I tend not to spend a lot of time looking in the rearview mirror. If you say, 'Oh, I did 'Hill Street Blues' or 'L.A. Law' and everything I do has to measure up to some preconceived notion of that,' it would paralyze you.

When all the original blues guys are gone, you start to realize that someone has to tend to the tradition. I recognize that I have some responsibility to keep the music alive, and it's a pretty honorable position to be in.

What I am against is false optimism: the notion either that things have to go well, or else that they tend to, or else that the default condition of historical trajectories is characteristically beneficial in the long-run.

The biggest mistake is to assume that another writer's successful strategy will work for you, too. Publishers' marketers - and even freelance publicists who cost mega bucks - tend to do the same basic things for all books.

I don't get recognized that much. That's the best part of it. I tend to get things like, 'You sound a lot like that guy on 'Deadwood.' And that's lovely. I've been very fortunate. No giggling, screaming girls. None of that.

I tend to go to bed really early on New Year's Eve. Then I wake up early, drive up while it's still dark, and hike out somewhere beautiful to watch the sunrise. I just take a couple hours and have a post-mortem of the year.

Affairs of state tend to drive most presidents toward the center on both foreign and domestic policy, no matter where on the political spectrum they begin, and especially so in the areas of intelligence and law enforcement.

My primary assessment would be because American Christians tend to be incredibly self-indulgent, so they see the church as a place there for them to meet their needs and to express faith in a way that is meaningful for them.

I don't tend to offer up a critique unless I have a clearly formulated alternative, because there's nothing worse than people on a set or any kind of artistic life who critique something but who don't have anything to offer.

I think the best writers use the language they use every day when they talk to friends. When we talk to each other, we tend to talk in short grabs rather than in long flowing sentences. I think that's not a bad way to write.

I believe in greater self-sufficiency. International sport is tough, no doubt, but there shouldn't be too many crutches. In most cases sports psychologists are crutches, and they tend to soften rather than harden the players.

People tend to forget that celebrities are human beings. We live our lives. We try to do what we love, which is music. And to share it with everyone in our job usually is to entertain and to make people forget their troubles.

One of the best ways to make yourself happy in the present is to recall happy times from the past. Photos are a great memory-prompt, and because we tend to take photos of happy occasions, they weight our memories to the good.

Today's ghost stories tend to be much more physically or psychologically violent. The Victorians were much more leisurely about what might or could happen, building suspense layer by layer rather than punching you in the face.

Through consciousness, our minds have the power to change our planet and ourselves. It is time we heed the wisdom of the ancient indigenous people and channel our consciousness and spirit to tend the garden and not destroy it.

Gender-based job restrictions tend to be associated with wider wage gaps and lower employment rates for women. And where girls' future earning potential is limited, families may choose to send their brothers to school instead.

Independent films have a certain freedom about them - there isn't so much at stake in terms of money. I think they're more interesting because they're not watered down to appeal to the masses. They tend to have a unique voice.

Writers tend to write stories as a kind of holiday between novels, or as preliminary steps towards a novel. Stories just don't often make up a writer's main body of work, and that's not because they don't see the market for it.

Everybody nowadays rhymes, but out of the people that really, really do it well, it's still a small community of artists. We all tend to be in the same circles - people like my Wu-Tang brothers, or Black Thought from The Roots.

When it comes to Washington, most people tend to think first of politics. But Washington is also a geographic and physical place. It is, for instance, one of the few cities of the world where you can talk endlessly about trees.

I think we're all sensitive; everyone has a certain way about themselves that people don't like to let their emotions out too often. I think people tend to suppress them and hold them in, so I think there's a bit of that in me.

We can all tend to get caught up in the complications of life that we create; we live life for other people. It's a harrowing moment when you're confronted with an end, and you have to make the choice to live your life for you.

I'm becoming more squeamish. I didn't use to be - nine years of 'Silent Witness' prepared me for most things one will have the misfortune to see in life. Before, I'd be wading up to my neck in gore, but now I tend to look away.

It's nice to see a story that centers around other couples, instead of having, you know, the sassy gay friend or the funny best friend or the assistant, which is just like these stereotypical roles that tend to be put in movies.

When you look around, and very close trusted people who would never cash you in, for lack of better words, and those people do that and people leave your house and tell completely different stories, you tend not to trust people.

I always tend to think that composing is not playing an instrument, composing is having something in your head that's steaming and it has to go out. It has to become sounds and be written. It's an emotion that you can't repress.

People who get into animation tend to be kids. We don't have to grow up. But also, animators are great observers, and there's this childlike wonder and interest in the world, the observation of little things that happen in life.

Women tend to judge other women harshly. We should be kinder to each other, accept that we're all different and can make different choices. Not go for some kind of stereotypical idea that we're perfect. Frankly, I'm not perfect.

As for goals, I don't set myself those anymore. I'm not one of these 'I must have achieved this and that by next year' kind of writers. I take things as they come and find that patience and persistence tend to win out in the end.

Rap is hardcore street music but there are women out there who can hang with the best male rappers. What holds us back is that girls tend to rap in these high, squeaky voices. It's irritating. You've gotta rap from the diaphragm.

If you think in terms of major losses, because losses loom much larger than gains - that's a very well-established finding - you tend to be very risk-averse. When you think in terms of wealth, you tend to be much less risk-averse.

African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.

The detail of my art depends entirely on the project itself. I tend to be a little more detail-oriented with covers than I am with interior pages, and I try to reduce the detail on action sequences as opposed to suspense passages.

Getting up at four in the morning to tend the farm while the world is quiet - feeding animals, mucking stalls, gathering eggs, filling water troughs, checking fences, letting animals out into the field - is a high point to my day.

I hate to say there are female and male ways of dealing with power, because I think each of us has a male and a female part. But based on my own experience, women will tend to be inclusive, to reach out more, to care a little more.

I think, in general, models tend to do their favorite faces or their comfortable face, but your facial expression is just so important. You don't want to have an editorial of 20 photos where it's just you giving a 'Zoolander' face.

If I'm alone, I tend to cook for myself. I do a pretty good job of preparing healthful foods. My go-to is everything in a bowl like quinoa, avocado. Later in the day, scrambled eggs. I'm not a gourmet chef. I cook in bulk very well.

I'd like to think that I'm a calm and sweet person. I tend to be very playful at home with my children, but in life... we have to fight our battles - our work battles, our political battles, our personal battles - and we're focused.

As a species, we tend to live in environments where our own artifacts dominate. The way we shape our environment and are in turn shaped by it is a key theme in my fiction - indeed, it's a key part of a great deal of science fiction.

When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.

I tend to look for the good in bad people and the bad in good people, to make them human. 'Cause I don't think that people generally are that black and white. Maybe in movie-land they can be... but that isn't necessarily all there is.

People who like progressive music tend to sneer at the idea of a kind of punk aesthetic, and people who like alternative indie rock or punk rock tend to sneer at what they see as the pretentiousness and pomposity of progressive music.

Redwoods flourish in fog, but they don't like salt air. They tend to appear in valleys that are just out of sight of the sea. In their relationship with the sea, redwoods are like cats that long to be stroked but are shy to the touch.

I find traveling anywhere very stressful. If I ever have to go on tour, I tend to find it all a bit too stressful. I am too much of a control freak with traveling, and nothing is ever on time. The one thing I can't stand is being late.

I can be a teddy bear, but more people tend to see me as the other side of the coin, and that has to do with casting, more Iago than Hamlet. But I don't play villains; I play people doing the right thing for the circumstances and time.

I'm not trying to steal the show. I tend to shy away from - I don't want to say the spotlight - how about responsibility? It's just very daunting. These movies are very intimidating. 'Captain America.' This is the stuff I struggle with.

I try to be mindful of snacking, but salty chips sometimes sneak in. I tend to avoid sugars - luckily, I am more of a 'salty tooth' - but I try to keep my sugar intake to a minimum and find some healthy alternatives when a craving hits.

I am, as are most writers, just hugely obsessive, and so are many of my closest friends, who tend to be writers or scientists. It's a trait of human nature that I'm particularly in touch with. So I tend to project it onto my characters.

Women tend to be more intuitive, or to admit to being intuitive, and maybe the hard science approach isn't so attractive. The way that science is taught is very cold. I would never have become a scientist if I had been taught like that.

I just always have felt that people should be natural in their behavior, that they should be able to derive enjoyment from whatever they do. When they derive enjoyment, they tend to work together better; they tend to be more productive.

Share This Page