Quotes of All Topics . Occasions . Authors
One of the reasons a strategist never sits in a stadium and gets caught up in the crowds - and never sits watching a debate in person - is because the vast majority of American voters watch these political events on television.
In the 1950s we use to feel that television was taking away our comic readership; with today's exciting, powerfully visual movies I have to wonder about their effect on the kids' loyalty to the comic book medium all over again.
I was on 'Desperate Housewives' and that was my crash course on being on national television topless. Also, I do what I can in between scenes: push-ups, a little free weights. I knew going in it would be a big part of the show.
Because of how much movies cost, it's dangerous to be experimental on one film after the other. But we can experiment with television. We can do things that are fringe and bring ideas to the table that are offbeat and original.
Television's compelling power is its immediacy . .. this immediacy feeds the politics of emotions, gut reactions and impressions rather than the politics of logic, facts and reason; it emphasizes personality rather than issues.
I have new music coming out. I'm working on some television shows. I still do a tremendous amount of concerts. I'm doing my restaurant. I got a club coming in New York. The restaurant is called Doug E. The club is called Fresh.
When there's a painting in the room, my eye goes right to it. It's like if you go into a bar and there's a television on, you can't take your eyes off the television. Paintings have that effect on me. It's where my eye settles.
Millions of people were inspired by the Apollo Program. I was five years old when I watched Apollo 11 unfold on television, and without any doubt it was a big contributor to my passions for science, engineering, and exploration.
I joke that I learned the essentials of storytelling from Hanna-Barbera, but I pretty much did. That kind of television is what enamored me as a kid, and that's what really got me hooked. You could say that's where it all began.
The one thing about program television that's absolutely incompatible with any concept of art is that all decisions have to be made by program directors, whereas art is autonomous. It may be dependent, but it knows no superiors.
I wanted to describe the world at the same time, through image, express what I felt. It was the time of the great documentary filmmakers: Richard Leacock, Joris Ivens. Today, television has put an end to this type of filmmaking.
Before I was shot, I always thought that I was more half-there than all-there - I always suspected that I was watching TV instead of living life. Right when I was being shot and ever since, I knew that I was watching television.
I had as much time to prepare for that moon landing as NASA did, and I still was speechless when it happened. It just was so awe-inspiring to actually be able to see the thing through the television that was a miracle in itself.
People say, "Well, you went on television, it enlarged your readership." It did not at all, not at all. I might as well tell you, I lost some readership, because the profound audience felt somehow bothered by my too easy manner.
Your cable television is experiencing difficulties. Please do not panic. Resist the temptation to read or talk to loved ones. Do not attempt sexual relations, as years of TV radiation have left your genitals withered and useless.
I am deeply honored that my team is being recognized by H.S.H. Prince Albert II and the Festival de Television de Monte-Carlo for Disney/ABC's role in creating television that inspires and captivates audiences wherever they live.
My father was sleepless most of his life. So by the age of five, I was awake with him all night long, watching bad television or we'd lie in the same bed, and I'd read my comic books while he read his latest spy or mystery novel.
I grew up completely overwhelmed by TV, and part of the reason why I have gone into television is as a way to justify to myself all those wasted hours of watching TV as a kid. I can now look back and say, 'Oh, that was research.'
He was doing - Ray was designing the clothes for my mom's show from California. And one of the first appearances I ever made on television was on my mother's show and Ray and Bob did the clothes for that. It has been a long time.
As soon as television became the only secondary way in which films were watched, films had to adhere to a pretty linear system, whereby you can drift off for ten minutes and go and answer the phone and not really lose your place.
There have been several television movies, 'Carrie 2,' two musicals! I remember thinking, the first time there was a musical on Broadway, 'Oh my gosh! The people who ordinarily go to the theaters, that's not really the audience.'
I think that televisions are unnecessarily complex. The irony is that as the pictures get better and the choice of content gets broader, that the complexity of the experience of using the television gets more and more complicated.
African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
In the evening, since I have a lot of friends in theater, we might take in a Deaf West production in North Hollywood, or, since I'm a member of the Academy of Television Arts & Sciences, they have screenings that are really great.
I don't know, unless you disagree with me, wouldn't it be better, if we were going to go after Mosul, to not say anything and do it as opposed to announcing? They're announcing all over television they're planning to attack Mosul.
I still remember vividly watching television coverage of the Democratic National Convention in the summer of 1992 (when he was 17) when Bill Clinton got the nomination. That was certainly a part of my growing interest in politics.
I know that we shall meet problems along the way, but I'd far rather see for myself what's going on in the world outside, than rely on newspapers, television, politicians and religious leaders to tell me what I should be thinking.
I can only speak for myself, and hope people hear my words and see me on television speaking for myself. And, hopefully, they'll be able to make their own judgment. And at the end of the day, I just want my work to speak for itself.
The right of the people to peacefully assemble and petition their government for a redress of grievances is now worth a pitcher of warm spit. That's because TV will not come and treat it respectfully. Television is really something.
I describe television as feminine and movies as masculine, in the sense that television wants to examine a problem from all sides and talk about it for a long time, and movies just want to hit the climax and then maybe have a smoke.
I like working in both movies and television. Television is faster, not very much rehearsal and a lot of material is shot in a day. Big budget movies are luxurious in terms of the schedule. Independent films often shoot fast as well.
I’d like to create an integrated television set that is completely easy to use. It would be seamlessly synced with all of your devices and with iCloud. It will have the simplest user interface you could imagine. I finally cracked it.
A lot of people live much more simply than in the old days. That doesn't bother me. Keeping busy is the problem. Television guest shot fees are going down. You can do a dozen guest shots a year, but you're not making that much money.
The printed page conveys information and commitment, and requires active involvement. Television conveys emotion and experience, and it's very limited in what it can do logically. It's an existential experience - there and then gone.
My mother had just died, and I had to walk a long way behind her coffin, surrounded by thousands of people watching me while millions more did on television. I don't think any child should be asked to do that under any circumstances.
In the modern media age we are rarely surprised by what we see. Whether it's on television or film or in the theatre, everything is so advertised, so trailed, that most entertainment is merely what you thought it was going to be like.
My first TV experience, it was so bad. I just didn't feel a creative atmosphere. I felt like we were just pawns to deliver lines. Everyone was telling me that's just television. I said, 'OK, I'm going to stay far away from television!
When I wanted to change the concept of what I was doing, I needed to be more public because it involved more people to collaborate. And I'm doing television now. I have to be honest, I was very afraid to do TV. I said no for 10 years.
I've been working some really long hours for the last five or six years. Anybody who works on series television knows, and especially women because women spend probably two hours more than the guys with all their hair and makeup crap.
When you spend many hours a week working with the same people - I mean television operates on really amazing hours and the gift of that is the trust that you feel and the intimacy that you feel with the people who you're working with.
I grew up in Sweden. It's a profoundly Americanized country. We have a strong tradition of Americana and always had non-dubbed American television, and embracing American culture a lot, so I always knew that I wanted to go to America.
There are some incredible television shows. It seems a sort of succumbed place to be. At the moment, I'm quite happy sort of flitting from place-to-place. I wouldn't want to relocate from where I am right now in terms of where I live.
I have very simple ambitions. If I can just not be boring, I'm ahead of the game. It's hard in television. I think you get enormous reward from the audience. Just give them something they didn't see coming, and you get enormous points.
But while so many white Americans are unaware of conditions inside the ghetto, there are very few ghetto dwellers who are unaware of the life outside. The television sets bombard them day by day with the opulence of the larger society.
The experience I've had with Strikeforce kickboxing, K1, Strikeforce MMA, working with ESPN, working with Showtime, working with Japanese television, working with fighter camps from all over the world has given me a unique perspective.
I began to realize something - to understand the future you have to understand physics. Physics of the last century gave us television, radio, microwaves, gave us the Internet, lasers, transistors, computers - all of that from physics.
Movies and television show build on top of each other, succeed one another. In a large way, in terms of filmmaking aesthetics, they evolve because they can't help but be a consequence of all the movies and TV shows that came before it.
To kick things off, [television show host Andy Cohen] asked the last time Winfrey had smoked marijuana. 'Uh ... 1982,' Winfrey replied. 'Let's hang out after the show,' Cohen joked. 'Okay,' Winfrey laughed. 'I hear it's gotten better.'
There are moments when television systems are young and haven't formed properly, and there's room for lots of original stuff. Then things become more and more top-heavy with executives who are trying to guarantee the success of things.
When you built television sets, you have all this test equipment. And you'd have all these lines and squares on the screen to test it. So it occurred to me that it might be fun for people to control the lines and squares on the screen.