I always give three pieces of advice to all the teenage girls when I do my talks: long country walks - it's important to get some fresh air in your lungs, and be in contact with your body; masturbation - it takes the edge off, it'll get you through; and the revolution - believing in changing the world.

I preferred that option, where my camera (and by proxy, me) could look them straight in the eye. The way they reacted to me was always interesting. Sometimes hard young men would reveal vulnerability and a softer side. In the case of teenage girls, I often got a fascinating glimpse of the woman inside.

Most Shadowhunters get their first Marks at twelve. It must have been in your blood.” “Maybe. Although I doubt most Shadowhunters get a tattoo of Donatello from the Teenage Mutant Ninja Turtles on their left shoulder.” Jace looked baffled. “You wanted a turtle on your shoulder?” -Jace & Clary, pg. 314-

I was drawn to astronomy by a teenage existential quest. Around 13, I was deep into wondering about the meaning of life and what I was doing here. I turned to religion, but that did nothing for me. I got to wondering where was here. So, I began studying astronomy and became enthralled by what I learned.

What if there is no dirt on Merjack? Oh, I can answer this one. (Omari raised his hand like he was in a classroom, then dropped it to his side.) We all die. (Omari) I just love teenage angst. By the way, chip, there are worse things in life than dying. (Nero) Like what? (Omari) Living as a slave. (Alix)

I've written about teenage heroes before, on Marvel's Runaways, and I remember at the time when I pitched it, it was a team that had more female members than males. Even that caused of much discussion about, "Will there be a market for this, and should there at least be equal number of male and females?"

Teenage years, having gone through it all, I know it's a rough, rough time, and I would say to accept that message of letting go, letting it happen and accepting that things don't always happen for a reason, or you may not understand the reason, but it's all part of the journey, and try to enjoy the ride.

I didn't get along with Lindsay Lohan on Confessions of a Teenage Drama Queen, but you have to consider that we were 16-year-old girls...From what I've experienced, women aren't good friends to one another. When guys want to hang out with you because your personality is badass, women immediately hate you.

I accepted Christ at a young age, at the age of six years old, and just tried to play hockey and balance that. I had some struggles later in my teenage years. I moved away from home and struggled a little bit being on my home and finding out who I was and trying to mix that with my faith and make it real.

My parents were reluctant to let me start auditioning until I was at least a little bit emotionally stable - I'm still working on that! And so I started when I was fifteen, and it was the best thing that could have happened to me in terms of being able to focus my crazy teenage energy into something good.

The boarded-up homes, the decaying storefronts, the aging church rolls, kids from unknown families who swaggered down the streets - loud congregations of teenage boys, teenage girls feeding potato chips to crying toddlers, the discarded wrappers tumbling down the block - all of it whispered painful truths.

McDonald's offers a king's ransom to any hip-hop artist who is able to put Big Mac into a song. MTV - and more to the point, Viacom - is succeeding in extending a teenage life to twenty-nine or even thirty-one years old. It is about extending this market and removing any intelligent substance in the music.

If we want to make the most of half of our workforce, if we want to eliminate the gender pay gap and we want that same half of the workforce to succeed in jobs that boost our economy, we must make sure that teenage girls don't feel, and are certainly not told, that certain subjects are the preserve of men.

I basically get stereotyped a lot in terms of being a girl and writing 'chick' music for teenage girls or something. I think, if anything, the press kind of, because of my gender and my age, tends to kind of relegate my work to this sort of special-interest group. It's part of the cultural dynamic, I guess.

I can't believe, even in 'The Guardian,' people ask the questions, 'Where did ISIS come from?' 'How did this happen?' 'Why do young Muslim women go off to join them?' Maybe because we've been degrading their people since 1917. Maybe their teenage years are a little bit more stressed than that of Christianity.

I was a teenage girl once. I was not an overweight teenage girl, but I had really bad acne when I was 11 or 12 years old. It was heart-rending, and people made fun of me. People whispered when I walked by in the hallways, and I was sure they were whispering about me. My adult perspective is maybe they weren't.

I'm very happy with my life and career, but I do find myself having serious attacks of nostalgia, and I don't quite know why. Even though I've got to travel the world and do amazing things, I still want to go back to my teenage years and change little aspects of it. It's strange, but it does continue to bug me.

I'm a huge fan of Tupac. I'm from Chicago and his music helped me kind of get through that phase of my childhood, my teenage years. He was one of the biggest artists of all time and his music got me through just day to day life. He was a key to our generation and culture and he still is, even after his passing.

Many of the early greats of sf — Hugo Gernsback (publisher of Amazing Stories) in particular — saw themselves as educators. The didactic thrust of science fiction got the genre initially pegged as children's fare. It was seen, at its best, as an extension of school and, at its worst, as teenage wish fulfillment.

As someone who writes and teaches YA fiction, I spend a lot of time trying to define its character and readership, and I don't think I'm alone - genres are all about boundary drawing, and the YA genre is, in a lot of ways, about carving out boundaries around adolescence, a space for teenagers to do teenage things.

I had this talent for these stupid little teenage songs. I just couldn't get anyone to sing my songs, so I had to sing my own tunes. ... The thing is to be able to outlast the trends. ... They are actually manufactured entertainment groups. They are a product of technology. What you are listening to is technology.

For though, as we have said, all children are heartless, this is not precisely true of teenagers. Teenage hearts are raw and new, fast and fierce, and they do not know their own strength. Neither do they know reason or restraint, and if you want to know the truth, a goodly number of grown-up hearts never learn it.

Yeah. Just keep the live feed going so that I can see it and pretend I’m there, too. (Tory) Yes, my queen. Anything else you’d like? (Geary) A million dollars and Brad Pitt. (Tory) You forgot world peace. (Geary) I’m feeling a bit selfish today. Teenage hormonal overdose, I think. Or just general excitement. (Tory)

I would close down all those teenage magazines that encourage young girls to diet. Who says that to be pretty you have to be thin? Some people look better thin and some don't. There is almost a standard being created where only thin is acceptable. The influence of those magazines on girls as young as 13 is horrific.

I got interested in Zen when I was a teenage beatnik on the streets of San Francisco. And it was my interest in Zen, in part, that got me into the Marine Corps, because that was a ticket to Asia. So I spent a couple of years on Okinawa and began reading and thinking about how I wanted to go about conducting my life.

The one thing I really lucked out on is that all through my teenage years, when my sister was a lifeguard and everyone I knew was out in the sun all day - I was in the theater. Everyone called me Casper because I never had a tan, and everyone else was tan all the time. I think that was the luckiest thing of my life.

Every time I turn on the TV, it infuriates me. You'll see an ad for Advil or Viagra and hear some monotonous voice warn you about even the smaller side effects like headaches or nausea. When you see a tampon commercial, it's all happy teenage girls running along the beach in bikinis. The dangers are beyond minimized.

It's funny: I always, as a high school teacher and particularly as a high school yearbook teacher, because yearbook staffs are 90 percent female, I got to sit in and overhear teenage girl talk for many years. I like teenage girls; I like their drama, their foibles. And I think, 'I'll be good with a teenage daughter!'

I had a lot of friends, but none of them I felt super close with. Now that I'm older, I can look back on my teenage self and kind of see the things I did wrong and the things I did right, what affect they had on me, and what affect they had on other people. I can look at it in a much more conducive way to storytelling.

I grew up watching the films of 'Carousel' and 'Oklahoma' and 'The Music Man' and 'My Fair Lady' - all the classic musicals of that golden era, The sort of more modern musical theater, or what was modern when I was at a ripe teenage age, I wasn't really listening to that stuff. I was really more raised on the classics.

If the Left really wants to preserve family structure and advance cultural values such as work, why do they oppose reforms to a welfare system that pays teenage girls to have babies out of wedlock and disparage conservative proposals that require able-bodied Americans to work for their welfare benefits like food stamps?

I was born in 1963. So the '70s were my teenage years. As a teenager, I was into rock and roll - Bowie, Rolling Stones, Pink Floyd, even more progressive music like Genesis, and I was into a lot of British rock and roll. But I loved also American rock and roll. CCR, Jimmie Hendrix, The Doors, Patty Smith, and Bob Dylan.

When I was in my teenage years, I went to sign up as a cadet entrant to the police force but was at the very last moment rejected, just as I was about to sign my name on the dotted line. I won't get into why that happened, but it was a moment where it could've been predetermined then that I was off to become a policeman.

So a lot of what you see in the Baroque Cycle is me wanting to be one of those guys. In the case of Anathem, I needed something that was more formal, less flashy, as if it had been translated from the classical language of another planet, but enlivened with slang terms that a teenage narrator would enjoy throwing around.

Girls would say: "I have a boyfriend for that." So in addition to putting their pleasure literally into someone else's hands - an inept teenage boy - these are the same girls who say they do not climax with a partner. It's the opposite with boys; they say because they can do that themselves, girls should perform oral sex.

I'm very interested in the way the Internet has changed teenage life. Obviously it's very different from when I grew up, when there weren't even answering machines, much less computers. I was telling my children this the other day, and the little one said, "Did you have electricity, Mom?" and I was like okay, enough, kid.

I find that life just gets in the way and it gets so busy and there's so much chaos and stress that can come along with raising two teenage girls in Los Angeles and being married and working and, you know, everything that goes along with it. It's how do you find those calm moments, because everybody has this in their life.

The teenage pregnancy is such a tragic thing. It is such a sad and tragic thing because the children who have children do it because they think they are going to be loved. They are going to be loved, but they have to give love to be loved otherwise the child becomes depressed. Isolated and depressed. In other words apathetic.

I don't think my father considered allowing a teenager to follow his dreams was necessarily good parenting, or even parenting. I think he thought I was a teenager with teenage impulses. I'm pretty sure he knew that if he just let me follow those impulses, it would wind up being very expensive and perhaps even life-endangering.

The truth is that at age 19, I was a teenage mother living alone with my daughter in a trailer and struggling to keep us afloat on my way to a divorce. And I knew then that I was going to have to work my way up and out of that life if I was going to give my daughter a better life and a better future, and that's what I've done.

I've always resented the force of attraction that traps me here on Planet Earth. It makes me feel like a bug stuck to a piece of duct tape. Ever since my teenage years, when I used to read a lot of science fiction and took it much too seriously, I've dreamed of somehow reaching escape velocity. I am, you might say, anti-gravity.

I feel like it's just so important for child and teenage development to have music in your life, honestly. And I just think it's really, really, really rewarding to me, personally, just emotionally, to know that I might have brought that into someone's life. And that just means a lot to me, because I know how important it can be.

Preacher who says that the sweet life is made from bitter parts is more or less telling those who have come to mourn the teenage suicide that this is just one bitter ingredient in the sweet thing foreordained by the benevolent god. To which I want to shake my fist and say: There is not one sweet thing about it. It is only bitter.

Back when I was 16, when I should have been doing normal high school things, I availed myself of my brand new driver's license to spend as much time as possible in Milwaukee's Renaissance Book Shop, a tumbledown five-story warehouse that the city was finally able to close down in 2011 for safety reasons. It was my teenage paradise.

My favorite place in L.A. is Manhattan Beach. It's an intimate, friendly little beachside city within a city-smaller than most of its neighbors, so it reminds me of a British seaside resort. If my three teenage sons are in town, we'll play some cricket on the flat, hard sand where the water breaks, just to really confuse the locals!

Every new thing upsets people. We all know someone that has a teenage kid who sits in the room and the television is on, their iPod is on, they have the computer on and at least three other electronic devices going while they're doing their homework. It drives the dad nuts, but he can't complain because the kid's a 4.1 (GPA) student.

Men in their teenage years and even into their mid to late 20s, they're just baboons. They're really not capable of taking account of other people's feelings, being considerate, being intimate. They are essentially high on this drug of testosterone and they have very little experience and intellect. And that's a terrible combination.

I initially wanted to tell 'Oscillate Wildly' story because it wasn't one I had heard or seen before. The invisibility piece resonated most. Somewhere over the past couple of years I realized that I've essentially been making movies for my teenage self who struggled with isolation and my own brand of invisibility living in rural Ohio.

The actual, original 'Teenage Mutant Ninja Turtles,' I have vague memories of because I was pretty small, but I loved, loved, loved it. I have only those weird, visceral little-kid memories: I remember the extreme flat, two dimensional green that was their skin or the weird pizza with no sauce - it was just like yellow, drippy cheese.

I think in terms of getting new artists who are not in that sort of stereotypical teenage boy demographic; there's been a lot of progress recently. And I shouldn't make a definitive statement about this, but my impression is that the main impediment to progress in that regard is the number of people who are choosing to make a go of it.

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