of the black tenor is problematic.

When I sing, I want people to think only about the tenor and only about the music.

The baritone can serve functions that the alto and tenor cannot, in orchestral voicing.

I made the tenor sax - there's nobody plays like me and I don't play like anybody else.

People have been upset about the tenor and discord in Washington for a really long time.

Only the French, I guess, really use tenor and alto to any great extent in the orchestra.

I kinda always wanted to be a tenor player, but I'm a small guy, and tenor was just too big.

When I was a young man, I was a baritone, very far from possessing the whole range of the tenor then.

These close losses, when they stack up, two, three, four, five in a row, they change the tenor of a season.

An artist must be a reactionary. He has to stand out against the tenor of the age and not go flopping along.

God smiled on me in every sense. I was born a tenor, and you know what that means. Tenors are a rare commodity.

Fiction is to the grown man what play is to the child; it is there that he changes the atmosphere and tenor of his life.

When I started studying tenor saxophone as a kid in Belfast, I did so with a guy named George Cassidy, who was also a big inspiration.

When I was in grade school and high school, I did a lot of chorale singing. And the chorus would be tenor, bass, and alto and soprano.

You know what I do on Sundays? I sing in a choir. I sing in a Greek Orthodox choir, and I'm the only hillbilly tenor in the Orthodox Church.

When I make films, I don't think of any other directors or their work in terms of the rhythm of the editing or the tenor of the performances.

First off, you can't replace Bobby Hatfield. I was just blessed to be able to sing with maybe the greatest singer in the world as a first tenor.

The tenor of the comments as we got closer and closer to August got dominated by 'Wouldja please get this over with' and not let us go into default.

When I was very young, I started trying to sing like the great tenor Mario Lanza; my family used to play his records. We all learn best by imitating others.

In reply, I can only plead that a discovery which seems to contradict the general tenor of previous investigations is naturally received with much hesitation.

Some people say there was no jazz tenor before me. All I know is I just had a way of playing and I didn't think in terms of any other instrument but the tenor.

I'm not a trained musician. When folks talk about 'Well, you go to this or that' - the tenor, or the third part - I don't really know what they're talking about.

'The Sopranos' only reflected the tenor of how things are done in New Jersey. They didn't invent it. And I say that as a fan of both 'The Sopranos' and New Jersey.

You have to make a choice when you start to sing and decide whether you want to service the music, and be at the top of your art, or if you want to be a very popular tenor.

You got to play the flute as a flute, like that. You can't play like a tenor concept on soprano; it sounds wrong. But some guys do it, and they think it's O.K., but not so!

When I stepped down from the evening news at the age of 65, in '81, things were still going well. Immediately after that, the whole tenor of the CBS News Department changed.

The soprano has all those other instruments in it. It's got the soprano song voice, flute, violin, clarinet, and tenor elements and can even approach the baritone in intensity.

I don't have that kind of voice, the big baritone or rousing tenor sound. My wheelhouse was in the frothier pieces. So my appreciation for those older musicals and revivals grew.

The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. The challenge is to sing on an imperfect instrument that is outside of your body.

I don't know what I was trying to get out of a tenor - but it never really satisfied me until one day I picked up my alto and I said, 'Where have you been?' and I said right here for now on!

My family was very encouraging, and both of my grandparents were both beautiful singers. My grandmother was a coloratura soprano, and my grandfather was an Irish tenor in a barbershop quartet.

They would wake me up when I was sleeping, and say sing a song for our friends. I had a sweet voice, I had a nice little tenor voice. God knows what I sang, but my whole family would admire me.

I've been listening to jazzmen, especially saxophonists, since the time of the early Count Basie records, which featured Lester Young. Pres was my first real influence, but the first horn I got was an alto, not a tenor.

The cello is a hero because of its register - its tenor voice. It is a masculine instrument, whereas the violin is feminine because of its soprano pitch. When the cello enters in the Dvorak Concerto, it is like a great orator.

I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.

Bud Johnson, God rest his soul of fame, a tenor saxophonist. Bud was always a big, big, big booster of mine and he always when I first met Bud in Pittsburgh when he came through there, he heard me sing and he wanted me to come to Chicago.

Whenever I open a book about jazz, I turn to the index and look for Lennie Tristano, the incredible pianist; Lee Konitz, the luminous alto sax player; and Warne Marsh, the tenor player who captured some of the most beautiful sounds in the world.

When I hear that young people have come to the theater for the first time to listen to opera, I'm very happy. Because it's the same thing that happened to me as a child. When I first heard the tenor voice, I immediately fell in love with this kind of music.

I got to sing with Placido Domingo... I got to sing with Aaron Neville, who is one of my favorites. Got to sing with Brian Wilson, one of the great high tenors. And Ricky Skaggs, a bluegrass tenor. I'm also proud of my musical friendship with Emmylou Harris.

As much as I love creating entertaining visuals, I love toying with the pace of a movie and trying to perfect that. It's imperative to the impact: faster cuts, cuts at the right moments that meld with the tenor of a scene. Creating and maintaining that feeling.

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