Quotes of All Topics . Occasions . Authors
My mum was no pushy parent. She would drop me off for auditions when I was in my teens at the Lyric Theatre, then give me my bus fare and say she would see me later at home. She wasn't hanging around in the wings geeing me on. I had to do it on my own; it was up to me.
I can't stress to you enough how much I can relate to teens being cyberbullied. Something that helps me is looking at old videos of me and my friends from middle school, or videos of my family. I love watching funny videos of my favorite people - it really cheers me up.
Rey's parents left her at 5, and we meet her when she's late teens or early 20s, and for someone to keep hopeful that there's a better life to come, I think, is astounding. Though she starts off alone, she very much finds her place in a group of people, and that's lovely.
I went around in my teens and early 20s thinking that life was a con trick. I had managed to grow up believing in all sorts of romantic ideas about hard work and justice and truth, and it seemed the real world was much more complicated and shaded than I wanted to believe.
In the black-and-white world of a girl in her late teens, I thought of things like Internet etiquette as obvious, rule-bound institutions. Facebook was Facebook, texts were texts, emails were emails, chats were chats, webcamming was webcamming, phone calls were phone calls.
The acting bug just seemed to stick with me. I loved going to theatre school in college and continued to train in film classes and had been auditioning for T.V. and movie roles since I was in my late teens. My career has been slow and steady, and I kind of like it that way.
I do everything in my power to promote positivity however and whenever I can; and, constructively and softly, try to encourage tweens and teens that if they want to be part of a dialogue on my social platforms, there is an expectation that they do so with poise and respect.
If we ever head down the American path of banning certain books or turning the editorial process into one of censorship, we will risk turning teens off books and sending them elsewhere - to their X-Boxes, for instance. To the Internet. And they won't ever come back to books.
Certainly working with teens keeps me up to date with language and with certain kinds of thinking. I often feel like I have to go back to that 17-year-old Chris Crutcher, and that forms the core voice. I can draw on teens from 1964 to 2001 to find a part of the voice I need.
I wanted to be a writer as a teen... so storytelling was my first love. In my late teens, design became an obsession as I realized that I could express myself through the medium. Much later, when I founded Fuseproject in 1999, our slogan became 'design brings stories to life.'
Many people in their teens wonder about these big questions - what's the meaning of life, what are we doing here - then somewhere in their 20s, they seem to say, 'I'll just get married. I'll just have kids. I'll get back to that later.' But they never do. For me, it kept boiling.
Some of the more popular life-centers for teens include Friends, Stuff, Enemies, Self, and Work. They each have their good points, but they are all incomplete in one way or another, and they'll mess you up if you center your life on any one of them to the exclusion of the others.
If the Internet has been called a great democratizer, perhaps what social media has done is let anyone enter the beauty pageant. Teens can cover up pimples, whiten teeth, and even airbrush with the swipe of a finger, curating their own image to become prettier, thinner, and hotter.
It's really a question of fairness and what kind of country we're going to live in. There are 22,000 people making over $1 million. They're paying an effective tax rate in the teens. As Warren Buffett said, he pays less in taxes effectively than his secretary does. That's not right.
I see my whole 20s as a massive experiment. So were my teens. I think the problem is that we're not encouraged to experiment; we're encouraged to decide and choose, be singular and focused. You can't be that until you experiment. You don't know what's going to work until you try it.
I came into my teens unaware that most Americans, blacks as well as whites, were ignorant of the main facts of Negro history. And so it was the facts of other histories that I found most intriguing. I fell into a U.S. history major by chance late in my second year at Fisk University.
Every step on my way to becoming an artist seemed preordained. The right people were always in the right places at the right times to boost me to the next level. I was fortunate to be selected for a summer drawing class offered to teens at the Otis Art Institute of Los Angeles County.
Children born to teens have less supportive and stimulating environments, poorer health, lower cognitive development, and worse educational outcomes. Children of teen mothers are at increased risk of being in foster care and becoming teen parents themselves, thereby repeating the cycle.
The very first time I ever heard anything of mine on the radio, I was in New Jersey, and I was in my teens. I did my first record, which was an old standard called 'My Mother's Eyes.' It was the old Georgie Jessel theme. I heard it on local radio out of Newark. And it was very exciting!
In a television interview, I said that diversity in our children's books should include the adventures of disabled children, travellers and gipsies, LGBT teens, different cultures, classes, colours, religions. It shouldn't be a token gesture, nor do such stories need to be 'issue-based'.
I found 'Bordertown' when I was standing on the border between childhood and my teens, and it carried me past that transition. In the process, it helped to create the next step of its own evolution: the modern urban fantasy owes a lot more to 'Bordertown' than many people will ever know.
One of the things that I really like about young adult fiction is that you can explore the relationships between teens and their parents. I definitely think that teens are a product of their parents. You either end up just like them or you consciously make the decision to be unlike them.
One of the things I noticed while I lived in New York City was how different the kids and teens were that grew up there versus, you know, my suburban upbringing. They have this innate resilience and toughness to them, and they're incredibly self-sufficient, usually from a pretty young age.
In my early teens, I was working in a Wimpy Bar and delivering cab company cards to make cash. I also ran a tuck shop at school. I struggled academically because of being dyslexic. When I saw other families and what they had, it inspired me. I thought, 'I can get that, too, if I work hard.'
Drumming completely eclipsed my life from age 13, when I started drum lessons. Everything disappeared. I'd done well in school up until that time. I was fairly adjusted socially up until that time. And I became completely monomania, obsessed all through my teens. Nothing else existed anymore.
I didn't have boyfriends until my late teens. I was at a girls' boarding school, and my stepfather disapproved of me going out with anybody. I never really came across any boys. When I did, one of them asked me out, and I was petrified. I felt like a fish out of water, and it was excruciating.
I think there's a reason that horror appeals to teens. There's a lot of useful lessons to take away from reading horror. We get to be scared in the comfort and safety of our own homes. We can put the book down if we get too scared, and no one will ever know if we decide not to pick it up again.
Ever since my early teens, I've tried to swing the driver very fast. Back then, it was as fast as I could. But now that I'm 24, I'm working to dial back some of that speed, knowing I have an extra gear if needed. The goal is to protect myself from injuries down the road - especially to my back.
Part of me feels like when you had a lot of success in your teens and 20s, it gets harder for you in your 30s because people are so attached to you as this ingenue. So even though you're older, they still think of you as that girl - that waifish young girl. And so it was sort of like a struggle.
My father had to flee from what is today Pakistan when he was a child, and he became a manager at IBM, and any item of consumption he would acquire was a direct measurement of his success in life. But that same equation wasn't going to work for me - I was quite clear about that in my early teens.
I had my bad-boy moment in my teens. I'll never do that again. It wasn't pleasant, and I learned my lesson. It was sexy and mysterious, and it's like, 'Look how cool they are,' but it's just not worth it. He was lying to me and accusing me of cheating - but then I realized he was the one cheating.
I would hate to be in high school now. Psychologists talk about the 'imaginary audience' that teens seem to feel they have around them and that makes them think they have to keep up their image all the time. Now with Facebook and MySpace and 24/7 online access, that imaginary audience has become real.
'Instagram' doesn't exist in a vacuum. We're not a bunch of siloed individuals. It's a bunch of people coming together on topics, fashion, you know, youthful teens, creatives, photographers, foodies, everyone coming together and building a community around the things they love, communicating visually.
We are always taking a hard look at how life was in the past in coming up with interesting subject matter for our various series, and remembering how much I used to want an encyclopedia as a kid made me realize wanting a set is very unlikely for teens today, and that conversation would be interesting.
Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.
My father's Alfred Newman - born in 1900, child prodigy at the piano, ended up in pit orchestras in the teens. I think he's one of the youngest conductors to conduct Broadway and worked with George Gershwin and Jerome Kern and Cole Porter - went out with Irvin Berlin in 1930 to Hollywood and never left.
The thing that I find interesting about teens now is that no matter how desperate we seem to be taxonomically 'othering' them, for one reason or another - because the Internet, because whatever - I feel like a lot of the benchmarks and the experiences are, you know, same for teens through time immemorial.
Once I got to college, it seemed that the Hamptons were a little bit too posh for me and didn't represent the kind of values I was embracing in my late teens. So, I didn't go out there, except to visit my parents, for a long time. And then, after 9/11, I discovered it was a nice, mellow place to hang out.
John Fahey, thought during his lifetime to be possibly more than a little crazy, was the author of some thirty albums of gnomically introverted droning guitar instrumentals, which I listened to heavily in my teens and twenties; I even produced an hour or so of banjo music in an imitative John Fahey style.
The truth of the matter is, beauty is a specific thing, rare and fleeting. Some of us have it in our teens, 20s and 30s and then lose it; most of us have it not at all. And that's perfectly okay. But lying to yourself that you have it when you don't seems to me simple-minded at best and psychotic at worst.
In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.
When I was super young, we were hiking to the top of the 14,000-foot peaks in Colorado. You know, when I was in my early teens, we went to Bolivia and climbed to the tops of the highest mountains in the Alps. You know, those experiences were so exciting that when I came back to school, I was actually quite bored.
I felt I ought not to be wasting time, and I hurried to graduate from high school to enroll at UCSD. I also hurried to finish college, to go on to higher studies. By the time I was in my teens, I had a strong sense of mission, wanting to discover something important or solve a major problem in biology or medicine.
I'll be in 'The Get Down' from the creator Baz Luhrmann, and it takes place in the '70s with South Bronx kids growing up at the rise of hip-hop and really when the city was at its financial worst. It's about teens struggling with violence, drugs and gangs and trying to find solace in music and all that good stuff.
I was, without a sliver of a doubt, a no-good, lazy slacker of a child, and after I discovered literature, I was totally and utterly a no-good, lazy slacker of a child who read books. A lot of books, good and bad, but my favourite - the books I read and reread in my teens - were by Margaret Weis and Tracy Hickman.
You're starting to see programs literally completely supported - all the data usage supported by a company. So our friends at AwesomenessTV are doing a series set on a cruise ship called 'Royal Crush' completely subsidized by Royal Caribbean cruises because they're trying to have teens see that cruises can be cool.
YI teamed up with the Allstate Foundation to basically inform teens why it's important to drive safe. I feel I'm new on the road, so it's important to do these three main things: The first one is buckle up, the second one is slow down, don't speed, and the third one is don't let your friends distract you in the car.
We all have to go through our own spiritual process. It is very difficult. Some people are struggling and they are in their teens. Some people are in their 50s and they're struggling. Some people go through life and die not being able to accept themselves. Tragic. But it's very individual. And it's about self-esteem.
The truth is that those who join gangs - more often than not they are young men in their later teens - often do come from the most difficult family backgrounds, from an environment where they feel neglected and unwanted. Gang membership can bring a perverse sense of belonging which they may not have ever got at home.
I was a crazy Pee-wee Herman fan when I was in my early teens. Before he had the kids' TV show, he had a nightclub show in L.A., and I had gotten a VHS copy of it. It was a kids' show, but onstage in a bar, so it's sort of poking fun at the kids' show. And I was obsessed with that, and then 'Pee-wee's Big Adventure.'