Tend Quotes - Page 20

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In law, as in every other branch of knowledge, the truths given by induction tend to form the premises for new deductions. The lawyers and the judges of successive generations do not repeat for themselves the process of verification any more than most of us repeat the demonstrations of the truths of astronomy or physics.

Religious ideas about good and evil tend to focus on how to achieve well-being in the next life, and this makes them terrible guides to securing it in this one. Of course, there are a few gems to be found in every religious tradition, but insofar as these precepts are wise and useful they are not, in principle, religious.

If we study learning as a data science, we can reverse engineer the human brain and tailor learning techniques to maximize the chances of student success. This is the biggest revolution that could happen in education, turning it into a data-driven science, and not such a medieval set of rumors professors tend to carry on.

You know, I just tend to grow my beard out for 'Parks and Rec.' As an actor it's always easier to shave or cut your hair for a role, but it's hard to put fake hair on or grow hair for a role. When you look at pictures of me, the longer my hair is, the longer my facial hair is, that's just the longer I haven't gotten a job.

Most girls spend most of their time at school. If real change comes from hearing our voices, it has to start in school, but school is a place where black girls tend to experience microaggressions. Microaggressions are not always obvious, ugly, or terrible things, but they make you feel as though your voice does not matter.

Most Christian 'believers' tend to echo the cultural prejudices and worldviews of the dominant group in their country, with only a minority revealing any real transformation of attitudes or consciousness. It has been true of slavery and racism, classism and consumerism and issues of immigration and health care for the poor.

If you talk to some of the older players, they definitely say they see beauty in certain games. In my case, there are certain times when I think, 'Wow, that's so amazing, chess is so full of ideas.' But most of the time I tend to be much more pragmatic about it, as opposed to thinking about it as art or something exquisite.

Because I spend so much time traveling, I tend to do most of my reading on the same iPad on which I write. For me, it's words, not paper, that matter most in the end. This practice has had the additional benefit of greatly reducing the time I spend storming through the house, defaming the mysterious forces who 'hid my book.'

My role at Lockheed Martin puts me in contact with extraordinary leaders in many fields - from science and engineering to philanthropy and government. And since we also work closely with our nation's armed forces, we tend to reflect a lot on leadership and how we can inspire successful teamwork, cooperation, and partnerships.

My characters tend to be more dynamic because they're reaching that point in their lives where their old way of being is breaking down. They're conflicted by the idea that they don't know what's next. You could call it Kierkegaard's leap of faith, when you get tired of sort of reinventing yourself on a very superficial level.

Good teachers have joined Presidency from different parts of the country and even abroad. We have got idealistic teachers, and we are relying on their idealism. But state universities pay their teachers less than the central ones. If salary is not on a par with central institutes, teachers would tend to leave for those places.

I'm fascinated by the ways in which people express themselves, because their responses are often counter to what they're actually feeling. Like when they're frightened, they tend to freeze. When they're angry, it doesn't always come out as volume. There are wonderful contradictions in the way that people express their emotions.

I've been a fan since I was a kid of that sort of bump-in-the-night stuff. I don't tend to go in too much for the slash-and-burn-'em or the walker kills on 'The Walking Dead.' That stuff's not necessarily the stuff that frightens me or gets me going. It's more the terror of waiting, the thriller aspects, that I find compelling.

When it comes to acting, I've always had a passion for entertaining and for making people laugh. On the music side, I really want to come out as an artist because I want people to see who I really am... artistically, I tend to be drawn to the darker things. What the music will be able to do is show people that I am an adult now.

End-of-the-world stories tend to ring true. I've always been drawn to them, but as I wrote my own, I found surprising pleasure in creating a world that is so radically changed, yet where there's so much meaning and value in every small and ordinary thing we have, and take for granted: hot showers, enough food, friends, routines.

Over the years, a number of people have asked me why I tend to write at this great length. I've put some thought into the answer, and it can be boiled down one word: consequences. Well, maybe two words: consequences and characters. Or perhaps, consequences, characters, and the subconscious mind - above all the subconscious mind.

For me, healthy eating and exercising is something I work on constantly. I'm not the most disciplined dieter. I try to eat a lot of fruit and vegetables but sometimes late at night I tend to have fast-food meals - and that's where I get myself into trouble! So I'm not in the best shape I could be, but I'm still healthy and comfy.

I now have Grit Scale scores from thousands of American adults. My data provide a snapshot of grit across adulthood. And I've discovered a strikingly consistent pattern: grit and age go hand in hand. Sixty-somethings tend to be grittier, on average, than fifty-somethings, who are in turn grittier than forty-somethings, and so on.

I got into Facebook late, and I think if you get into Facebook late, you tend to use it the right way, as opposed to the people who got into it sooner and friended everybody and now have a thousand friends. I keep it at about 80 or so, and they're all people I know. Just because I do a movie doesn't mean I friend everybody in it.

We tend to think of our idols as kind of superheroes; maybe less so today, given that people have a tendency to overshare on social media, but when I was growing up, all you knew about these people was what they allowed you to see - which was them doing superhuman things, up on stage in an arena with all these people going crazy.

Ah, typical writing day? Well, I tend to do e-mail and the business stuff of writing more in the morning while my brain wakes up and then write more in the afternoon, sometimes from about 11 until 5, or 12 until 5. If a story is driving me nuts, I'll work more in the evenings, but usually I try not to do that. That's family time.

In theatre, once you've got the character and you've got things together, you can relax into it. Film has a different feel - you don't get that through line of not stopping. Theatre is like a snowball gathering momentum and getting bigger, whereas in film, it's a bit stop and start - but you do tend to adjust to that quite easily.

Fresh out of college, you tend to join a company because it's a job. But, you tend to stay because it becomes a career; you start to feel at home. In the beginning of your career, you're focused on you: 'I like this place because I'm doing rewarding work; they take good care of me; the people are nice; there's runway for me,' etc.

In terms of television and movies, I've been really interested in seeing the partnership of comedy and beauty and heart. I think they can go together really well and really thoughtfully. But, I'm a total one-hour drama addict. I think when you're a comedian, you tend towards dramas because that's the less stressful thing to watch.

As a society, we have this perception that women are emotional. The research, however, tells us that, on trading floors, that poor risk rises and falls with testosterone levels, and these trading floors are 85 percent, 90 percent male, and these gentlemen tend, under periods of stress, to show off for each other. That's dangerous.

In a world of status, independence is key, because a primary means of establishing status is to tell others what to do, and taking orders is a marker of low status. Though all humans need both intimacy and independence, women tend to focus on the first and men on the second. It is as if their lifeblood ran in different directions.

Skaters, I think they tend to be outsiders who seek a sense of belonging, but belonging on their own terms, and real respect is given by how much we take what other guys do, these basic tricks, 360 flips, we take that, we make it our own, and then we contribute back to the community the inner way that edifies the community itself.

As a serial investor who has raised hundreds of millions of dollars for startups, I know that the business plans coming out of incubators tend to be vetted and more thoroughly validated. The incubator's input into your business plan will make you look far more polished and experienced - even if you have never run a business before.

I am far more of a loner than people would imagine. But I am the most gregarious and socially interactive loner you ever met. The thing is, I am fascinated by people's stories and I'm very talkative and can't ever say no to anything or anyone, so I tend to over-socialize, to give away too much of my time to the many people I adore.

When you've got four people to get dressed to get out the door, you don't really tend to spend a lot of time on yourself. But that's the way I roll anyway. I was never one to do my hair and make-up just to go down to the market, so it's really not that much different. If I get a little eye cream on, I feel like I'm ahead of myself.

Films are tricky because for years you're getting told you're about to make it and you're about to be busy for four or six months or you're about to be on tour for press. But these things tend not to happen, and meanwhile you've said 'no' to many things 'cause you thought you were going to be busy, for years, for years this happens.

Economics works great for planning your life when you don't have a work passion, since we tend to assume that your job delivers only money and you trade off job hours with leisure hours. If you think your job will just be a job, pick one that pays well per hour and leaves you some time off, even if the activity of the job is boring.

Some people revel in getting their hands dirty. These are the people that make startups grow wildly. People with hustle also tend to be much more agile - they're the water that goes around the rock. These are the people you want around when everything goes wrong. They're also the people you want beside you when everything goes right.

In 'Gravity,' nearly everything is a metaphor for the main character. The way I tend to approach a film is that character and background are equally important; one informs the other. Here, Sandra Bullock is caught between Earth and the void of the universe, just floating there in between. We use the debris as a metaphor for adversity.

Indians mock their corrupt politicians relentlessly, but they regard their honest politicians with silent suspicion. The first thing they do when they hear of a supposedly 'clean' politician is to grin. It is a cliche that honest politicians in India tend to have dishonest sons, who collect money from people seeking an audience with Dad.

The best schools tend to have the best teachers, not to mention parents who supervise homework, so there is less need for self-organised learning. But where a child comes from a less supportive home environment, where there are family tensions perhaps, their schoolwork can suffer. They need to be taught to think and study for themselves.

As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.

I view myself more as a traditionalist than a conservative. But I like the traditions, so I tend to try to keep them alive. But I'm open to any kind of political thought - I don't care - I have people that I don't agree with, and I have good friends I don't agree with, but for me personally, I'm more comfortable with the traditional stuff.

The new industries are brainy industries and so-called knowledge workers tend to like to be near other people who are the same. Think of the City of Hollywood. People cluster. This means you have winning regions, such as London and Cambridge, and losing regions. The people who want to be top lawyers in Sunderland are hoovered up by London.

Legal documents have mistrust written all over them. It's unfortunate, but the human DNA is so tuned to kind of taking you for granted that we tend to protect ourselves legally. That's why I don't read them as, if I read them, I will go soft. To me, the human relationship is far more important than the professional bond I share with anyone.

We tend to have so many more close shots, which compels an artist to actually put in more effort than it is required otherwise. So, it is the expressions on the face, and how an actor presents his or her character, that really makes a scene. In such ways, Mollywood is a fabulous training ground for actors and actresses from other industries.

The first important role was a Broadway lead I did called 'The Royal Hunt Of The Sun' by Peter Shaffer, the guy who did 'Equus' and 'Amadeus.' Many of the important roles that I got later on were because the guy who was going to hire me was in that audience and had his mind blown. I tend to do that. I blow people's minds with my performances.

Cave divers, of course, deal with an elevated level of risk, and the most that I can say here is that we tend to conduct our work at the bottom of a deep cave on an extremely conservative basis with heavy levels of backup equipment and a policy to abort if any single person doesn't like the situation underwater at any time during the mission.

There is a very definite Russian heart in me; that never dies. I think you're born and you live your life with it and you die with it. I'm very much an American - my books tend to be about American things, but inside there's that sort of tortured, long-suffering, aching, constantly analysing Russian soul underneath the happy American exterior.

I am interested in the ordinary sort of threat. I know that people are interested in things like serial killers and what have you, but actually, those aren't the sort of crimes that really happen very much. The sort of crimes that happen tend to be more of a domestic nature and quite banal, but the psychology behind them is always fascinating.

We tend to think of philosophies as produced by professional philosophers. Traditionally, this has meant people who have written dissertations on obscure subjects or who spend most of their day in libraries. But every human is, in an important sense, a carrier of an implicit philosophy - evident in their choices, pronouncements and commitments.

One might think of investment managers as astronomers and CEOs as astronauts. The two roles are radically different with distinct personality traits. Like astronomers, investment managers tend to be introverted, skeptical, and very analytical. CEOs, like astronauts, are the exact opposite, typically being extroverts, optimists, and, well, leaders.

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