Quotes of All Topics . Occasions . Authors
When I look out at the audience at some of our shows, I think we are reaching a younger audience... I see lots of people in their 30s and 40s, but I also see a lot of people in their young and middle teens, and that's definitely reassuring.
A departure from the movie with Michael J. Fox, 'Teen Wolf' tells the story of how a group of angsty teens deal with werewolves, their supernatural kin and the world of trouble that comes with it, all while trying to still live their lives.
My personal feeling about reboots is - I'm very against it. I feel bad for the pop culture of this generation because I feel like they're getting a lot of retread... a lot of digested and vomited stuff from our teens and 20s and all of that.
Research confirms that great teachers change lives. Students with one highly effective elementary school teacher are more likely to go to college, less likely to become pregnant as teens, and earn tens of thousands more over their lifetimes.
I was raised in Hawaii in what I call a 'faith-inclusive' family. I never felt I had to choose loyalty to the New Testament over the Bhagavad Gita. It really wasn't until my late teens that I became aware of the ugly concept of sectarianism.
I was in a weight-cutting sport, in judo, so I had to be a certain weight on a deadline. It kind of pushed me into having a really unhealthy relationship with food in my teens. I felt like if I wasn't exactly on weight, I wasn't good-looking.
Throughout your teens and twenties, it's pretty easy to live in a suspended reality - one where you never get old or need to spend much time thinking about 401Ks, mammograms, or renewing your license. You don't need me to tell you: that ends.
Love Is Louder is a movement that is hopefully going to bring some awareness and make some noise when it comes to teens who are feeling suicidal or even just sad, outcasts, and being bullied, and really feel like they have nowhere to turn to.
I can build a house with my bare hands. In my late teens I was in a band with my friend Henrik, and his builder father thought we needed something to fall back on, so he taught us carpentry and bricklaying and we built a house over two years.
In my early teens, I acquired a kind of representative status: went on behalf of the family to wakes and funerals and so on. And I would be counted on as an adult contributor when it came to farm work - the hay in the summertime, for example.
I still wear my trousers baggy as I did in my teens. But in a different way. I've loved trainers since my youth - limited edition, vintage, whatever. You could recognise people and judge their character through their trainers. I'm a Nike man.
In the early 1990s, I was signed as a singer to the same label as Robyn. She was in her early teens, and I was in my twenties, so we didn't hang out, but our paths crossed so many times that we slowly got to know each other and became friends.
I'm a very introverted person. Nothing that's happened has changed that, but one of the reasons I write for teens is it's a real privilege to have a seat at the table in the lives of young people when they're figuring out what matters to them.
Like many teens, I struggled with my body and looks, but my despair was amplified by the expectations of cisnormativity and the gender binary as well as the impossibly high beauty standards that I, and my female peers, measured myself against.
I am proud and embarrassed by how incredibly self-confident I was in my late teens and early 20s. I know that there were other things going on, too, but I had an overwhelming belief in myself. Like I said, I'm embarrassed by it and proud of it.
I became politicised in my mid teens, at the time of ska and 2 Tone and the Anti-Nazi League, when I'd get dressed up for a night out in my white socks and loafers, and the last thing I'd hear is, 'Have a good night - be careful of the police.'
We work in a business where you feel you always have to say yes because you never know when you will work again. But I found myself questioning that paranoia, which I'd grown up with ever since I started working in the theatre in my late teens.
In the 20 long, hungry years between my late teens and late 30s I bought in to virtually every new diet and/or exercise regime that hoved into view, particularly at this most vulnerable time for those of us prone to poor body image - a new year.
Oh, I had, 'No one will ever fancy me!' I had that well into my teens. Even now I do not consider myself to be some kind of great, sexy beauty. I don't mind the way I'm ageing. No reason to panic just yet. I think I look my age, and that's fine.
When me and my author friends who write about other difficult subject matter... when you hear from teens daily saying, 'Your book helped me or made me understand a friend better, what somebody else is going through,' you see the positive things.
I started writing my first book for young people when I was in college. I was only a couple of years out of my teens when I began; I felt closer to that experience than I did as an adult. But I've always been drawn to stories about young people.
I love 'Breathless,' and 'Paris, Texas,' and 'Badlands.' I was obsessed with those films in my teens. I remember watching 'Badlands' and being amazed that there were these scenes in which nobody said anything and the silence told the whole story.
I was a quiet, nerdy kid living in the Bronx. I spent most of my teens in my room, taking apart electrical items to figure out how they worked before putting them back together, and listening to the music my four older sisters and parents played.
The whole thing about bullying is: yes, the culture has to change. Yes, teens have the power to change it. It’s not going to happen overnight, but this is definitely something that I want to start motivating teens to do today." - Publisher Weekly
The Trevor Project provides crisis-intervention and suicide-prevention services to lesbian, gay, bisexual, transgender, and questioning teens and young adults. It's truly a lifeline to so many young people who just need someone to listen to them.
I don't understand the actor who plays the same role from movie to movie. Maybe it's because I worked on long-running television when I was in my teens, and so the idea of playing the same role just bores me intensely. I'd rather not do it at all.
In my teens I was interested in photography. Then I decided that I should learn something about the world of commerce. And I came to America at age 17 to escape Europe. I went to NYU - nothing better than being 17 years old and coming to New York.
Music has influenced everything from my tattooing to how I talk to how I walk, I guess. I was classically trained in piano since I was 6. Then in my teens, my older sister introduced me to Metallica. It was all over. I had a mohawk soon after that.
The only way my mother's beauty really affected me was that I always assumed that someday I would look like her. Then, late in my teens, I looked at a photo of her when she was younger than I was then, and I realised, no, it's never going to happen.
As I got into my teens, I started reading better books, beginning with the Beats and then the hippie writers, people like Wallace Stegner up in Northern California, and all the political New Journalism stuff, the Boys on the Bus dudes and Ken Kesey.
When I was finally allowed to watch horror in my early teens I think I overdid it, I actually ended up generating some kind of low grade PTSD, I was paranoid and scared of our house being broken into. It actually took me a long time to get over that.
In retrospect, I went to Jane Fonda for literally everything. During Mermaids, we were staying in the same building, so she was right upstairs from me. I was in my first relationship, so I got all sorts of advice. She became famous in her late teens.
I was born in Cleveland, Ohio; raised primarily in Phoenix, Arizona; and, after running away from home in my teens to play music and bouncing around a bit, settled in Oxford, Mississippi, which I consider more my home than anywhere else in the world.
That's the thing that I've always kind of kept in the back of my head in writing about teens, that everything is so important, all the time, every day. Every day of your life, you're changing and making decisions and everything is an emergency to you.
Even though I've been an avid consumer of contemporary music since my early teens, the world of rock music has always been at something of a distance - I listen to it, read about it, I talk about it, but I've had little or no contact with its denizens.
I am big in Japan... heightwise! But, yeah, I started modeling there in my teens and into my 20s. I did Calvin Klein, Uniqlo, and lots of magazine covers. It's such a beautiful country, and they have beer vending machines right on the street. Love that!
Well, I didn't really grow up playing or listening to metal, like many of the kids I went to school with. I only got into it in my late teens, so when Marilyn Manson formed, it was at a time when I was still excited about approaching music from that angle.
People define themselves to some degree by the music that they listened to as teens. My mom had Elvis. Me, I had 'The Who' and later punk rock. Kids who came up in the '80s had other songs and bands. It's a way of placing ourselves culturally and temporally.
My mother became mentally unwell with schizophrenia when I was in my teens... We couldn't watch television because she thought the people on TV were sending her messages. She thought there were hidden cameras everywhere, so we had to have the curtains drawn.
Until my early teens, I lived with my mother in New York, and I spent a lot of time in the company of her friends, mostly artists and designers, such as Andy Warhol, Ross Bleckner and Francesco Clemente, none of whom had kids, so I was like their shared child.
I do research for every single book, regardless. For 'Double Dutch,' I learned to jump and learned the scoring system. For 'November Blues,' I interviewed pregnant teens. I like to get up close and personal with the kids involved in the situations I write about.
My favorite stories are about kids who refuse to give up; their homes and schools may have been destroyed; they've probably had to rely on themselves more than a lot of adults do, and they've resisted the many bad alternatives that city life offers to poor teens.
It took me years to actually get comfortable on the stage. I prefer the intimacy of screen; it comes easier to me. In theater, you have to be louder and bigger - that was harder for many years in my teens. But now Ive conquered that. I eat up the stage. I love it.
What teens share online is dwarfed by what they consume. Pre-Internet, you had to hoof it to the grocery store to find a magazine with celebrity bodies - or at least filch your mother's copy from the bathroom. Now the pictures are as endless as they are available.
It took me years to actually get comfortable on the stage. I prefer the intimacy of screen; it comes easier to me. In theater, you have to be louder and bigger - that was harder for many years in my teens. But now I've conquered that. I eat up the stage. I love it.
People ask me, 'Why angels? Why paranormal? Why teens?' In the beginning, I'm not sure I knew I was starting down any of those twisted paths - paths that now seem so familiar to me that they are downright comforting. In the beginning, I was just writing about love.
It wasn't until my late teens that I really got into soul music and then I was like 'Ooh, this is good!' You'd always here it at old family parties, like, Gladys Knight and I'd always love it but I didn't really get to know it and respect it until I was a bit older.
The truth is, I initially became a singer-songwriter while still in my teens because it was the only way to guarantee that somebody on earth would sing the songs I was writing. Since then, I've performed just about everywhere: rock clubs, concerts halls, arenas, TV.
My parents, Mary Agnes Smith and Rowland Smith, both had to work since their early teens, she in the holiday boarding house of her mother and he in his father's market garden in Marton Moss, a village on the south side of Blackpool, just north of Saint Anne's-on-Sea.
When I was in my teens, Yehudi Menuhin, who was at work on his project 'The Music of Man,' introduced me to the great astronomer Carl Sagan. It was Sagan who first opened my eyes to the magnitude of the universe, and essentially to the notion of 'music of the spheres.'