Quotes of All Topics . Occasions . Authors
You don't wanna know the sinner. You don't wanna know the killer. Because it's you. Television is stalling evolution. Medication is stalling evolution. Evolution is stalling revolution. Evolution, revolution. Collaboration, the start of revolution. My decision, the start of revolution. Revolution, the start of evolution. Revolution, evolution.
If I can drive down the road in my car and listen to XM satellite, and when a song gets beamed into my car, it can tell me who wrote the song and what the damn lyrics are, why, when you broadcast a digital signal of a film, can't it speak to your television to set up a list of settings to show the film in the way that it was meant to be shown?
I watched some serious '80s television. 'Alice,' 'Good Times,' 'The Jeffersons,' 'Family Ties,' 'Cheers'... every night it was eat dinner, watch 'Cheers.' I was actually on 'Jeopardy' with Rebecca Lobo and Dot Richardson, and we were laughing because I was just nailing every random '80s trivia question - sitcom, theme music, movie, you name it.
There's a good television programme called 'Disco 2.' It's quite good but again it's average, average. It's all on a down play. You know we've got this thing in England to be hip is to speak very down - like John Peel. And that just about sums up England. They don't realize when they talk like that, then that is what they represent - absolutely.
In 1980s, I discovered 'Late Night with David Letterman.' It was on one of the 13 cable TV channels. They didn't have 25 late night talk show hosts trying to be the most outrageous. There was the likeable television genius Johnny Carson and his mad-genius counterpart Dave. There was nothing else crazy on TV every night, and there was no Internet.
I do think that if you've got a compelling argument to make in this country, going on television, going online, being on social media, you've got a broader ability to be effective at communicating your message if you engage a wide span of platforms rather than just standing on the House floor in the middle of the night, speaking to an empty room.
It was inevitable that in the proliferation of media and media channels and the natural debasing of authority that comes when you make an expert of someone who knows a few things and can be on television and you put the word "expert" underneath them, that is to say me, then eventually the very concept of expertise itself would become meaningless.
The three of us may be reunited on screen, we may go our separate ways, or we may disappear from the television altogether and each assume a place, alone, in the corner of a pub where any unsuspecting passing drinker who strays into an exclusion zone studiously avoided by the locals will be subjected to a predictable 'I used to be on TV' routine.
My father was very athletic. He was a life-of-the-party kind of guy - walked into the room and there was a presence about him. He was a great storyteller, just a terrific sense of humor. Having said that, he never put all of those talents or abilities into some public arena. He was never interviewed, never on television. His family was everything.
[T]here may be some truth in that if the Arabs have some complaints about my policy towards Israel, they have to realize that the Jews in the U. S. control the entire information and propaganda machine, the large newspapers, the motion pictures, radio and television, and the big companies, and there is a force that we have to take into consideration.
I hadn't been there [Comic-Con] before. It's pretty eye-opening, when you haven't been there, just with the sheer amount of fans that are there for different shows and films. It's like a big fan symposium, in a way, as well a way for film studios and television studios to really promote their product to their loyal audience base. It was an experience.
Modern technology has conveniently provided a measuring stick by which you can determine whether or not you are conducting your business in an acceptable, ethical way. . . . You can ask yourself: How will I feel if my business dealings today are secretly recorded on a hidden video camera, and appear on this evening's television newscast for all to see?
The repeat run of Fawlty Towers (BBC2) drew bigger audiences than ever and deservedly so. Statistical surveys reveal that only the television critic of the Spectator is incapable of seeing the joke, which is that Basil Fawlty has the wrong temperament to be a hotel proprietor, just as some other people have the wrong temperament to be television critics.
I can't presume to speak for the others, but I never felt anything negative from anyone when I was onstage with Television. When I played rhythm behind Lloyd, the only thing that concerned me was to push him as hard as I could so that he'd go beyond what he was capable of and come up with something new, and vice versa. That's the only thing that mattered.
There used to be a huge snobbism between the film industry and the television industry. I produced and acted in my first - well way back - but the first thing that I produced and acted in was Sarah, Plan and Tall. And the only place to go at the time for really quality television was Hallmark Hall of Fame. And think how much television has changed since then.
It doesn't matter how many televisions and computers and pieces of stereo equipment the Chinese send to us, even if they're sending them to us only in return for some funny, little, green pieces of paper. That is a balanced trade. They got what they wanted: the green pieces of paper. We got what we wanted: the plush toys, the computers, the stereo components.
Television is our culture's principal mode of knowing about itself. Therefore -- and this is the critical point -- how television stages the world becomes the model for how the world is properly to be staged. It is not merely that on the television screen entertainment is the metaphor for all discourse. It is that off the screen the same metaphor prevails. (92)
The mediated world has approached us from a lot of different directions and we have freely chosen our automobiles and our skyscrapers and our televisions and our telephones and our computers because they have given us power and freedom. Now we are beginning to notice there's a price to pay for them. It's all interconnected, the good stuff and the bad stuff comes together.
Dan suggested to Owen and me that we were better off to not involve ourselves with Hester. How true! But how we wanted to be involved in the thrilling real-life sleaziness that we suspected Hester was in the thick-of. We were in a phase, through television and the movies, of living only vicariously. Even faintly sordid silliness excited us if it put us in contact with love.
To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.
I don't think we know yet what broadcast television did to us, although it obviously did lots. I don't think we're far enough away from it yet to really get a handle on it. We get these things, I think they start changing us right away, we don't notice we're changing. Our perception of the whole thing shifts, and then we're in the new way of doing things, and we take it for granted.
I liked the way my character, Shane, was first introduced. You get introduced to her through this sexual action, and I thought that was so cool and just kind of summed up what she enjoys and who she is, to a certain extent. She's a complete sexual being and the great thing is that she doesn't apologize for it. It's just who she is. We rarely see women be able to do that on television.
At least that's what his note said, along with a scathing reminder that dishes didn't wash themselves and the fungus in the bathroom was one day away from evolving into sentient life. I folded the note into an airplane and sailed it across the room. It ended up perched jauntily on top of the ancient television. It looked good there and I left it as a tribute to freedom-loving fungi everywhere.
There was but one question he left unasked, and it vibrated between his lines: if gross miscalculations of a person's value could occur on a baseball field, before a live audience of thirty thousand, and a television audience of millions more, what did that say about the measurement of performance in other lines of work? If professional baseball players could be over- or under valued, who couldn't?
The once rather old-fashioned science of paleontology finds itself in a maelstrom of excitement and controversy. Astrophysicists, atmospheric scientists, geochemists, geophysicists, and statisticians are all contributing to the extinction problem. And the general public is taking part through television talk shows, magazine cover stories, newspaper editorials, and even the occasional mention in gossip columns.
Another activity that can detract us from the proper way is watching television excessively or viewing improper movies. While fine productions on these media are uplifting and entertaining, we need to be very selective in choosing what we see and how much of our time such an activity deserves. Our precious time must not be diverted to the sideline attractions of vulgar language, immoral conduct, pornography, and violence.
If you make something good, eventually the audience will be there, eventually there will be something on the Internet that is a cultural phenomenon that's not available anywhere else, that's not available on television broadcasts, that's not on cable, it's only on some Web site. And the world will find it. And when that happens, it will be what the 'kiss' was to the theatrical movie business, 5,000 years ago or whenever it was.
Well, English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent. Obviously there are more specific ones that get a little bit tricky. Same with American stuff. But because in Australia we're so inundated with American culture, television, this that and the other, everyone in Australia can do an American accent. It's just second nature.
Most of the note-taking happens while I'm watching television. It's a broad window on the world, and a lot of things are already established in my mind as things I say, things that I'm interested in, things that are fodder for my [stand-up] machine. And when I see something that relates to one of them, I know it instantly and if it's a further exaggeration and a further addition, or an exception - if it plays into furthering my purpose, I jot it down.
When we started talking to our actors and to our directors, this is with all due respect to the film, if you want to know what we're not doing, go watch the movie. If you want to know what we're doing, it's very much steeped in the world of the comics, but it also has a life of its own and that's really what television and our films really do is that we take the best....We hope and we're very confident that this is the beginning of something that's very exciting on Netflix.
If we were built, what were we built for? ... Why do we have this amazing collection of sinews, senses, and sensibilities? Were we really designed in order to recline on the couch, extending our wrists perpendicular to the floor so we can flick through the television's offerings? Were we really designed in order to shop some more so the economy can grow some more? Or were we designed to experience the great epiphanies that come from contact with each other and with the natural world?