Quotes of All Topics . Occasions . Authors
Let's not mince words: Everest doesn't attract a whole lot of well-balanced folks. The self-selection process tends to weed out the cautious and the sensible in favor of those who are single-minded and incredibly driven. Which is a big reason the mountain is so dangerous.
The discussion about energy options tends to be an intensely emotional, polarised, mistrustful, and destructive one. Every option is strongly opposed: the public seem to be anti-wind, anti-coal, anti-waste-to-energy, anti-tidal-barrages, anti-carbon-tax, and anti-nuclear.
America tends to assume Silicon Valley-style innovators can drive quick and transformative changes, but even Silicon Valley's would-be masters of the universe have discovered that energy transitions are subject to time spans and technical constraints that defy their reach.
When you're an athlete, you've got the horse blinders on pretty thick. Your exploration of other things in life tends to be limited because you have to have such a focus on what you're doing. I wasn't a good enough player to stray from that focus and still keep my ability.
The State Department has promised they will never have another temporary mission facility like the one in Benghazi that is so lightly protected. But at the same time, history tends to repeat itself here, and so it might not repeat itself in exactly the same way as Benghazi.
The problem with the focus on speculators, as was demonstrated during the financial crisis, is that it tends to divert attention from the real villains. During the financial crisis, the villains were the actions of the banks, not the speculators betting on bank share prices.
I'm a comedian, and I have my share of anxiety and depression; so do most of my friends. My humor tends to lie in the juxtaposition of extreme lightness - I'm a huge musical-theater fan - and extreme darkness. And so I really like playing with those because that's how I feel.
Every patient tends to bury the most important story inside some other story, just the way new writers often 'bury the lede.' 'Burying the lede' is an old journalism term for when you only find out the real point about halfway into the article, but it also applies to therapy.
I'm not an actor that tends to care. I don't ask 'Is this a close up? Is this a master? Is this a wide? What are you doing? If I look up and notice the camera I go 'Oh, it's a big one today, must be an IMAX.' And that's kinda it for me because it doesn't affect what I'm doing.
Conventional wisdom suggests the primary motivator for entrepreneurs is money or wealth creation and, in fact, much of the political debate tends to center around what kind of tax or regulatory policy changes will turn corporate suits into small business adventurers overnight.
Unfortunately, there tends to be an easy way of doing things in life and the Haskell way. As a 12-year-old I knocked my front teeth out while chasing a friend in the rain. I'm the type who offers to serve wine at drinks parties and accidentally pours it down one of the guests.
There are many great writers out there and, actually, great scripts. The problem is - and this is what I've always felt, even when I got out of school and started reading scripts - the really smart, character-driven stuff tends to be smaller films, and they just don't get made.
Fiction writers have long turned to winter to advance bluer palettes, slicker surfaces, and sharper contrasts. The sky darkens, the wind picks up, and flakes start to fall. Horizons shrink. Couples bicker. Cars slide off roads. Obliteration tends to loiter between the sentences.
I hate it when people don't recognize the work of women as being universal, or having any import to the world at large, as opposed to men's work, which is generally tends to be seen as more universal - men's writing about their own experience tends to be put in a broader context.
Everything I write tends to turn into a superhero team, even if I didn't mean for it to. I always start off wanting to be solitary, because a) it's simpler, and b) that isolation is something that I relate to as a storyteller. And then no matter what, I always end up with a team.
Grassroots organizing tends to be most available to big campaigns, but it's actually most useful to small ones. You can't win a presidential campaign without going on TV, but you can win a local election simply by organizing your community. NationBuilder levels the playing field.
There are good waves not that far from Manhattan - on Long Island, in north Jersey. It's true that the best surf around here tends to happen in winter, so you need a good wetsuit, and the time window of good waves is often pretty short, so you have to stay on top of the forecasts.
The term 'cyberutopian' tends to be used only in the context of critique. Calling someone a cyberutopian implies that he or she has an unrealistic and naively overinflated sense of what technology makes possible and an insufficient understanding of the forces that govern societies.
I really do like the independent way of working. You don't get much studio intrusion compared to when you're working on a big Hollywood film where there tends to always be loads of people interfering. The only problem, though, with independent features is that they are hard to sell.
There tends to be this hierarchy of film and television, and theater is somewhere else in its own milieu. However, as actors, yes, we love to do theater because it's our story. Nobody can edit it, the curtain goes up, and it's ours for two hours or three, or whatever. And we tell it.
I find my dress sense tends to be a bit of a mixture between high fashion and unique vintage pieces with a little bit of street trends. For example, I might find a really nice, suede dinner jacket that I'd wear with a basic plain white shirt and some chinos and a pair of Nike trainers.
Ambition is a funny thing. In cricket, as in many professions, it tends to take you on a journey away from where you started. That's fine, maybe inevitable. But no one ever tells you that the biggest days aren't always the best days. And the richest prizes aren't the ones you remember.
The news media tends to act like the kids on a young soccer team. We all follow the ball as it moves from one side of the field to the next - like a kids' soccer game. And the kid who ends up scoring a goal was the one who's off to the corner by himself just waiting for the opportunity.
My downtime tends to resemble my uptime. Weekends are workdays, but toned down. Over the whole weekend, I may have five meetings, as opposed to six on a weekday. I used to play piano for 30 minutes at night, but I had to pull that out of my schedule. I don't have time for nonwork stuff.
But I think when you have something like the Green New Deal, which tends to be about big, bold ideas, instead of specifics, and then adds in other controversial topics like universal health care, and a guaranteed job for all Americans, it makes it less likely that it will pass, not more.
When people evaluate their life, they compare themselves to a standard of what a successful life is, and it turns out that standard tends to be universal: People in Togo and Denmark have the same idea of what a good life is, and a lot of that has to do with money and material prosperity.
Society tends to always make multiples - whether it's twins or triplets or whatever - one person. And it's not always fair. I encourage multiples to embrace their individual uniqueness because, just as you are an amazing unit together, that can only happen when you are strong individually.
My childhood memories are filled with hugs and kisses from both my mum and dad. My mum has a thing about kissing you an odd number of times: if she kisses you once, all good, but if she kisses you twice, then you know another one has to follow and, weirdly, she tends to go for the forehead.
As a general rule, durable-goods production tends to be the most volatile sector of the economy. Since people usually have a stock of durables in use, when times get tight, they put off new purchases. What seem like small cutbacks to the end buyer translate into big swings for the producer.
When I run on the treadmill, I read. But I have found that the only way to read while on the treadmill is to hold the book, since it moves around too much on the stand, you move around too much. I've gotten very good at holding a book and running, which tends to screw up my neck a little bit.
If you're building a consumer app, you're necessarily coupled to the intrinsic time cycle of human fashion in that it's a fashion-driven space, and we see that in the cycle of these various apps. I think for infrastructure that that just naturally tends to play out over a longer time horizon.
We're these guys that are very tech-savvy, so people tend to expect us to say our favorite gadgets are thing like the latest iPhone or the latest app or something like that. Adam is pretty much like that. As far as myself, I'm the kind of guy that tends to go for the absolute simplest things.
It just tends to be that the grass is always greener. If I'm doing a movie, I suddenly think, 'Oh God, I wish I could just get a play script I could get my teeth into.' If I'm doing eight shows a week in a West End musical, I think, 'God, how lovely it would be to be in a TV series right now.'
Animation tends to have several different writers who serve different functions. I think, on a lot of animated features, there are a lot of writers who don't get credited. It's the policy at Disney, for instance, in deciding who gets credit. It depends on the writer's contract, so many things.
I think that even though some of the things on 'Humans of New York' are kind of very personal and very revealing, I think the discomfort with sharing that tends to be overwritten by the appreciation of being able to distill the experience of your life into a story and share it with other people.
I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft.
Running fills the cup that has to pour out for others. Running feeds the soul that has a responsibility to nourish. Running sets the anchor that limits the drift of the day. Running clears the mind that has a myriad of challenges to solve. Running tends to the self so that selfishness can subside.
I think part of the problem with charity is that it tends to make us view people as helpless victims. I think in the future, we'll look back on charity in the same way that we look back on colonialism today: as a very paternalistic system that doesn't fully recognise the full spectrum of humanity.
I grill almost all of my fish with the skin on because that gives you real protection at least on one side. It's a nice barrier against super high heat which tends to make a lot of fish to turn really flaky. It's very easy to overcook fish on the grill. But I still brush it with oil before I start.
I have always liked running, so it wasn't particularly difficult to make it a habit. All you need is a pair of running shoes and you can do it anywhere. It does not require anybody to do it with, and so I found the sport perfectly fits me as a person who tends to be independent and individualistic.
One problem I have with faith-healing is that it tends to be focused only on the physical aspect of healing. But Jesus always backed away when people came to him only to get their physical needs met. My goodness, he was ready to have you lop off your hand! His real interest was in healing the soul.
I'm probably an actor that tends to, instead of putting things on, think about it more in terms of taking away what's not in the character, until I'm left with what is. If that makes sense. That's probably a particularly American way of working, but maybe not. The end of any movie is a readjustment.
As it happens, I have personally been something of an enthusiast for the London Olympic games, mainly on the grounds a) that a bit of wasteland will be made nice and b) that it tends to make everybody happy that their country should be the centre of world attention for a couple of weeks in their life.
When I am a good guy on TV, my character tends to be almost identical to how I am as a real person. However, as a bad guy, I get to be the opposite. I get to be a jerk. I get to talk trash, I get to say all the things that I'm thinking but have to restrain myself from saying out of respect or decency.
One thing I have found over years is that if you change direction, the initial reaction tends to be very polarized, but as the music gradually filters through and fans start engaging with it on its own terms rather than comparing it to what went before, the appreciation and acceptance of it increases.
Peoplehood tends to develop into nationhood if the people achieves a certain maturity. This is analogous to an individual person who becomes acquainted with herself only in the course of her life, without being able to say that she possessed no personal uniqueness at all before that 'self-recognition.'
The point really is that a writer tends to write a book that he or she tends to write. It's as simple as that. Of course, it's important to make a living and all that, but the main impulse as far as I'm concerned - and I'm sure as other writers are concerned - is to tell a story that I feel impelled by.
I have an avocado tree at my place in Los Angeles - it's the smoother-skinned one, which tends to be a little stringy. Often the birds or raccoons get the avocados before I can harvest them. I have figs, too, which are great with prosciutto, of course. I have limes and lemons, which I use to make lemonade.
We want to be inclusive. We want to have our shareholders, our employees, our customers, whether they are Democrat, Republican, Green or Libertarian, to feel comfortable with how we're doing business. And so that tends to be apolitical. People say, 'No, no, I just simply shouldn't get involved in politics.'
I basically get stereotyped a lot in terms of being a girl and writing 'chick' music for teenage girls or something. I think, if anything, the press kind of, because of my gender and my age, tends to kind of relegate my work to this sort of special-interest group. It's part of the cultural dynamic, I guess.