I don't really think about film or television or going directly to the internet. I just think about doing something that people are going to get excited about.

When the stock market crashed, Franklin Roosevelt got on the television and didn't just talk about the princes of greed. He said, 'Look, here's what happened.'

Violence and smut are of course everywhere on the airwaves. You cannot turn on your television without seeing them, although sometimes you have to hunt around.

I started modelling while still studying. I liked doing television commercials and being in front of the camera. Lots of ad directors told me to try for films.

I think it is important to be aware that the Internet has replaced the television, and has become a place where the uniformity of human society is accelerated.

Because of television, people are now more exposed about actors - one gets to know about actor's personal life. People know that we are just playing characters.

I used to do theatre in school and college. When I started working on television, only the camera was new. Theatre experience really helps one lose inhibitions.

But, I don't know, the violence, I can't even talk about. We don't do a lot of violent shows. When I started in television, breaking a pencil was a violent act.

I was born in Alabama and my first live music experiences were in church. Every Sunday we watched regional gospel groups on television singing their hearts out.

In film, because you know where the ending is, characters can change, but in television, you substitute revelation for change, and that can be hard to pull off.

'Looking' is more than just a television show. It's contributing to the cultural conversation, and for me, those are the most exciting projects to be a part of.

The general view is that actors start on soaps and then maybe graduate to prime-time television or film; normally you don't see a film actor going to do a soap.

Television is hard work. It's all hard work. Theatre is hard work. I tell you, I have bruises from changing backstage. Those quick changes are really difficult.

My parents found what I was interested in and encouraged me. They didn`t put me in front of a television and buy lots of toys, the way some American parents do.

I've been approached in the past to option my stories for television, but prior to Evergreen, there were no assurances the production would be filmed in Alaska.

Its really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.

I think in my job, it's quite difficult to find work on television... you don't necessarily want to get a profile for something that you don't fully believe in.

I have proven that being a perfectionist can be profitable and admirable when creating content across the board: in television, books, newspapers, radio, videos.

Watching television in those days was not the same experience as it is today. After years of listening to radio, we found the black-and-white images mesmerizing.

Making a television show is not like making Coca-Cola or Bacardi rum. The human element in our business prevents us from finding a successful formula every time.

I really like doing television shows, and I anticipated doing a comedy, because thats the place I feel the most comfortable - those are the risks I want to take.

You do show after show after show and get them done and on the air. Television devours material. We work a minimum of 12, 14 hours, and often 15, 18 hours a day.

The place I feel most at home is when I have health insurance. I really don't care how I get it, whether it's on film, or television or waiting tables, you know?

It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.

The success of 'The Simpsons' really opened doors. It showed that if you were working in animation you didn't necessarily have to be working in kids' television.

I always wanted to be a full-time musician. Every television job I had was a means to buy a grand piano, or to put in a recording studio, or something like that.

There are days when any electrical appliance in the house, including the vacuum cleaner, seems to offer more entertainment possibilities than the television set.

I always felt that it was easier to take a funny person and teach them to write television than to take somebody who was a television writer and make them funny.

'It's Always Sunny in Philadelphia' I did an episode on, and that's one of my favorite television shows ever, and there are these shows that I watch so regularly.

At the University of Maryland, my first year I started off planning to major in art because I was interested in theatre design, stage design or television design.

Fortunately, both television adaptations and the film I've been involved with are pieces of work that I'm proud of, so I'm very happy for people to focus on them.

Television brought the brutality of war into the comfort of the living room. Vietnam was lost in the living rooms of America - not on the battlefields of Vietnam.

Television is certainly a writers-led medium. They're the ones who are there, they're the ones that are conferencing or whatever, with directors coming and going.

I take great pride in portraying a strong female character who is independent and can take care of herself. I don't think we get to see that enough in television.

'Leave It to Beaver,' which ran from 1957 until 1963, was one of the strangest, sweetest, most distinctive domestic sitcoms of television's celebrated Golden Age.

I keep getting these people at my shows who only know me from television. I can always tell when they're, like, emotionally flinching when I start doing my jokes.

'Fringe' is one of my favorite television shows, from its inception. I absolutely love all of the science fiction of it, the mystery of it, and the science in it.

I think that I recall the nostalgic '50s: the start of early television and rock-and-roll, and I think everything seemed to get very generic. Not much has changed.

I have been very fortunate in that I'm not doing all network shows or all cable shows, television has really become a year-round process in the way that it's made.

Some of the greatest films and television have only been seen by the people that make them. And some of the greatest music is only heard by the people who make it.

I grew up with free television. Now, it wasn't free, there was these commercials, and so the economic model was driven through commercials and through advertising.

When I had my television show, 'Barbara Mandrell and the Mandrell Sisters,' it was my high hope to convert people to country music. It is wonderful and contagious!

I'm able to do my television projects and movie projects that I really want to explore. For me, it's not about the money, it's not about the fame. I love creating.

A study by the Parents Television Council, a media watchdog group, found scenes of graphic violence and gore are increasing in TV dramas - and particularly on NBC.

What I've figured out how to do is make people feel comfortable on television and on the radio, which enables me to have access to them, which is key for what I do.

I dont mean to insult television, but a lot of the time, its pretty straightforward. If you say, I love you, you mean I love you. There isnt time for anything more.

So many people of my generation all grew up with that shock theater package on television of 'Frankenstein,' 'Wolfman,' 'Dracula,' 'Mummy,' all the Universal stuff.

A man could rant and smash and grapple with the State Police, and still the sprinklers whirled at dusk on every lawn and the television droned in every living room.

I mean, my dad's a television producer, and I knew I could get a job as an assistant or a reader with one of his friends, but it wasn't exactly what I wanted to do.

I'm an old git now, so I would say this, but television was better when there were less channels. There was more concentration and selection in terms of the output.

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