Tend Quotes - Page 18

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Even going out to get milk becomes a little bit challenging, just because there is a whole entourage that then travels with me for this simple thing. So I tend to try and find ways not to inconvenience a whole raft of other people, so it changes my mindset a little bit.

Dichotomies are an inherent part of comics, aren't they? Comics are both pictures and words. They blend time and space. Many feature characters with dual identities like Bruce Wayne/Batman. Cartoonists also tend to live dichotomous lives because many of us have day jobs.

I tend to do something for two years then move on to something new. Yoga, then biking, then weight lifting, then back to biking. The moment it feels like a rut, I switch and search for a new love. It's like having a midlife crisis, but without the new wife or cheesy BMW.

The idea of telling the story of the Armenian genocide - or, really, any other genocide - and repeating those stories is really important. I also think it's important to always be exposing the warning signs for what was leading up to it. Those tend to always be the same.

When I compete, I love a huge crowd, expectation, pressure, and I like to have nerves: the butterflies flying and my hands shaking. This way, I am completely amped, focused, and ready; otherwise, I tend to be to relaxed, content, and don't perform at my maximal potential.

What's interesting is relative levels of introversion tend to stay the same. If you went back to your reunion from school, you would probably find that if you ranked everyone in your class into terms of levels of introversion and extroversion you'd still be the same rank.

There is something about my aura or essence, or whatever, that draws the ex-wife characters to me. I don't seek them out, but people tend to think of me for that particular archetype, or whatever you want to call it, and I don't mind it. I think there is a strength to it.

When you've travelled for 34 years as a musician, you do all the culture stuff when you're young and full of energy. In the middle stage, you indulge too much and are scared of daylight. Then, in the final stage, you've seen it all, so you tend to take things a lot easier.

'The Dark Knight,' 'The Rocketeer' and definitely the first 'Superman' movie by Richard Donner are the best. I tend to be softer in my judgment about what's a bad movie - I don't think anyone intends to make a bad movie, and sometimes it just doesn't click for some reason.

I tend to have a lot of jokes about ex-girlfriends. They always ask me if they will be the subject of a joke, and I always tell them they won't. Unless they do something crazy. They all tend to, so you know where that goes. There are no closed doors. The 'art' will suffer.

People who teach American history survey classes have a lot of ground to cover and tend to focus on landmarks. You get through the Civil War and Reconstruction, and you have to get to the beginning of the 20th century fast. It's pretty easy to go lightly on the Gilded Age.

Objections to verbification in English tend to be motivated by personal taste, not clarity. Verbed words are usually easily understood. When a word like 'friend' is declared not a verb, the problem isn't that it's confusing; it's that the protester finds it deeply annoying.

Gluttony might be innocuous were it not for the fact that gluttons tend to disregard whether their self-serving behaviors harm anyone else. We don't need to look far and wide to find examples of gluttonous behavior, as they are numerous throughout the history of capitalism.

I tend to stay in character between scenes... to be rather serious on set, but here's why, and I think people will find it surprising. I'm one of the worst 'corpses' on a movie set, which means you can't keep a straight face. You start to get the giggles and you can't stop.

We tend to want to stay here in Louisiana as Louisiana people. We've just got to be mindful that there are other things out there, and we really need to open our kids' minds to get them to go to college. Get them to get away. Then come back and help the next ones behind us.

To me there is no more depressing sight than a five-year-old staring at a screen, unsmiling, mouse in hand. Besides whatever dreadful things this prolonged exposure to screens is doing to their brains, computer games tend to be solitary affairs, and produce little laughter.

Baseball is a team game but, at the same time, it's a very lonely game: unlike in soccer or basketball, where players roam around, in baseball everyone has their little plot of the field to tend. When the action comes to you, the spotlight is on you but no one can help you.

Albums tend to dictate what they need. Every time I have made an album it sort of feels like it is decided for me how that album is going to sound; it is not really a cerebral decision where you sit down and decide that you are going to make an album that sounds like 'this.'

We tend to talk about the world in a myriad of ways - a microscopic world of elementary particles, a biological world of organisms and evolution, a social world of morality and meaning. But it's all the same underlying world. That's the underlying theme of 'The Big Picture.'

In the streets, they're very nice. On Twitter, there are people who love to hate me. Sometimes people get mean. I tend to answer like, 'Careful now, know who you're dealing with...' They're like, 'I'm sorry! Don't send the Lord of Light after me!' It's fun to play with that.

Of course, we all know Italy is an amazing country. We have stunning coastlines and a scenic countryside. We have a climate that allows us to spend a lot of time outdoors. We have fashion, we have food. But life in Italy is so good that sometimes we tend to rest on our laurels.

People tend to think about trade as if it's competition between companies - if Apple wins, Google loses. But that's false. Trade makes nations better off in general. Now, I want to be clear. I'm not saying that everything about trade is good and beneficial. Trade also has costs.

One of the problems of organizing in the North, in the rich countries, is that people tend to think - even the activists - that instant gratification is required. You constantly hear: 'Look I went to a demonstration, and we didn't stop the war so what's the use of doing it again?'

We do all, myself included, we tend to hold ourselves to pretty low standards. But when it comes to judging public figures or politicians or people we've never met, we tend to hold people to very high standards, and, if we held ourselves to those standards, we'd always fall short.

If you see a gaggle of teenagers walking towards you, you tend not to make eye contact, because you know they're going to recognise you. You learn to adapt: 99.999 per cent of people aren't looking to be harmful or unpleasant; they just want something, a photograph or an autograph.

I just never have really been the kind of person that's out in public being inappropriate, I guess. I like to have fun as much as the next person but I tend to do it in private and just hang out with close friends. If I'm going to go out, I'll just do it with my really good friends.

I try to treat writing as part of my daily routine: I write for at least two hours, five days per week. I tend to write at home, in a room I've set aside for the task. I don't work well in cafes or busy, loud spaces, although I wish I could. It would mean greater flexibility for me.

Really, I'm incredibly disjointed and not candid. Just in general, my thoughts tend to come out in little spurts that don't necessarily connect. If you hang around long enough, you can find the linear path. But it will take a second. That is why these interviews never go well for me.

At the risk of sounding pedestrian, I'll be completely honest: the first thing I do in the morning is check Google News, partially because it seems sort of random and unbiased and partially because I tend to stay in hotels that don't necessarily have the fastest Internet connections.

Sometimes when you do voices next to each other, especially when you're first starting out, they tend to bleed into each other. Working on a show like 'Futurama,' we do multiple characters there, but we've been doing it for a while, so the voices are really well-defined in our heads.

Have you noticed the people most likely to be up in arms about governments apparently spying on us tend to be the most non-private people you know? The people launching petitions and wailing about Big Brother and data collection are most likely to be the most constant self-presenters.

Conservatives are often fond of La Rochefoucauld's famous aphorism that 'Hypocrisy is a tribute that vice pays to virtue,' and so tend to downplay hypocrisy as a sin. But in the marketplace of ideas they champion, hypocrisy may yet turn out to be the deadliest - or costliest - of sins.

You've got to set yourself up to be as healthy as you can. The thing we tend to do is when it gets to be a bit too hard, we actually opt out for the absolute worst option. For example, if you're in a rush in a morning and you feel like you don't have time to make breakfast, you skip it.

In all seriousness, people think that it's the ideas that are important. Well, everyone has ideas, all the time. I tend to write mine down and remember them, but at some point you have to apply the bum to the seat and knock out about sixty five thousand words - that's how long a novel is.

For one thing, before the 20th century, there were plenty of genocides. We tend to forget about them, partly because they weren't as well documented and partly because, until recently, people didn't care. We used euphemisms like 'sackings' and 'sieges' instead of calling them 'genocides.'

It is not my nature, when I see a people borne down by the weight of their shackles - the oppression of tyranny - to make their life more bitter by heaping upon them greater burdens; but rather would I do all in my power to raise the yoke than to add anything that would tend to crush them.

Thanks to postmodernism, we tend to see all facts as meaningless trivia, no one more vital than any other. Yet this disregard for facts qua facts is intellectually crippling. Facts are the raw material of thought, and the knowledge of significant facts makes sophisticated thought possible.

I think, a lot of guys who want to be professional football players, they see the Premiership players, and they see the finished article, but there's a lot of hard work that's gone into their careers for them to get there. There's a lot of sacrifice, and I think people tend to forget that.

I think what we've found is that when you can use products with your friends and your family and the people you care about, they tend to be more engaging. I think that we're really going to see this huge shift where a lot of industry is and products are just going to be remade to be social.

The odd thing about being a writer is you do tend to lose yourself in your books. Sometimes it seems like real life is flickering by and you're hardly a part of it. You remember the events in your books better than you remember the events that actually took place when you were writing them.

People tend to associate fairies with princesses, but they couldn't be more different. Princesses have dynastic and domestic pressures, and they get parked on glass hills. Fairies don't have families. They don't clean or cook. They sip nectar from flowers and dance by the light of the moon.

Some people see life as many steps up and try to forget where they are coming from, you understand? A little step in life on a commercial or a material level is a good step, but a big step does not mean a strong step - you tend to lose your roots - and if you don't be careful, you can fall.

I think that we're in a really amazing time, where there are really a lot of really fantastic female actresses and comedians. I imagine there's just a lot of opportunity for women to have powerful roles. Or it's just that there's more women writing TV. Women tend to maybe write strong women.

I tend to be a person who starts with the presumption that I should trust you until you abuse the privilege, and then our relationship is forever changed. That's a very big line, and chances are it's not going to work if it's crossed. I warn people that this is how I'm going to deal with it.

I tend to lean toward a more minimal aesthetic, so when I use wallpapers in my interiors, I like for one or two prints to be the star of the show. I would recommend being careful in your use of strong prints so the room doesn't get too busy. Use one print that dominates and one as an accent.

I think when it comes to women who write or who fancy ourselves 'hip downtown literati', there is a certain contempt for being overly sexual or really looking for boyfriends. We tend to be marginalized as some 'Sex & The City' Carrie Bradshaw chick-lit dummies who just want shoes and a ring.

The gay community hated me for being part of Odd Future. They thought Odd Future was homophobic because they tend to use homophobic slang, and they were like: 'How can you work for and support homophobes?' But they aren't homophobic; they just don't really care whether you're offended or not.

We tend to think of racism as this interpersonal verbal or physical abuse, when in truth, that is only one way that racism manifests itself. The reality of contemporary racism is that it while it is ubiquitous, it is often invisible, subsequently making it more difficult to name and identify.

Hard audiences tend to be when it's all men. It's when businesses have dos where they're at conferences all day then book a comedian for the evening. They're men of a certain age - basically middle-aged, balding, 50 to 60 years old and I just know I can't make these people laugh hysterically.

Brain surgeons are dealing with the very last thread of life, and they have to be very confident, but I think they tend to remember their failures rather than their successes, and that must be very hard. Who do you share that failure with? That's why their personal lives are often disastrous.

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