Babylon 5 is probably the biggest, most ambitious television science fiction series ever made. It's one big novel told over five years with 110 different stories told within it.

Twin Peaks was special because it was so groundbreaking. In the early 90s it really changed television a lot. A bunch of weird shows, like Northern Exposure, came on after that.

I just did something on a show on UPN called 'Girlfriends' that will be on television in February. I am actually a much better actor today than I was in 1996, believe it or not.

The thing that makes me feel young, honestly, is making television. It's the only thing that excites me, the way that you get excited when you're a kid. That's why I still do it.

When The Muppet Show ended, we all sat around and said, what kind of television show would we like to do. We felt the need these days are for some quality children's programming.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

Even though the vast majority of my work was outside television, the amount of creation and inventing that went into the TV shows was non stop and, unknown to me, a great strain.

Before I debuted, it was my goal to make my debut, and afterwards, I aimed at winning champion titles on television music shows, and I hoped for a chance to perform as a soloist.

I wish I could have a recurring role on 'Modern Family'. I think 'Modern Family' is the best comedy on television. It's extremely well written, extremely well acted and directed.

Mostly, I was only interested in television as a kid, and the majority of reading material I collected was an adjunct to that central concern, comic books and magazines included.

It's all good fun - television and movies and so on - but the good thing in theatre is there's nothing and no one between you and the audience so you can do what you want really.

If you can deal with hot emotions, then you can study for the S.A.T. instead of watching television, and you can save more money for retirement. It's not just about marshmallows.

I mean, the only thing that matters to me is getting to the work - getting to do the work. And I don't really care where it is: whether it's on stage or on television or in film.

Television has its opportunities. It allows you more hours; there's more demand, and it keeps you working. If you can do something innovating and fresh, it can be very rewarding.

When you watch television shows, as good as they are, like 'Joan of Arcadia' and 'Touched by an Angel,' everything is this kind of mishmash of faith but not any specific religion.

I have to say that as an actor, I really look for the role. I'm not really looking to see if it's for television or film, because there are highly talented people in both mediums.

We created compelling television, and I think we exposed a lot of bad people who were preying on children. So if the old-guard journalists have a problem with that, then so be it.

I do not use words like 'liberal' or 'conservative.' You can ask me a question, and I will give you an answer. Those are words rich people on television use to divide and conquer.

It's not unknown that Vancouver is a huge destination for television and film. It has been for many years. It just seems to be that I'm drawn to the show that shoots in Vancouver.

And you know, we did it as an independent film, and we weren't expecting it to be on television, and Lifetime ended up buying it. And the viewers responded intensely to that film.

The family dinner table is the cornerstone of civilization and those who 'graze' from refrigerators or in front of the television sets are doomed to remain in a state of savagery.

I'm not saying no to anything, at least as far as reading scripts. I don't care if it's television or films but, personally, I would say I'd like to establish myself more in film.

I'm a perfectionist, so doing a high quality, high caliber television show with great actors makes me feel like there's this whole world of television that I've never experienced.

You realize, this is not just a little studio we go to make these television episodes. This thing is reaching everybody in the world! Suddenly you realize the power of television.

Each day, the American housewife turns toward television as toward a lover. She feels guilty about it, and well she might, for he's covered with warts and is only after her money.

When I was young, always in Serbia there were some telenovelas on television, Spanish language. Then you listen, listen, listen, you watch one series, and then you can understand.

It's not even that finding laundry pleasurable or delightful should be our goal rather than finding television delightful. It's that both laundry and television can be delightful.

When you find any great project - if it's onstage or it's a movie or a television show or whatever it might be, if it's wonderful, then that sort of transcends what the medium is.

Sign language is my first language. English and Spanish are my second languages. I learned Spanish from my grandparents, sign language from my parents, and English from television.

What I know of Steve Trevor is everything that I learned from 'Wonder Woman,' the television series with Lynda Carter. And I don't remember much. I do remember his uniform, though.

I've never considered myself an actor; I get much more immediate satisfaction singing. If you sing good, people clap. On television, you never know whether you've done well or not.

Ed Simmons and I became stars in the emerging medium of television. We were new and fresh, just like TV at the time, so we automatically became 'THE' comedy writers for television.

There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.

I think feature film can be quite conservative, because you have to now get audiences to come out, and it's quite a hard thing to do. Of course, television can be conservative too.

In this age of globalization, instant real time media and television, everyone all over the world realizes that high energy usage equates with a high standard of living and wealth.

Ridley Scott's company makes great work in whatever arena, whether it's movies or commercials or television. They just do really quality stuff, so you know it's going to be quality.

TV depends very much on the pictures that you see on your television, and all the other things that come up on the screen, whether it be GFX, the studio or the pictures of the game.

I think it's a great time to be a person of color and with talent. And actually, to be a woman as well. Our show is one of the most diverse television shows on television right now.

In this era of affluence and of permissiveness, we have, in all but cultural areas, bred a nation of overprivileged youngsters, saturated with vitamins, television and plastic toys.

I did radio, I did television, I did opera, I did films in which I had very, very little to say. But I had a lot of experience in front of the camera, and that's what really counts.

I guess television is so much on the word. It's so much closer to playwriting - the scale is more just about the voices and the internal lives. Movies, it's a very different canvas.

Neither my MFA from Yale School of Drama nor my BFA from the Tisch School of the Arts at New York University make me any different from other actors in film, television, or theatre.

My first introduction to television, and really just the business in general, was working with David Lynch, with his incredibly open, creative mind that was not following any rules.

The value of the television network is partly tradition, serving as a navigation device and as a brand. Research shows that people do know and understand ABC as a brand, like Disney.

Sometimes it's like watching a train wreck. You're uncomfortable, but you just can't help yourself. Some of those so-called bad interviews actually turned into compelling television.

I won every award you could win in television. I got paid well. And people loved '30 Rock'. And I loved '30 Rock'. I mean, sometimes you do a show that's a hit show, and you hate it.

There's still formulaic stuff on network television, but there's also more of an opportunity to have your way with storytelling, especially in sitcoms. That's what the difference is.

There's so little difference between television and features as far as you make the film. I mean, you have less money and it's a little quicker, but the concept is all on television.

Best-selling horror fiction is indeed necessarily conservative because it must entertain a large number of readers. It’s like network television. I’m your local cable access station.

The more unique your film is and unusual it is and difficult it is, the harder it is to get it financed. That's why a lot of good filmmakers are doing television. They do HBO movies.

Share This Page