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I always enjoyed playing ball, and it didn't matter to me whether I played with white kids or black. I never understood why an issue was made of who I played with, and I never felt comfortable, when I grew up, telling other people how to act.
When I was on a major label I felt obliged to say yes to every interview, tour and whatever else. The label is always telling you, 'This ain't going to last,' so I worked myself half to death. I learnt from that and I like to pace myself now.
It's interesting because diversity doesn't just happen by garnishing your omelet with a little bit of parsley. Diversity happens because the people that are telling the stories - the writers, directors, storytellers - want to tell their story.
To me, horror is when I see somebody lying. I mean a person I know. A friend. And he's telling me something that I accept. And then suddenly, as he or she is telling it, there's something that gives them away. They're not telling me the truth.
I used to think I was tough, but there's a difference between bravado and courage, and I only started to show courage when I began to get help. So now I make a point of telling people, 'Hey, it's a good thing to ask for help, not a bad thing.'
I do not abuse players. I talk to myself; I abuse myself. It's my way of letting off steam. I do it after every century; I do not do it always. I keep telling myself: 'Improve, improve from the previous match, the previous shot. You can do it.'
At the end of the day, I'm an artist. I may make work and decide to do something political, but it will come out of an artist's position. It won't come out of society telling me I have to. If I do, it's because I choose, as an artist, to do it.
My coach keeps telling me to say I'm not going to retire. I should just go through the motions and see what I feel every year and see if I really want to do it, but personally, I want to do it, but my coach says just take your time, don't rush.
Iain Duncan Smith and his regime, they wanted to make the poor suffer and then humiliated them by telling them that their poverty was their own fault and, to demonstrate that, if you're not up to mark then you're sanctioned and the money stops.
If we accept being talked to any kind of a way, then we are telling ourselves we are not quite worth the best. And if we have the effrontery to talk to anybody with less than courtesy, we tell ourselves and the world we are not very intelligent.
Producing isn't just making beats on a beat machine. It's bringing together these string players with this flute player and this singer, and telling them to all work in the key of C major... You bring these people together and let them all cook.
I love to have a dinner party. I love to have people over. I like the feeling it creates in my home - having guests laughing and telling their stories - and I put a lot of thought into it. I plan my menu kind of depending on whatever mood I'm in.
I elect to stay on the soil of which I was born and on the plot of ground which I have fairly bought and honestly paid for. Don't advise me to leave, and don't add insult to injury by telling me it's for my own good; of that I am to be the judge.
Telling people that I wanted to make dance music, or be on the radio, they looked at me like I was crazy because there was nothing like that in Lichtenstein when I was getting started. That's why I went to Germany, because there is industry there.
I accidentally met Don Callis in Japan. I was at New Japan and I was with mutual friends, and I met Don on accident and started telling him some of my ideas. We started talking and he basically at dinner was saying, 'Hey, we should give you a job.'
There might have been a point in my career where, because people have been telling me I'm an activist, I took on that label. But in retrospect, I don't think that's what I am - or what I've been - just because I'm vocal about my identity sometimes.
I've had the privilege of working with Bono for the past few years in the One Campaign to fight AIDS and hunger and disease around the world. Bono is an Irishman and a great humanitarian. And I remember him telling me of his admiration for America.
When you're in the editing room, the dangerous thing is that it becomes like telling a joke again and again and again. Eventually, the joke starts to not be funny. So you have to be careful that you're not throwing the baby out with the bath water.
What the experts are telling me is that there's very little chance that Ebola is going to mutate into something that could spread directly through the air. The real concern is not whether Ebola could go airborne, but whether it could spread faster.
As a father, I always want my son to be perfect. When he was young, I tried to train him in martial arts, but he said, 'I don't want to become like Bruce Lee's son, with everybody telling me how good my father was.' I just think my son is too lazy.
Nobody calls me a racist when I do redneck jokes. Jeff Foxworthy can do as many 'You might be a redneck jokes' as he wants, but I'm telling you as soon as a guy like that does a black joke or something - 'How dare you!' I totally think it's unfair.
Every single player needs that eye-to-eye connection, I'm sure. They want to know what is expected of them, but it's not just me telling them what to do. It's about asking, 'What are your strengths? What do you feel? What can you give to the team?'
The key in telling stories that people relate to is, not surprisingly, vulnerability and authenticity. That means that letting people know the struggle behind your brand - the failures and mistakes - and how you got through them is really important.
I wrote that song for my wife, and it's what some guy who's sitting under a tree would be singing to the woman of his life, telling her how wonderful she is. To me, that's more lasting than something that sounds like it belongs on a movie soundtrack.
It sounds simple telling people to work hard and never quit, but to really execute and demonstrate those principles takes discipline and faith. Those are the two factors that I believe separate the good from the great, the successes from the failures.
You get to crack the code of the play. You get to really pick at it and see, 'What is the story that we're telling?' 'What are the clues in the text that I can find that will help inform what story we're telling?' It's almost like a detective mystery.
I've rarely kept my distance from kind of - I don't know if we can call it politics, but kind of, civic engagement and that kind of thing, except I tended to think, 'Well, do it yourself before you start telling other people what they should be doing.'
I get so nervous on stage I can't help but talk. I try. I try telling my brain: stop sending words to the mouth. But I get nervous and turn into my grandma. Behind the eyes it's pure fear. I find it difficult to believe I'm going to be able to deliver.
Edward Snowden, who worked for Booz Allen Hamilton, professes to have had access to whatever he wanted to know about anyone's anything. If he's telling the truth, why does he have such permeability without any government oversight? Is that OK with you?
I don't walk around looking into cameras and telling people I'm the best fighter in the world just to hear myself talk. I say it for the same reason they put warnings on packages of cigarettes, and fighting Chael Sonnen may be hazardous to one's health.
The idea that a robot will become more aware of its environment, that telling it to 'go to the kitchen' means something - navigation and understanding of the environment is a robot problem. Those are the technological frontiers of the robotics industry.
Once I started to retire, I was telling all of the girls in my generation, 'Wow I feel like an outsider in this locker room because this whole new generation of women has stepped in,' and that was one of the signs where I said maybe it's time to retire.
I try not to write songs in which men glamorize their own need for approval from women. That's kinda a bogus way to go out. But I try to do this quietly. I'm not about to go around telling people how they should or shouldn't think. My feminism is for me.
I want to continue to make beautiful movies. The most important thing is to be a part of beautiful stories, that's all I want. So I don't care if it's a Hollywood movie or an independent movie or a Spanish or American movie. I care about telling stories.
I would say don't take advice from people like me who have gotten very lucky. We're very biased. You know, like Taylor Swift telling you to follow your dreams is like a lottery winner telling you, 'Liquidize your assets; buy Powerball tickets - it works!'
I didn't like to stop playing for a second to bother with eating or going to the bathroom. I was a really skinny kid, and I remember my mother always telling people, 'I don't know how she's alive. I think she gets all of her nutrients from air pollution.'
It was when I got to NXT with Dusty Rhodes, being the creative force he was, and told us to bring our most creative side every single week. One of those weeks, I brought the guitar and started telling stories while I played, and it just evolved from there.
Even the pictures I was doing at college - a little narrative based on a butterfly catcher, or a chimney sweep - the images were always telling stories. They were all scenarios and moods which I storyboarded and worked through - it's exactly what I do now.
I had a friend who worked at a hospice, and he said people in their final moments don't discuss their successes, awards or what books they wrote or what they accomplished. They only talk about their loves and their regrets, and I think that's very telling.
One of the most interesting things about the cognitive theory is the idea that anger and interpersonal conflict ultimately result from a mental con. In other words, you're telling yourself things that aren't entirely true when you're fighting with someone.
I kind of assumed all of Australia was like the Gold Coast - so I was telling people Australians just work out and go to the beach. Like, Australia has it figured out! But then I went to Sydney, and it was nothing like the Gold Coast - but I still loved it.
I want to fall in love, I think. I've never. I know. Everyone I know's been in love or in relationships now and... There's only ever been... there's been people telling me they love me, but it freaks me out and I just run, run. I think I'm a bad girlfriend.
There's a hunger in me that always wants to be creating and orating, telling people something and giving them information and getting feedback. There are so many questions that I'm trying to ask, and I'm still so far from being done saying what I gotta say.
Ninety-nine percent is in the delivery. If you have the right voice and the right delivery, you're cocky enough, and you pound down on the punch line, you can say anything and make people laugh maybe three times before they realize you're not telling jokes.
My biggest thing about being a role model is whatever I'm preaching, I'm practicing. If I'm telling people I'm boxing and then I'm eating a burger tonight, it's because I am. I'm not cheating and eating a salad and then being like, 'Yeah! Burgers are cool!'
The captaincy is about putting the team first, making sure the girls are happy - that they're comfortable with the processes we have, the way that the schedule is - to be able to challenge people on and off the pitch: not telling them off, but advising them.
As someone who specializes in deception, I'll tell you this much: When someone insistently implores, 'Believe me,' don't. Pleading 'believe me' or 'trust me' - insisting to people that you are telling the truth - is a tell-tale sign that you probably aren't.
Being at a film festival reminds me of the power of film. The power that we have in our hands. Telling specific stories about personal matters can start the debate that is needed today, and that connect you with realities that you had no idea were connected.
You don't win elections by telling people what you're against. We're very good at listing things we don't much like about what the Tories are doing. But you win elections by telling them what you're for, what you're going to change, what's going to be better.
Expectations shouldn't be lowered, even if Donald Trump was just telling stories to impress the crowd around him and never grabbed as many women as he suggested. Lower the bar for what you can talk about, and you lower the bar for what is acceptable behavior.