Quotes of All Topics . Occasions . Authors
What we do wrong with teenagers is we talk down to you instead of treating you as equals. Adults complain that you're not good listeners but really, adults are not listening to what you're trying to tell us. We're always trying to give you advice. We should treat you with lots of respect and dignity and groom you to be future leaders.
I'm pro-choice because I've never been a fourteen-year-old incest victim pregnant by her father, or a woman who's going to die if the pregnancy continues, or a rape victim, or even a teenager who made a mistake. I want women to have choices, but I also believe that it's a life, especially once it's big enough to live outside the womb.
When I was a teenager, I was trying to please people. I kept changing who I was to please the people I was with. And so once I just decided I wasn't going to do that anymore. I was going to live my life to please God. And so from that day to this, that's been my aim. Some people don't understand, but you can't please everybody anyway.
If we recover something like a functioning, well-informed democratic polity - if it hasn't been wrecked for good by the people who are getting in now, if millennials and teenagers can come to maturity in a world where we hold free and fair elections and agree on what fact is - Lin-Manuel Miranda is going to have a lot to do with that.
When I was a teenager, I really didn't like loud rock music. I listened to jazz and blues and folk music. I've always preferred acoustic music. And it was only, I suppose, by the time Jethro Tull was getting underway that we did let the music begin to have a harder edge, in particular with the electric guitar being alongside the flute.
I would say I was a philosophical boy. Thoughts about 'identical stones' are the earliest philosophical thoughts I remember. But when I was a teenager I also thought about the more typical philosophical problems teenagers think about: the existence of god, the objectivity of morality, whether one can know that the external world exists.
On the other hand, a lot of the internet - I don't know the percentage, but I am sure a great mass of internet use - is pretty superficial interaction amongst people. Its not necessarily a bad thing. A teenager wants to talk to her friend, that's fine, but I think it probably contributes to atomization, which is a threat to the society.
My autism is a very mild form. It was diagnosed at the age of 25, partly because it wasn't diagnosable as a teenager (this is Asperger's syndrome, specifically). But there were certainly traits within that condition, within the autism spectrum in general, especially at the high functioning end, that I think are best looked at as pluses.
About 4000 men, women and teenagers regularly venture out to play a game in -20 weather and stinging prairie winds. Bundled in sweaters and snow suits, balaclavas on their heads and suction cupped shoes on their feet. They slip and slide across the outdoor hockey rinks chasing a soft rubber puck in the Sponge Hockey Capital of the World.
My sister married an American and took his name, and my brother has shortened Sayrafiezadeh to Sayraf. So now he's Jacob Sayraf, or sometimes Jake Sayraf. He made the change when he was a teenager, prior to the Iranian revolution and the hostage crisis. So I don't think it was motivated by any anti-Iranian sentiment in the United States.
Right now one in three teenagers meets the medical criteria for addiction, which is scary. I'm so driven because when I walked into rehab, I was like, "Am I still drunk? Did the guys give me the wrong address? Am I at a summer camp?" And it kills them. Deaths attributed to drugs and alcohol have overtaken all other emergency-room deaths.
One thing I've always wondered—why did you enter that bikini contest when you were a teenager?” Her face flushed with a mixture of anger and embarrassment. “How far back did you trace me?” “Far enough.” A pause. “You didn't answer my question.” “And you didn't turn into a puff of smoke and disappear. The world is full of disappointments.
I'm an actor. Since I was a teenager, I have had to play different characters, negotiating the cultural expectations of a Pakistani family, Brit-Asian rudeboy culture, and a scholarship to private school. The fluidity of my own personal identity on any given day was further compounded by the changing labels assigned to Asians in general.
The sight of a sullen teenager is common no matter where you go. Teenagers want things so powerfully and can never seen to get them, and to add insult to injury, people make light of your feelings because you are a teenager. They say time will mend a broken heart and they're often right. But not where my feelings for Hardy were concerned.
As an angsty teenager and college student, I used to mock people who lived in gated communities, who were so afraid of the unfamiliar world they had to erect a physical boundary to keep it at bay. But now I wonder, aren't the boundaries we draw with Facebook just as secure as a man-made moat or an underpaid security guard manning a booth?
Unfulfilled dreams, ongoing relational tension, the loss of friendships, a hard marriage, rebellious teenagers, the death of loved ones, remaining sinful patterns - whatever it is for you - live long enough, lose enough, suffer enough, and the idealism of youth fades, leaving behind the reality of life in a broken world as a broken person.
I think when I was getting into directing, or wanting to be a director, when I was a teenager, the two films that really inspired me were Raising Arizona and Evil Dead II. And in the case of the former, I thought, "Wow. Why don't all comedies look like this?" And then as I started doing comedy, particularly when I started doing it on TV...
Every teenager deals in his or her own sexuality and has to face it and figure out how it can coincide with the rest of their lives in a healthy manner. And try to navigate it in our modern society, which is wrought with stigma and taboo and repression, and sort of as a result, these inner monsters that some teenagers really struggle with.
I've been close friends with Katy since teenagers, before she was Katy Perry. She's always been a great resource for me to pull from and watch - from her choice of how public she wants to be about her personal life on down. I also watched her develop from the coffee-house singer-songwriter I knew to her be to playing arenas and killing it.
It was Die Hard in my father's workshop. And so when that opportunity came up, the possibility of doing it, it's more the teenager in me who says that, 'I have to, of course I'm going to.' So that's the fun of reinventing, or just getting involved in things that really, actually loved as a kid growing up wanting to grow up to be a director.
I was a teenager, we were pretty much fully indoctrinated, thanks to sexual scare tactics. I remember so many public-health commercials with a B-actor in a fake alley background warning us to use protection or telling us the only real safe choice was abstinence. We were highly frightened of sex from day one. There was no free-swinging '90s.
My brother is severely autistic, so when I was a kid I spent a lot of time as a teenager in camps and programs for autistic kids. When I went to McGill as an undergraduate, I figured I'd be a therapist working with these kids. The truth is, and I knew this even back then, I'm just not good at this. I'm too empathic to do this sort of thing.
I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don't write to protect them. It's far too late for that. I write to give them weapons-in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.
But the pop-up suburb has an incomplete feel to it like something that just wasn't right, wasn't quite real, almost like a movie set. When people raised families in that sterile environment, it produced directionless children who became directionless teenagers, then directionless adults. With no roots, no past to stand on, you got hollow kids.
Motherhood is a great honor and privilege, yet it is also synonymous with servanthood. Every day women are called upon to selflessly meet the needs of their families. Whether they are awake at night nursing a baby, spending their time and money on less-than-grateful teenagers, or preparing meals, moms continuously put others before themselves.
When you're a teenager, everything is amplified because everything is a first. The first time you feel othered, the first time you feel rejected, the first time you fall in love... it's the first time, so it's so vivid, and everything feels like the whole world almost, because it is your whole world; your world is small when you're a teenager.
If people knew that Burzum was just the band of some teenager, that would sort of ruin the magic, and for that reason, I felt that I needed to be anonymous. So I used a pseudonym, Count Grishnackh, and on the debut album, I used a photo of me that didn't look like me at all to make Burzum itself seem more out-of-this world and to confuse people.
For every teenager there are issues that make finding it hard. These girls are totally unique and totally like every teenager everywhere - in the world. They illuminate, beautifully, the universal search for identity that we all have. I hope that people come away from the film with a better understanding of themselves, and compassion for others.
My fans - I hate the word fans...my supporters - it's an international following that isn't from being in London and existing on the "scene." It came from being on the Internet, from being a teenager communicating with different artists, showing who I am, who KESH is, as well as connecting with other people around the world doing similar things.
The young women who attract so much attention never change: They are all stupid. They have at best only the crudest notions of their own power, and never calculate motives or consequences. Giving a young woman a young woman's body makes as much sense as giving ten teenagers Lamborghinis and telling them to drive in figure 8s around a parking lot.
Femininity in general is seen as frivolous. People often say feminine people are doing 'the most,' meaning that to don a dress, heels, lipstick and big hair is artifice, fake, and a distraction. But I knew even as a teenager that my femininity was more than just adornments: they were extensions of me, enabling me to express myself and my identity.
You know what's the worst? Being a 16 year old girl who loves a famous Singer, not solely for his looks, but because you truly believe he is talented and devoted and you agree deeply with his message. Because no matter how intelligently and fully you can express that, people will assume you're just a silly teenager who thinks a famous guy is cute.
I cut my teeth playing rock songs on the accordion when I was a teenager and my friends always thought that was extremely amusing. I think that was the genesis of my polka medleys, because every rock song I played on the accordion just sounded like a polka and my friends thought it was funny. So that was a joke that I continue up to this very day.
These are young people who made mistakes that aren't that different than the mistakes I made and the mistakes that a lot of you guys made, we have a tendency sometimes to almost take for granted or think it's normal that so many young people end up in our criminal justice system. It's not normal. ... What is normal is teenagers doing stupid things.
If I was being perfectly honest, which I'm not going to be, I think the movie touches on a lot of things that we all went through... the first kiss, which was more than a first kiss for Harry [Eden], and those electrifying moments when you're a teenager that form who you are as a human being. I think those, for me, are what Baillie captured so well.
I was more intrigued by the relationship [in Felicity]; the idea of these two teenagers who were placed together. What would that be like, and what would it be like to watch that unravel. Living together, and having babies with somebody, missing out on your whole childhood, and then spending all these years with someone. I was more intrigued by that.
Even as a teenager we got interested in the Beats, Dada, and Surrealism, and so on. What drew us to those was that their lives were their art. It wasn't something they did separately. Reading biographies of artists of that kind was what was fascinating to me, more than the stuff they made. We became convinced that life and art is really the same thing.
I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing.
The single greatest pleasure that I have in doing ('Bizarre Foods') is when I meet families with 6, 7, 8-year-olds, or teenagers, who say, 'It's something the whole family can watch, and it lets us show our younger children that one man's 'weird' is another man's 'wonderful,' and we all kind of live in the same place.' It's just the best part of my day.
A few years later, when I was still going to these meetings, I was also "second-acting" every Broadway show [walking in with the crowd after intermission]. I snuck in to see Grease with John Travolta in kind of a secondary part and Adrienne Barbeau playing Rizzo, into Pippin, hung out with Ben Vereen and Bob Fosse. It was an amazing time for a teenager.
The small irritations or indignities that we experience are nothing compared to what a previous generation experienced... It’s one thing for me to be mistaken for a waiter at a gala. It’s another thing for my son to be mistaken for a robber and to be handcuffed or, worse, if he happens to be walking down the street and is dressed the way teenagers dress.
For almost a quarter of a century, Teen Ink has been encouraging young people to write - and then has published those pieces. These heartfelt essays and poems explore the issues faced by teenagers today. I applaud their efforts because they not only help young people deal with their own lives but also encourage the budding authors of the next generation.
I am critical of myself like everyone else. You go to a movie theater and you are forty feet high. I had bad skin as a teenager and I am a shy person, but I think I am in the perfect business to fight my insecurities. You have to learn to love yourself and say 'I am pretty cool' instead of being so critical. You can easily fall into the trap of doing that.
When you're aware, from a young age, of how something plays in public, it makes you a young entrepreneur, whether you like it or not. I call most teenagers 'young entrepreneurs' because from a young age we're aware that our social media is building our brand. And if, when you're 13, you're concerned with building your brand, then "like" disparities matter.
I think that a lot of teenagers think they got it all down-pat. Especially when they first move out and they're on their own for the first time. Oh this is easy, this is breezy. Then all of a sudden it hits you in your mid-twenties that maybe you don't know how to do your taxes still. There's all kinds of things and you start calling your parents up again.
When we're growing up and being teenagers, oftentimes you try so hard to define yourself. You try to create an image of yourself because you don't really know who you are yet. And that can be kind of limiting because you forget that there are actually so many different sides of identity. And it's important to recognize that everyone is completely different.
When I was a teenager, I thought I wanted to be an actor. I worked on an Indian soap opera that was my first exposure to production. But I quickly became disillusioned by acting and seeing that in the movies I loved and the TV I loved, no one looked like me. There weren't going to be any leading roles that would be interested in casting someone with my face.
She did not need to fold into herself and self-destruct. Those awful things are survivable, because we are as indestructible as we believe ourselves to be. When adults say, "Teenagers think the hate invincible," with that sly, stupid smile on their faces, they don't know how right they are. We need never be hopeless, because we can never be irreparably broken.
Young women now, this generation - girls my age too, but even younger than I am - they're the ones that are going to change the world. They've grown up in such a new way of thinking about women and female empowerment. I grew up with a little bit of that, but teenagers now, those are the girls that are going to make the world a different place for everyone else.
Over the summer we chatted one night while Angie stripped a bed, changed wet sheets, comforted and repajamaed a toddler, and chased down a car of speeding teenagers while shaking a brick at them, never once interrupting the conversation or setting down her margarita. The only reason this woman isn't president of General Motors is because she's chosen not to be.